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Canon for Racial Reconciliation
Isaac Cates & Nicholas Reeves Canon for Racial Reconciliation Cappella Romana Isaac Cates & Anthony MaglioneGuest Conductors Experience a groundbreaking fusion of traditions with the Pacific Northwest première of the complete Canon for Racial Reconciliation for choir and gospel instrument ensemble. Isaac Cates (Gospel music) and Nicholas Reeves (Orthodox music) co-composed an unforgettable score to African American
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Lusitano: Black Composers of the Renaissance
Marian Consort Sings Lusitano: Black Composer of the Renaissance The Marian Consort United Kingdom Rory McCleeryFounder & Director Embark on a journey to 16th-century Portugal with music by Vicente Lusitano (1520–1561), the first published Black composer. The Marian Consort (UK) is the world’s leading ensemble for the music of Lusitano, led by Alexander Lingas’s good friend Rory
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Out of the Ashes of Smyrna
Out of the Ashes of Smyrna Tour Cappella Romana John Michael BoyerAssociate Director The acclaimed ensemble Cappella Romana (“simply beautiful” New York Times) comes to Boston and New Orleans this November. Led by John Michael Boyer, associate music director, they will sing Byzantine Chant at the beautifully renovated Dormition Church in Somerville and one of
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Ivan Moody visits music composition class
In addition to working with the concert choir, Ivan Moody discussed composition with students from Oregon Episcopal School. The visit was hosted by Adam Steele, singer in Cappella Romana and on the music faculty at Oregon Episcopal School.
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Ukrainian-American Artist Mary Chomenko Hinckley to Display Artworks at Portland Concert
Mary Chomenko Hinckley, a first generation Ukranian-American, works in bronze, resin, glass, paint and photography. Her investigations create a colorful dialogue between nature and civilization and time and place. She is Portland-based. At the Portland concert of Christmas in Ukraine, you’ll have the chance to see three of her works up-close, including life-size urban coyotes
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The Oregonian Explores Cappella Romana’s History
Brett Campbell explores Cappella Romana’s history in The Oregonian before this weekend’s 25th Anniversary Celebrations: “When Alexander Lingas moved to San Francisco in 1990, the Greek Orthodox cathedral where he’d just been appointed associate cantor lay in ruins, devastated by the 1989 Loma Prieta earthquake. Lingas wanted to help the church rebuild – and the
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Alexander Lingas’s Cappella Romana Playlist: Music for Easter Sunday
Welcome to the fourth playlist from the archives of Cappella Romana, we turn to music celebrating the Resurrection of Jesus on Easter Sunday, a feast called ‘Pascha’ in Greek and Slavonic. As a way of offering you my own seasonal greetings, I am concluding this week’s list with a choral setting of this hymn that
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Peter Michaelides and The Divine Liturgy of John Chrysostom
Cappella Romana will be premiering a new work from Peter Michaelides during the Be Radiant, O Peoples! tour this coming weekend. So in preparation, we wanted to share this review from our 2006 release of Peter Michaelides: The Divine Liturgy of St. John Chrysostom from AllMusic.com: “Cappella Romana’s Peter Michaelides: The Divine Liturgy of St.
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Ivor Gurney: “Since I Believe”
Choir & Organ Magazine has a wonderful feature on the recent publication of Ivor Gurney’s Since I Believe in God the Father Almighty Motet. Cappella Romana is excited to be giving the North American premiere performance on our They Are At Rest series November 9 and 11, 2018: “Composed in June 1925, the motet for
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Alexander Lingas Receives New Title
Cappella Romana artistic director Alexander Lingas has received the title of Archon Mousikodidaskalos (Music Teacher) of the Great Church of Christ on behalf of His All-Holiness, Bartholomew I, Archbishop of Constantinople-New Rome and Ecumenical Patriarch. Dr. Lingas said “I am humbled to receive this title from His All-Holiness, Ecumenical Patriarch Bartholomew I. I am also
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Ivan Moody Talks Akáthistos Hymn With iClassics
“The harmonies are lush and dark in Russian style, though periodically the shadows disperse as in a cloud-break and the sound brightens. The effect over the whole hymn is of a slow revelation of light and warmth over an ancient musical ground.” (Willamette Week) “Something new, substantial, and profound” (Sunday Oregonian) Standing Room Only — Ivan
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Arctic Light II: Northern Exposure – Program Notes
The genesis of this concert program occurred last season in January 2017 after renowned Finnish choral conductor Timo Nuoranne was slated to appear with Cappella Romana to direct Einojuhani Rautavaara’s Vigilia (All-Night Vigil). Timo Nuoranne has championed that work in particular throughout his career, having performed it with both Finnish and non-Finnish choirs, and made
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