Category: Press Reviews
Oregon ArtsWatch on The Tudor Choir
“The Tudor Choir re-opened for business this month. On hiatus since 2015, the ensemble presented one concert in their hometown of Seattle and two more in the Portland Metro area, at St. Mary’s Cathedral and in Hillsboro’s St. Matthew’s Church. The latter is a wonderfully accessible venue with a reverberant acoustic, challenging but with potential…
Smithsonian Magazine Features Icons of Sound
Our “Icons of Sound” concert and collaboration with Stanford University gets a fantastic feature in the Smithsonian Magazine: “Hagia Sophia, a former church and mosque, is an important part of Istanbul’s long history. Who knew its sublime sound could be transferred to Stanford? Twice in the past few years, Stanford scholars and scientists have worked…
The Oregonian Explores Cappella Romana’s History
Brett Campbell explores Cappella Romana’s history in The Oregonian before this weekend’s 25th Anniversary Celebrations: “When Alexander Lingas moved to San Francisco in 1990, the Greek Orthodox cathedral where he’d just been appointed associate cantor lay in ruins, devastated by the 1989 Loma Prieta earthquake. Lingas wanted to help the church rebuild – and the…
Gramophone Magazine Names Steinberg: Passion Week An Editor’s Choice!
Gramophone Magazine names our new Maximilian Steinberg: Passion Week recording an August Editor’s Choice! “This important and exciting release from the Portland, Oregon-based 26-strong chamber choir is a notable successor to their ‘Good Friday in Jerusalem’ disc (5/15). … This recording closely followed what is believed to have been the premiere complete performance by these…
Oregon ArtsWatch Reviews From Darkness to Light
Oregon ArtsWatch critic Jeff Winslow weighed in on Cappella Romana’s recent performance of Schnittke’s Verses of Repentance during our From Darkness to Light concert: “Only a tin-eared deity could fail to be moved by such offerings. … In the final movement, over a constant drone from the low basses, the other voices, singing wordlessly with…
Maximilian Steinberg: Passion Week in The New York Times
New York Times critic James R. Oestreich shared that he’d been listening to our Maximilian Steinberg: Passion Week recording in the ArtsBeat “Classical Playlist”: “‘Passion Week’…is on a scale with the great sacred works of Tchaikovsky and Rachmaninoff, though in a slightly more advanced idiom, and is quite simply beautiful.” —James R. Oestreich, The New…
Good Friday in Jerusalem a “Home Run”
The “Almost Rational” blogger, Steven Bilow, calls Good Friday In Jerusalem a “Home Run” in his review: “Cappella Romana’s Good Friday in Jerusalem is a superb example of just how lovely this music can be. It was recorded in a Church at Stanford and engineered by some clearly acoustically savvy members of Stanford’s Center for…
Orthodox Arts Journal Review for Good Friday
The Orthodox Arts Journal asks “How can music be alive?” in On History and Tradition: A Review of Cappella Romana’s “Good Friday in Jerusalem”. “Good Friday in Jerusalem is no exception to the level of quality that audiences have come to expect from Cappella Romana’s recordings; the singing on the disc is at once rich,…
Audiophile Audition Five Star Review for Good Friday In Jerusalem!
Audiophile Audition‘s Steven Ritter gives five star to the new Cappella Romana Good Friday In Jerusalem release! “This is the all-male version of Cappella Romana, and Alexander Lingas has his Portland-based ensemble going from strength to strength, perfectly judged balances among the melodists and those singing the ison, or lower drone notes, and executing these…
MusicWeb International Reviews A Time For Life
Brian Reinhart of MusicWeb International reviews the new Cappella Romana release, A Time For Life: “There can be no questioning Kyr’s skill as a composer. Just listen to the first five minutes, as singers enter one-by-one — there are only eight — to the accompaniment of a single solitary cello. Many writers would need half…
Leitourgeia kai Qurbana reviews Arctic Light
Richard Barrett reviews the Cappella Romana Arctic Light recording on his Leitourgeia kai Qurbana blog: “Where there is an intriguing religious culture, one hopes there will also be an intriguing culture of religious music, and Fr. Ivan Moody, conducting Cappella Romana, makes the case for the music of the Orthodox Church of Finland on the…
#ThrowbackThursday — Fall of Constantinople Gramophone Review
Before this weekend’s presentations of The Fall of Constantinople, here’s a look back at Gramophone Magazine’s review of our recording of this repertoire: “English-speaking audiences commonly associate Greek Orthodox plainchant with the music of John Tavener, whose work draws substantially from its ethos. This recording confronts plainchant with the compositions of another Western composer, albeit…
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