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The SunBreak Reviews “They Are At Rest”
Portland’s Cappella Romana stepped away from its usual programming of Orthodox chant Friday night to sing a concert of music remembering the Armistice of 1918 and what it meant to the survivors. This was not by any means a rejoicing for the Armistice, but nor was it one of sorrow and anguish for the dead and wounded…Rather it was
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Artslandia Interviews Mark Bailey
Artslandia interviews our Rachmaninoff: All-Night Vigil guest-conductor Mark Bailey! Here’s an excerpt, but you can find the full interview on www.artslandia.com: “What makes this group, Cappella Romana, a good fit for this music? And more generally, what do you enjoy about working with them? Cappella Romana brings so much to this work, for one, the
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Cappella Romana Thank You Notes
Cappella Romana Executive Director Mark Powell writes his Thanksgiving Thank You Notes: Join the #GivingTuesday movement by making a gift to Cappella Romana on or before December 2nd. Giving Tuesday, the Tuesday after Thanksgiving, is a global movement born in 2012 to shine a light on giving back. It’s a holiday designed to rival Black
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CityArts Reviews Seattle Fall of Constantinople
CityArts Magazine reviews Cappella Romana’s Seattle performance of The Fall of Constantinople: “In Cappella Romana’s latest program Friday night at St. Joseph Parish, “The Fall of Constantinople,” we heard some thoughts of the defenders in music of the era—from the Byzantine side in Greek, and the Catholic side in Latin. … the sound is hypnotic,
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The Oregonian Reviews Santiago de Compostela Concert
The reviews are in! James McQuillen of The Oregonian reviews our Santiago de Compostela concert with Marcel Pérès: “An iconoclastic musicologist with an intimate knowledge of a vast range of early liturgical song, Pérès joined Portland’s Cappella Romana at St. Mary’s Cathedral on Friday night for a concert that should rank among the ensemble’s many
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Cappella Romana Holy Week in Jerusalem Program Notes – Part One
Saturday, February 2nd, after their sold-out Bing Concert Hall debut, amid the natural acoustics of Memorial Church, Cappella Romana will perform music composed for 8th and 9th-century celebrations of Holy Week in Jerusalem’s Church of the Holy Sepulcher. Great and Holy Friday in Jerusalem (Part One) In the year 637 A.D. the orthodox Christian Patriarch
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London Review
via the Londinoupolis Blog Our first review is in from our London Residency via Londinoupolis: “The concert, entitled “Desert and City: Medieval Byzantine Chant”, was an intriguing and beautiful performance of a collection of hymns from Great and Holy Friday in Jerusalem and the Vespers of St. Catherine, transporting us to an ancient time, where
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Pre-Order Lost Voices of Hagia Sophia TODAY!
Cappella Romana’s highly anticipated recording, Lost Voices of Hagia Sophia: Medieval Byzantine Chant, is coming out on November 29! Pre-order your copy today, and help put this record on the Billboard Classical Charts. You can also add the recording to your Wishlist, and make sure to share it with your friends! Pre-Order and Help Put
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Pre-Order Our Venice in the East Recording Today!
Cappella Romana’s next recording Venice in the East will be released on August 30! Pre-order your copy today, and help put this record on the Billboard Classical Charts. You can also add the recording to your Wishlist, and make sure to share it with your friends! Pre-Order and Help Put us on the Charts! Venice
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On #GivingTuesday, your gift will be doubled!
It’s #GivingTuesday, and we know all will be receiving many appeals to support the great work non-profits do in our communities. NEWS FLASH: Today we received word that the Maybelle Clark Macdonald Fund will match your gift made before Dec. 31. Your gift will be doubled! At Cappella Romana, giving is a year-round activity, and
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Cappella Romana Welcomes Superstar Basso Profundo Glenn Miller for “The Vigil”
Among singers, they’re known as basso profundos. In Russian Orthodox music, they are referred to as oktavists. Whatever you call them, they are one of the rarest – and lowest – voice parts, often singing a full octave below the normal bass range, adding new dimension and depth to the sound of an ensemble. To
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