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Alexander Lingas Previews the 2025-26 Season on KOIN AM Extra
The 2025-26 Cappella Romana Season starts October 24 & 26! Artistic Director, Alexander Lingas, joined Portland’s KOIN AM Extra morning show to preview the season and catch you up on everything Cappella Romana has been up to this summer!
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Echoes of the Renaissance – Pre-Concert Talks
Dr. Gil Seeley, music professor emeritus of Lewis and Clark College and of the Oregon Repertory Singers, will give the pre-concert talks for “Echoes of the Renaissance.” He was a classmate of Tikey Zes at the University of Southern California, and also knew Greek American composer and church musician Frank Desby, also a graduate of USC.
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Watch Cappella Romana’s Twelfth Night Performance
Watch the full performance from the Twelfth Night Festival in New York City courtesy of Trinity Wall Street!
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Stream our Messiah Performance on AllClassical FM
Courtesy of Portland’s AllClassical FM, you can listen to our performance of Handel’s Messiah with the Portland Baroque Orchestra from now through January 6, 2015! Visit www.allclassical.org today! Audio Courtesy of All Classical: http://player.allclassical.org/ondemand/other/messiah-pbo-2014.mp3
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Dr. Tikey Zes
October 10, 1927 – May 7, 2025 All of us at Cappella Romana mourn the recent passing of Tikey Zes, the most prolific composer of Greek Orthodox choral music in America. Tikey’s connection to Cappella Romana reaches back even before our founding. He was an early mentor to our founder and music director, Alexander Lingas,
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Mass Appeal
Mass Appeal In Collaboration with Portland Youth Philharmonic Cappella RomanaPortland Youth Philharmonic CamerataDavid Hattner, guest conductor Brace yourself for a sonic experience that stirs the soul and lifts the roof. Stravinsky’s Mass is bold, modern, cool—utterly mesmerizing. Bruckner’s Mass answers with lush, soaring harmonies and awe-inspiring grandeur, featuring double choir, reeds, and brass. Performed in collaboration with
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Cappella Romana sings Christmas Carols at Pioneer Courthouse Square
Christmas Carols on Wednesday, 10 December Cappella Romana sings at Pioneer Courthouse Square Wednesday, 10 December, 5:00pm Pioneer Courthouse Square: SW 6th & Yamhill FREE Stop by Pioneer Courthouse Square to enjoy a selection of Christmas carols, featuring especially selections by the late Orthodox composer Richard Toensing (recorded on the CD “Kontakion on the Nativity”).
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Handel’s Messiah — Notes by John Butt
Messiah The libretto that the irascible Charles Jennens sent to Handel at some point in the summer of 1741 was not in itself an extraordinary document within the Christian tradition. After all, the Gospels and Epistles already made ample reference to the way in which the New Testament was foretold in the Old, and this tradition
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BBC Radio 4 Features Alexander Lingas
BBC Radio 4 interviews Cappella Romana artistic director Alexander Lingas in the second episode of the series, Byzantium Unearthed, and Cappella Romana can be heard in the opening of the first episode as well as throughout! Click below to listen to Episode Two; Alexander Lingas comes in around 15:00 mark:
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What’s On Your Analogion? Podcast
Byzantine chant has a rich book and manuscript culture going back a millennium, but English language Byzantine chant books are still a very new thing. What does it take to produce beautiful chant books in a world where electronic devices and loose leaf binders have become the norm in their absence? How do they get
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National Endowment for the Arts Awards Major Grant to Cappella Romana for Black Voices in Orthodox Music
Cappella Romana is thrilled to announce a $35,000 grant from the National Endowment for the Arts for its Black Voices in Orthodox Music series, which in 2025 will feature the Canon for Racial Reconciliation by Nicholas Reeves and Isaac Cates. This grant is under the NEA’s Grants for Arts Projects, tied with My Voice Music
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Sacred Songs of Serbia — Program Notes: Part Two
Sacred Songs of Serbia Serbian Chant and Church Choral Music Part One Polyphonic singing appeared for the first time in Serbian churches in the 1830s as a result of European and Russian influence. The expansion of newly organized Serbian church choirs was enormous and very soon the main problem was the lack of indigenous sacred
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