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Living Memories
Living Memories North American Premiere of The Last Anthem By Dimitris Skyllas Cappella Romana45th Parallel UniverseAlexander Lingas, music director The Last Anthem by rising star Dimitris Skyllas gives voice to memories too important to be forgotten. Co-commissioned by Cappella Romana with the İstanbul Festival, The Last Anthem remembers those caught in the “Exchange of Populations” between
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Save the Date — #GivingTuesday
SAVE THE DATE! After Two Days of Shopping, #GivingTuesday is a day to give back December 2nd, the Tuesday after Thanksgiving, is Giving Tuesday. Giving Tuesday is a global movement born in 2012 to shine a light on giving back. Make a gift to Cappella Romana by December 2nd. It is a holiday designed to
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Boston & Chicago Tour — November 14-16
Cappella Romana travels to Boston TODAY (through the Arctic Blast!) and makes its Chicago debut on Sunday Keep up with the tour on Facebook & Twitter Boston On Nov. 14, The Mary Jaharis Center for Byzantine Art & Culture presents Cappella Romana in concert, as part of the Second Boston Byzantine Music Festival. Events also
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Sacred Songs of Serbia — Program Notes: Part Two
Sacred Songs of Serbia Serbian Chant and Church Choral Music Part One Polyphonic singing appeared for the first time in Serbian churches in the 1830s as a result of European and Russian influence. The expansion of newly organized Serbian church choirs was enormous and very soon the main problem was the lack of indigenous sacred
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Meet Bogdan Djaković
Now in his 27th season directing the Choir of St. George’s Cathedral in Novi Sad, Serbia, Bogdan Djaković is one of the world’s leading experts in Serbian Orthodox Choral Music. Bogdan Djaković has established himself as an international director, leading performances in Italy, Great Britain, France, Spain, Germany, Greece, Slovenia, Croatia, Portugal, Switzerland and Sweden.
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Review from the Utrecht Early Music Festival
A wonderful new review of our concert at the Utrecht Early Music Festival by Marianne Driessen has been translated into English by our friend Maria Armstrong. “When I first started this blog, I really had made the resolution to not write about music. I do not know much about it, and my ear is not very
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Notes for the Utrecht OudeMuziek Festival!
Programme Notes for ‘The Fall of Constantinople’ Cappella Romana – Utrecht Early Music Festival 2014 The creation of a re-imagined ‘Holy Roman Empire’, an entity which centuries later would be ruled by the Hapsburgs, was initially the response of Frankish kings and a resurgent Papacy to the retreat of Roman imperial power to Eastern Mediterranean
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A Note from the Executive Director
Dear friends, Cappella Romana just successfully completed one of its largest seasons ever. Last month the ensemble recorded Steinberg’s Passion Week, the remarkable work performed complete for the first time in April, with Grammy-award winning producer Steve Barnett. This coming season is the ensemble’s most ambitious, with 13 performances in the Pacific Northwest series: 5
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Cappella Romana Premieres
Access Cappella Romana’s Premieres Program! Discover “a sound world of unique beauty” (Gramophone) with Cappella Romana: music of transcendence. Through our “Premieres Program”, live-recorded videos of Cappella Romana’s 2025-26 Pacific Northwest Season Concerts will be made available for purchase for your on-demand enjoyment. Hope and Light Mystical Chamber Music by Arvo Pärt, Tikey Zes, and
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Alexander Lingas Gives Presentations at Yale and King’s College
Alexander Lingas gives academic presentations at the Institute of Sacred Music at Yale University and the Institute of Classical Studies at King’s College London: King’s College London Eastern-Western Motet: Liturgical Music in Byzantium and the West The Musical Codification of Byzantine Hymnody See the Full Two-Day Colloquium Schedule Here Yale University Institute of Sacred Music
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Oregon Arts Watch Reviews A Time for Life
Oregon Arts Watch with a review from our A Time For Life concert in Portland: “… Kyr’s work really shines in the atmosphere it creates. The very beginning is understated, with strings alone. But as the voices come in, starting with the low tenor, the string harmony starts to take flight. A haunting spirituality arises,


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