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Hagia Sophia: A Space In Between Heaven and Earth
Professor Bissera Pentcheva presents Hagia Sophia: A Space In Between Heaven and Earth at Reed College Tuesday, November 15, 2016 – 4:45pm Eliot Hall 314 Free and open to the public More Information ** This event follows Cappella Romana’s residency with Dr. Pentcheva at Stanford, where the ensemble performed medieval Byzantine chant from Hagia Sophia
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Liège Performance On Demand!
Cappella Romana’s 3 September concert in Liège of cultural encounters between Venice and its Greek colonies is now available courtesy of Belgian Radio’s on-demand Musiq3 Service: Listen
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Il Giornale Della Musica Reviews Utrecht Early Music Festival
An Utrecht Early Music Festival mention for Cappella Romana in the Italian outlet Il Giornale Della Musica: “The connection of the Republic of Venice with the Adriatic, and more generally, Mediterranean, world was well represented by an interesting concert of the ensemble Cappella Romana, directed by Alexander Lingas, centered on the presence of the liturgical
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Utrecht Early Music Festival Review
“For centuries Venice was politically and economically one of the most important centers of Europe, which led to a multitude of relations, for instance to the East and its dominant Byzantine culture. Due to political developments residents of eastern areas also settled in Venice, including Greeks who took their own version of the Christian faith
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Festival de Namur: Time Travel With Cappella Romana
Many thanks to Kerry McCarthy for translating this wonderful review from Crescendo Magazine! Click here to read the original review. Festival de Namur: Time Travel With Cappella Romana By Aline Giaux, IMEP reporter Cappella Romana: Cyprus, dir. Alexander Lingas Cappella Romana gave an extraordinary concert this Monday, July 4, at the Namur Festival. This chamber
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Rehearsing James MacMillan’s “Videns Dominus”
New Mystics From East & West Our season closes with a program of music by two important modern voices: the Greek Orthodox composer Michael Adamis and Scottish Catholic James MacMillan. The choral works of both composers share a deeply personal quality and a rare devotion to ancient chant: Byzantine for Adamis and Gregorian for MacMillan.
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Cappella Romana on King FM This Week!
Seattle’s Classical King FM 98.1 will feature Cappella Romana recordings this week in the lead up to our Maximilian Steinberg: Passion Week concert series in Seattle and Portland! Broadcast Schedule: 8:06pm — Monday, Feb 8: Sticheron (Medieval Byzantine Chant) 8:08pm — Tuesday, Feb 9: Tikey Zes: Introit of Pentecost Tune in at www.king.org Passion Week
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Cappella Romana To Perform at International Music Symposium
Cappella Romana presents a special concert of Orthodox liturgical hymns under the direction of Fr. Ivan Moody during the 2016 Pan-Orthodox Music Symposium The International Society for Orthodox Church Music is pleased to announce that the vocal ensemble Cappella Romana will present a special concert of Orthodox liturgical hymns in Minneapolis as part of the
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Cappella Romana LIVE on AllClassical Portland
February 4th, 2016, Alexander Lingas will lead seven Capella Romana singers and the award-winning Lee Trio in a LIVE broadcast performance of works by Rimsky-Korsakov, Dmitry Bortniansky, and Maximilian Steinberg during AllClassical FM’s Thursdays @ Three program! All Classical FM Thursdays @ Three: Each week, All Classical Portland presents Thursdays @ Three, live broadcast concerts
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Steinberg: Passion Week a Gramophone Recording of the Year
Gramophone Magazine released their 2015 Recordings of the Year issue and included our Maximilian Steinberg: Passion Week recording! “This important and exciting release from the Portland, Oregon-based 26-strong chamber choir is a notable successor to their ‘Good Friday in Jerusalem’ disc (5/15). … This recording closely followed what is believed to have been the premiere
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Two Day Sale!
Today through noon on Thursday, December 17th get 25% Off Sections A & B with coupon code EARLYMUSIC for our Epiphany: Medieval Byzantine & Old Roman Chant performances! This program, which was the first all-chant concert ever given by Cappella Romana (to sold-out audiences in 2001), features Cappella Romana’s specialist ensemble of Byzantine cantors singing
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The Messiah in Willamette Week
Willamette Week calls our performance of Handel’s Messiah with the Portland Baroque Orchestra the “True Messiah” for Portlanders this Christmas 2015: “…if you want the true messianic experience that’s closest to what the composer intended and its first audiences actually heard, you’ll go for Portland Baroque Orchestra’s annual complete version, performed on replicas of instruments
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