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ArtsWatch Reviews Venice In The East
Bruce Browne reviewed Cappella Romana’s Saturday, April 28, 2018 performance of Venice in the East for Oregon ArtsWatch: Present were exquisite moments of choral artistry, impeccable tuning, bravura singing by all and thoughtful phrasing, especially by John Michael Boyer and Mark Powell, who together stood at the pinnacle of the solo work, especially many of
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Gramophone Review of The Akáthistos Hymn
Looking forward to our upcoming performances of Ivan Moody’s Akáthistos Hymn in Seattle and Portland, as well as the re-release of our original recording, we’re looking back at Gramophone Magazine’s 2003 review of our recording of the work: “The Byzantine Akáthistos Hymn probably dates from the early 6th century and comprises 24 stanzas, one for
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Help Support a New Arvo Pärt Recording
After multiple performances, and rave reviews of Arvo Pärt’s Odes of Repentance, Cappella is preparing to make a recording of this work — but in order to make it a reality, we’ll need your support! Give Today
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Rehearsing James MacMillan’s “Videns Dominus”
New Mystics From East & West Our season closes with a program of music by two important modern voices: the Greek Orthodox composer Michael Adamis and Scottish Catholic James MacMillan. The choral works of both composers share a deeply personal quality and a rare devotion to ancient chant: Byzantine for Adamis and Gregorian for MacMillan.
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Northwest Boychoir — Choral Tradition
Choral Tradition Joseph Crnko, conductor Benjamin Kromholtz, piano Martin Rothwell, baritone Friday, March 18, 2016, 7:30pm Trinity Episcopal Cathedral, Portland TICKETS https://vimeo.com/157764963 Program: George Frideric Handel: Coronation Anthem II, HWV 259 Let The Hand Be Strengthened Let Justice And Judgment Alleluia Giovanni Pergolesi: Stabat mater (selected movements) Stabat mater dolorosa O quam tristis et afflicta
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Cappella Romana LIVE on AllClassical Portland
February 4th, 2016, Alexander Lingas will lead seven Capella Romana singers and the award-winning Lee Trio in a LIVE broadcast performance of works by Rimsky-Korsakov, Dmitry Bortniansky, and Maximilian Steinberg during AllClassical FM’s Thursdays @ Three program! All Classical FM Thursdays @ Three: Each week, All Classical Portland presents Thursdays @ Three, live broadcast concerts
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Preview The Rose Ensemble!
Preview the Rose Ensemble before their Sunday concert in Portland: [soundcloud url=”https://api.soundcloud.com/playlists/166683597″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /] Cappella Romana Presents The Rose Ensemble Sunday, November 22nd – 2:30pm St. Mary’s Cathedral, Portland TICKETS Cappella Romana presents The Rose Ensemble from Minneapolis, MN for one night only in Portland. The Rose Ensemble performs the program Il
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New Benefits for Donors! Featuring Passes for Cappella Romana Patron Rehearsals
Have you seen our new donor benefits? One of the highlights for donors at the Litany level and above ($100 or more) is two passes to our brand new series of Patron Rehearsals in Seattle and Portland! Go behind the scenes with the artists of Cappella Romana as they work through the final stages of
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Maximilian Steinberg: Passion Week in The New York Times
New York Times critic James R. Oestreich shared that he’d been listening to our Maximilian Steinberg: Passion Week recording in the ArtsBeat “Classical Playlist”: “‘Passion Week’…is on a scale with the great sacred works of Tchaikovsky and Rachmaninoff, though in a slightly more advanced idiom, and is quite simply beautiful.” —James R. Oestreich, The New
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Cappella Romana singer Kerry McCarthy wins major award!
Cappella Romana singer Kerry McCarthy, a graduate of Reed College and Stanford University, recently returned to Portland, OR after 11 years of teaching music history at Duke University. She is known for her work on early English music, and has just been awarded the 2014 ASCAP Nicolas Slonimsky Outstanding Musical Biography Award for her book
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#ThrowbackThursday — Fall of Constantinople Gramophone Review
Before this weekend’s presentations of The Fall of Constantinople, here’s a look back at Gramophone Magazine’s review of our recording of this repertoire: “English-speaking audiences commonly associate Greek Orthodox plainchant with the music of John Tavener, whose work draws substantially from its ethos. This recording confronts plainchant with the compositions of another Western composer, albeit


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