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LIVE IN GREECE: From Constantinople to California – Part One
As we approach the release of LIVE IN GREECE: From Constantinople to California, we’ll be sharing some excerpts from the liner notes to give you a bit of background into the programming of this recording. From Constantinople to California: Cappella Romana was founded on the Pacific Coast of the USA in 1991 to explore, through
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LIVE IN GREECE: From Constantinople to California – Part Two
As we approach the release of LIVE IN GREECE: From Constantinople to California, we’ll be sharing some excerpts from the liner notes to give you a bit of background into the programming of this recording. I – Greeks and Latins in the Eastern Mediterranean The Crusades transformed the Eastern Mediterranean politically into a patchwork of
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LIVE IN GREECE: From Constantinople to California – Part Four
As we approach the release of LIVE IN GREECE: From Constantinople to California, we’ll be sharing some excerpts from the liner notes to give you a bit of background into the programming of this recording. Part One Part Two Part Three III – Liturgical Choral Music in the Greek Orthodox Churches of the western United
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LIVE IN GREECE: From Constantinople to California – Part Five
As we approach the release of LIVE IN GREECE: From Constantinople to California, we’ll be sharing some excerpts from the liner notes to give you a bit of background into the programming of this recording. Part One Part Two Part Three Part Four Younger Byzantine Contemporaries Two younger contemporaries of Frank Desby who were strongly
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You Are Invited To “A Taste Of Byzantium” & The Sounds of Hagia Sophia
Honorary Chairman His Eminence Metropolitan Gerasimos of San Francisco and the Board of Directors of Cappella Romana Invite You To: A Taste of Byzantium & The Sounds of Hagia Sophia Saturday, November 3, 6:00 p.m. to 9:00 p.m.RSVP by October 1 Presenting Stanford University’s Icons of Sound project, a Virtual Performancece in 1000 A.D. Constantinople.
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Choral Glory Featured in Portland Monthly
Upcoming Cappella Romana concert with the Portland Baroque Orchestra gets a wonderful feature in Portland Monthly, and highlights conductor Monica Huggett and Catherine van der Salm. “There was a moment during soprano Catherine van der Salm’s early 2011 performance of Bach’s The St. John Passion that was so beautiful, she started to choke up. The
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Oregon Days of Culture feature Cappella Romana Hagia Sophia Performance
Oregon Days of Culture and the Portland Tribune & Community Newspapers have a wonderful feature on the upcoming Stanford Residency concerts and the “Icons of Sound” project highlighting “The Sounds of Hagia Sophia.” Heavenly Experience: Vocal chamber ensemble Cappella Romana performs from Portland to Stanford to Greece “It is said that when the Slavic people
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Coming Soon – Santiago De Compostela
We’re only a month away from the start of the 2012-2013 Season as Marcel Pérès makes his Northwest and Cappella Romana debut directing an all-male chant ensemble in a program of medieval latin hymnody for St. James, sung directly from facsimilies of the Codex Calixtinus. This is the medieval manuscript that was only recently recovered
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Oregon Arts Watch Reviews Choral Glory
Photo courtesy of Oregon ArtsWatch Oregon ArtsWatch with a review of our recent collaboration with the Portland Baroque Orchestra — Choral Glory! “It didn’t take long for this new Oregon classical music season to produce the first truly great performance I’ve heard this fall. Friday night’s concert featuring the superb Portland choir Cappella Romana and
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More on Ensemble Organum and Marcel Peres
About Ensemble Organum’s last record: Requiem of Divitis (16th century) For thirty years now, the vocal ensemble Organum has slowly but surely, far from the eye of the public at large, pieced together a veritable history of the singing of sacred music. With this new disc, Organum adds yet another layer to the knowledge of
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A little about the Codex Calixtinus
A little about the Codex Calixtinus: The Codex Calixtinus is an illuminated manuscript compiled by French scholar Aymeric Picaud between 1135 and 1139. The Codex has been held in the archives of the Cathedral of Santiago de Compostela since 1150, and was intended as an anthology for pilgrims following the “Way of St. James” to
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The Oregonian Reviews Santiago de Compostela Concert
The reviews are in! James McQuillen of The Oregonian reviews our Santiago de Compostela concert with Marcel Pérès: “An iconoclastic musicologist with an intimate knowledge of a vast range of early liturgical song, Pérès joined Portland’s Cappella Romana at St. Mary’s Cathedral on Friday night for a concert that should rank among the ensemble’s many
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