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Meet Marcel Pérès
2012-2013 Season opener features guest conductor Marcel Pérès conducting “Santiago De Compostela: Medieval Latin Chant for St. James” in his Cappella Romana debut. Meet this celebrated conductor: “Marcel Pérès, perhaps the greatest iconoclast among the early music performers of his generation, challenges his audience to rethink how we hear musical repertories from the tenth to
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LIVE IN GREECE: From Constantinople to California – Part Two
As we approach the release of LIVE IN GREECE: From Constantinople to California, we’ll be sharing some excerpts from the liner notes to give you a bit of background into the programming of this recording. I – Greeks and Latins in the Eastern Mediterranean The Crusades transformed the Eastern Mediterranean politically into a patchwork of
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Looking back at Cappella Romana in Greece
Now that LIVE IN GREECE is officially released, we’re taking the rest of the time this week to look back at our time on the tour when we made the recording. Cappella Romana on National Greek Television: Tour Video: Cappella Romana LIVE IN GREECE: From Constantinople to California Ancient Byzantine chants begin this 1,000-year journey
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The Oregonian Reviews Santiago de Compostela Concert
The reviews are in! James McQuillen of The Oregonian reviews our Santiago de Compostela concert with Marcel Pérès: “An iconoclastic musicologist with an intimate knowledge of a vast range of early liturgical song, Pérès joined Portland’s Cappella Romana at St. Mary’s Cathedral on Friday night for a concert that should rank among the ensemble’s many
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Cappella Romana Holy Week in Jerusalem Program Notes – Part Two
Saturday, February 2nd, the day after our (already sold-out) Bing Concert Hall debut, Cappella Romana will perform music composed for 8th and 9th-century celebrations of Holy Week in Jerusalem’s Church of the Holy Sepulcher amid the natural acoustics of the Stanford University Memorial Church. Great and Holy Friday in Jerusalem (Part Two) Stanford Memorial Church
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Cappella Romana Brings Byzantine Chant to the Great Hall at the Hellenic Centre
Cappella Romana Brings Medieval Byzantine Chant to London Byzantine Chant Mini-Symposium & Recital at the Hellenic Centre The Hellenic Centre Cappella Romana, in collaboration with the School of Byzantine Music and the Archdiocese of Thyateira, presents a mini-symposium and recital of Byzantine chant. Leading liturgical scholars and musicologists from the UK and US discuss ‘The
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Celebrate Pascha! Also In Mulieribus this Sunday!
Happy Pascha: May 5 Cappella Romana sings the opening of Semeron krematai in the medieval melody from Jerusalem, during recording sessions at Stanford University in February, 2013. Σήμερον κρεμᾶται ἐπὶ ξύλου, ὁ ἐν ὕδασι τὴν γῆν κρεμάσας. Today he who hung the earth upon the waters is hung upon a TreeHe who is King of
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Cappella Romana Postpones January 2022 Concerts and Recording
Due to mounting public health concerns regarding COVID-19 and the increased prevalence of the omicron variant, Cappella Romana’s January performances of A Byzantine Emperor at King Henry’s Court have been postponed.
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The Divine Liturgy of St. John Chrysostom
The Divine Liturgy bearing the name of St. John Chrysostom (d. 407) is the form of the Eucharist celebrated most frequently in the modern Byzantine rite. Like the communion services of most other Christian traditions, it features two large sections: a service of the Word that climaxes with readings from the New Testament and concludes
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“The Green Patriarch,” Cappella Romana, And a Time For life
Before climate change became a pressing item on the global agenda, signs of human abuse of the natural environment had prompted efforts in religious communities throughout the world to recover spiritually grounded notions of human stewardship within creation. For Orthodox Christianity, this process began in earnest during the second half of the tenure of His
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The Divine Liturgy Of St. John Chrysostom — Liner Notes Part Two
John Sakellarides and Greek American Choral Music for the Divine Liturgy The first notated examples of polyphonic music for the Byzantine rite—that is, music employing more than one vocal part intended for worship by Eastern Orthodox and Greek Catholic Christians—appeared shortly before 1453 among the works of singers who served at the courts of the
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The Divine Liturgy Of St. John Chrysostom — Liner Notes Part Three
A Second Generation of Greek American Church Musicians After the Second World War a second generation of Greek American church musicians emerged, some of whom had received training in Western art music at American universities. The composers among them soon began to recast the legacy of Sakellarides by rescoring his harmonized works idiomatically for mixed
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