-
Ivan Moody: From Darkness to Light
The From Darkness to Light programme is a journey in more than one sense. Firstly, it takes us from spiritual darkness (the condition which is cured, according to Orthodox Christian tradition, by metanoia, a change of heart) to light, the radiance of the Resurrection of Christ, by which mankind is made new. Secondly, it takes
-
Arctic Light: Orthodox Choral Music from Finland — Program Notes
Arctic Light Orthodox Choral Music from Finland The history of Orthodox Christianity in Finland goes back to the 12th century when trade was initiated between Carelia and traders from Novgorod. The early establishment of monasteries in Karelia, especially Valamo (Valaam) and Konevitsa on the islands of Lake Ladoga, and later, at Petsamo (Pechenga, on the
-
The Tallis Scholars: Metamorphosis
METAMORPHOSIS H. Praetorius: Magnificat IV Gibbons: Magnificat (‘Short’) Pärt: Magnificat Sheppard: Our father Tavener: Our father (1999 version) Stravinsky: Otche nash Palestrina: Pater noster (a5) Gallus: Pater noster (a8) Interval Chant: Ave Maria Mouton: Ave Maria – virgo serena Stravinsky: Bogoroditse devo Pärt: Bogoroditse devo Gibbons: Nunc dimittis (‘Short’) Eccard: Maria wallt zum Heiligtum Pärt:
-
Dr. Tikey Zes
October 10, 1927 – May 7, 2025 All of us at Cappella Romana mourn the recent passing of Tikey Zes, the most prolific composer of Greek Orthodox choral music in America. Tikey’s connection to Cappella Romana reaches back even before our founding. He was an early mentor to our founder and music director, Alexander Lingas,
-
Sacro Monteverdi: Vox Luminis
Special Guest Concert Sacro Monteverdi Vox Luminis Belgium Lionel MeunierFounder & Director The world-renowned ensemble Vox Luminis from Belgium makes its Pacific Northwest début! Their singers and period instrument ensemble perform rapturous sacred works by Claudio Monteverdi. Monteverdi’s collection Selva morale e spirituale (The Virtuous and Spiritual Forest) forms the trunk of this program. Cappella Romana’s own Mark Powell
-
Byrd Ensemble – Spanish Music for the House of Habsburg
SPANISH MUSIC FOR THE HOUSE OF HABSBURG A musical exploration of the Habsburg dynasty, featuring Spanish music written for monarchs Charles V and Philip II PROGRAM Tomás Luis de VICTORIA – Requiem Mass Introitus: Requiem aeternam Kyrie Gradual Offertory Sanctus & Benedictus Agnus Dei I, II & III Communion: Lux aeterna Versa est in luctum
-
Kastalsky Requiem: Program Notes
Vasily Polikarpovich Titov (c.1650–c.1715) – Cherubic Hymn; Megalynarion Vasily Titov was one of two leading composers of Russian Baroque music, the other being Nikolai Diletsky (c. 1630–80). Titov’s life and work mark the mid-point of the process of Russia’s musical Westernization, which gained new momentum during the reign of Tsar Peter the Great (1689 –1725).
-
Living Memories
Introduction: Modern Greek Poetry and Memory Living Memories SEATTLE Fri 14 Nov 2O25, 7:3O PMSt. James CathedralFirst Hill, Seattle PORTLAND Sat 15 Nov 2O25, 2:OO PMHoly Trinity Greek Orthodox ChurchLaurelhurst, Portland “Eternal memory” is the final chant of funeral and memorial services in the Byzantine rite of Christian liturgy. Ancient in origin, this simple exclamation
-
The 12 Days of Christmas in the East
The 12 Days of Christmas in the East Tour Cappella Romana Alexander LingasMusic Director and Founder Music director Alexander Lingas leads Cappella Romana in a joyful program of early and contemporary music from the Greek Orthodox tradition sung during the Twelve Days of Christmas. Medieval Byzantine chant, choral works by Greek Americans Frank Desby, Tikey
-
Cappella Romana 2012 Highlights
As we get ready for an exciting 2013, we’re taking some time to look back on the highlights of 2012! January – Sold-Out Rachmaninoff Vigil Concerts March – Tour to Metropolitan Museum NY, Boston and environs May – World premieres in “Be Radiant O Peoples!” concert series July – Abbey Bach Festival LIVE IN GREECE:
-
Echoes of the Renaissance — Program Notes
In his magisterial The Rise of European Music, 1380–1500, Reinhard Strohm traces the development and dissemination of complex styles of music written with multiple voice parts using measured (‘mensural’) notation that enabled precise rhythmic coordination of the voices. By the middle of the fifteenth century the most notable centers for the production of this polyphonic
-
Online Explorations
Language in American Orthodox Music: Liturgical and Pastoral Perspectives Please join us for this webinar hosted by the Orthodox Christian Studies Center and presented in co-operation with Cappella Romana. It has often been asserted that it is the tradition of the Orthodox Church to worship in the local language. Yet the historical reality has been far more complex, with
You must be logged in to post a comment.