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Byrd Ensemble – Spanish Music for the House of Habsburg
SPANISH MUSIC FOR THE HOUSE OF HABSBURG A musical exploration of the Habsburg dynasty, featuring Spanish music written for monarchs Charles V and Philip II PROGRAM Tomás Luis de VICTORIA – Requiem Mass Introitus: Requiem aeternam Kyrie Gradual Offertory Sanctus & Benedictus Agnus Dei I, II & III Communion: Lux aeterna Versa est in luctum
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25th Anniversary Season Opens This Weekend!
This Weekend: Opening Concerts of Cappella Romana’s 25th Anniversary Season! Orthodox Music: Ancient & Modern A reprise of Cappella Roman’s debut performance, which was given in 1991! The program includes selections from Rachmaninoff’s All-Night Vigil, rarely heard Byzantine chants from Constantinople, and Greek American choral works. 25th Anniversary Features in the News! The Oregonian The
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Passion and Resurrection
Ivan Moody (1964–2024) Passion And Resurrection Cappella Romana+ In MediO+ 45th Parallel Universe Alexander LingasFounder & Director Cappella Romana and In Medio (John Eisemann, director) form a choir of over 40 singers to perform Ivan Moody’s powerful oratorio Passion and Resurrection. English cantillation of Holy Week’s drama mixes with soul-stirring Orthodox hymns sung in Slavonic, Greek, and English, accompanied by
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Requiem for the Forgotten
Frank La Rocca (b. 1951) Requiem For The Forgotten with Josef Rheinberger’s Mass for Double Choir DIGITAL PREMIERE Available on-demand now Cappella Romana+ 45th Parallel Universe Richard SparksGuest Conductor Requiem for the Forgotten by Frank La Rocca for choir, organ, and strings commemorates the displaced and the homeless, championing the inherent dignity of every person. The
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Canon for Racial Reconciliation
Isaac Cates & Nicholas Reeves Canon for Racial Reconciliation Cappella Romana Isaac Cates & Anthony MaglioneGuest Conductors Experience a groundbreaking fusion of traditions with the Pacific Northwest première of the complete Canon for Racial Reconciliation for choir and gospel instrument ensemble. Isaac Cates (Gospel music) and Nicholas Reeves (Orthodox music) co-composed an unforgettable score to African American
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Privacy Policy
Who we are Our website address is: https://cappellaromana.org Our physical address is: 1201 SW 12TH AVE STE 415, PORTLAND, OR 97205 Our phone number is: (503) 236-8202 When visitors fill out forms on the site we collect the data shown in the form, and also the visitor’s IP address and browser user agent string to
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Good Friday In Jerusalem #8 on Billboard Chart!
Thanks to all of you who pre-ordered and purchased during the first week of the release, Good Friday In Jerusalem debuted at #8 on the Traditional Classical Billboard Chart! Purchase Stream
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Friday concert to sell out
The Portland concert of ARCTIC LIGHT is going to sell out, so we have opened the balcony and transept seating for overflow as required. These seats have an obstructed view. To have the best experience for Friday night’s concert, bear in mind that parking is limited around St. Mary’s Cathedral. Please come early, and use
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Lost Treasures of Armenia
The Holy Armenian Apostolic Orthodox Church continues to embody a living tradition of primarily monodic vocal music of exceptional richness and beauty. Though its hymnography is traditionally believed to have commenced with the invention of the Armenian alphabet in the fifth century, and the Hymnal as a canonical collection was definitively closed in the fourteenth
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Latin Music in Cyprus
Literary witnesses to the cultivation of music by the French kings of Cyprus are found in a variety of sources, but nearly all of the surviving music associated with the Lusignan court is contained in a single manuscript: Torino Biblioteca Nazionale Universitaria J.II.9. This remarkable document was, according to Karl Kügle (2012), evidently copied between
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Ivan Moody: From Darkness to Light
The From Darkness to Light programme is a journey in more than one sense. Firstly, it takes us from spiritual darkness (the condition which is cured, according to Orthodox Christian tradition, by metanoia, a change of heart) to light, the radiance of the Resurrection of Christ, by which mankind is made new. Secondly, it takes
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Echoes of the Renaissance — Program Notes
In his magisterial The Rise of European Music, 1380–1500, Reinhard Strohm traces the development and dissemination of complex styles of music written with multiple voice parts using measured (‘mensural’) notation that enabled precise rhythmic coordination of the voices. By the middle of the fifteenth century the most notable centers for the production of this polyphonic
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