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Cyprus — The Ars nova and its Byzantine Counterpart
Latin and Greek sacred music of the Middle Ages shared both roots in the Christian psalmody of Roman Late Antiquity and a common inheritance of Ancient Greek musical theory. Despite centuries of troubled relations between Byzantine Christianity and the Church of Rome that went from bad to worse with the Crusader sack and occupation of
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Benjamin Tissell Reviews Rachmaninoff All-Night Vigil
A wonderful heartfelt review of our Rachmaninoff All-Night Vigil concert from artist Benjamin Tissell: “…it was with great relish that I spent last Saturday night trying to finagle my way into a choir concert for the student price. The choir was Cappella Romana, one of the best around. The piece was Rachmaninoff’s “All Night Vigil”
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Planet Hugill Reviews Maximilian Steinberg: Passion Week
Robert Hugill has a new review for our “Remarkable re-discovery” of Maximilian Steinberg’s Passion Week: “Musically it is very much in the same genre as Rachmaninov’s All Night Vigil (Vespers), the chant in Steinberg’s work has similar recognisable outlines. Steinberg’s harmony is more classical…and the chants stand out more in Steinberg. …Quite romantic in texture,
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Neal Stephenson loves Byzantine music
Who would have thought that Neal Stephenson, one of the world’s most famous science fiction writers, would be a fan of Cappella Romana? He says his favorite type of chant is Byzantine Chant. The music accompanying his new novel employs some singers from Cappella Romana. More info here, by its composer, David Stutz. Living With
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Review of Toensing Kontakion in the Seattle PI
‘Kontakion’ reflects the old, new Full text of the article … The first half of the program was devoted to carols and hymns of all sizes and attitudes. Most were written in the past century, with texts in English and Greek. Although they may be familiar in Orthodox circles, they are not so known outside
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Get a look at Bing Concert Hall
February 1st, Cappella Romana will perform in Stanford University’s all-new Bing Concert Hall (just opened this past weekend)! Cappella Romana will perform the “From Constantinople to California” program amid acoustics electronically enhanced to simulate the lush resonances of the ancient Hagia Sophia cathedral in Istanbul, Turkey in collaboration with faculty in Art & Art History and the
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Support Cappella Romana by December 31
“Kassianí’s time-defying flow of melodies imparts serene glimpses into eternity.” —Gramophone Magazine “The most beautiful concert experience in recent memory.” —Cappella Romana Patron Dear friend, I believe you’ve felt it: That moment when the music washes over you and an amazing calmness takes over. Your heartbeat slows. Your breathing gets deeper. You connect with something
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Audiophile Audition Gives Five Stars to Hymns of Kassianí
Audiophile Audition gives a five-star review to Cappella Romana’s Hymns of Kassianí recording: “Kassia is especially known for one particular piece, the Hymn of Kassiani, so-called because of its placement in the orthros (matins) service of Holy Wednesday. It is a masterly composition of great pathos, commemorating the harlot who anointed the feet of Jesus and
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First Reviews for Hymns of Kassianí!
Cappella Romana’s new recording, Hymns of Kassianí comes out the 16th April, and reviewers are already excited: “Cappella Romana are specialists in Byzantine chant, and this album is a stunner. The release is an SACD hybrid multichannel recording. If possible, opt for the physical disc rather than the digital download for this one. The release
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Fanfare Magazine Interviews Benedict Sheehan
Fanfare Magazine’s James A. Altena has a new must-read interview with Benedict Sheehan after the release of his Divine Liturgy of Saint John Chrysostom recording with the St. Tikhon Choir on Cappella Records: Benedict Sheehan is the artistic director of the Saint Tikhon Choir, at St. Tikhon’s Orthodox Monastery in South Canaan, PA (in the
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More Praise for Lost Voices of Hagia Sophia in MusicWeb International
Mark Sealey adds his voice to the growing list of reviews of Lost Voices of Hagia Sophia on MusicWeb International: “From the first note, we hear dedication, focus, energy, a balanced and measured concentration on – as far as is possible in our noisy world – how the monks and lay staff of the Hagia
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In Le Monde: Hagia Sophia: The Great Amplifier
Ece Temelkuran, Journaliste et essayiste: « Avec la transformation de la basilique Sainte-Sophie, Erdogan achève de créer une Turquie à sa main » La basilique « a toujours été la diversion politique favorite » du président turc, relève, dans une tribune au « Monde », la journaliste exilée. Il détourne ainsi l’attention des problèmes majeurs
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