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Seattle Machaut Review
“The most visceral part of the recital was simply the experience of hearing this music in a close approximation to its original acoustical and architectural context. What’s more, partaking in Machaut’s Messe reinforces why Medieval music is so fascinating to contemporary composers. Listening to it is rather like listening to a 20th century landmark composition
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Northwest Focus features Machaut: Messe de Nostre Dame
In the lead-up to our Machaut: Messe de Nostre Dame series, Seattle’s KING FM will be previewing the performance with Cappella Romana recordings on the Northwest Focus program! See the schedule: Date Time Music Mon, Jan 29 9:00pm Byzas: Sticheron Apostichon Idiomelon for St. Basil Tues, Jan 30 9:21pm Dufay: Lamentatio Sanctae Matris Ecclesiae Constantinpolitanae
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Marcel Pérès Returns for Machaut: Messe de Nostre Dame
Following his Cappella Romana début in 2012 leading powerful chants from Santiago de Compostela, international early music star Marcel Pérès from Paris directs the earliest known Mass setting by a single composer, Guillaume de Machaut (1300-1377), with chants for Candlemas. Widely considered an iconoclast in the early music movement, Medieval Latin chant specialist Marcel Pérès
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Alexander Lingas and Arvo Pärt!
Many, many thanks to the gracious staff of the Arvo Pärt Centre for making a hastily arranged research trip turn out to be a visit full of human warmth, productive study, and spiritual reflection. Special thanks to Arvo and Nora Pärt, who gave selflessly of their time to enrich my understanding and experience. I leave
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How Timo Nuoranne is coming back to Cappella Romana
Audiences in the Pacific Northwest know Timo Nuoranne from his Cappella Romana debut with Arctic Light in 2014: a concert program that was almost scrapped, as the program’s original director (Fr. Ivan Moody) was forced to cancel his appearance due to a recent injury that prevented him from flying. The project was a brilliant success,
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Cappella Romana seeks a Director of Marketing and Communications
Job Title: Director of Marketing and Communications Reports to: Executive Director Status: Full-time, exempt Compensation: Salary commensurate with experience Description: The Director of Marketing and Communications (DMC) builds and engages audience for Cappella Romana by creating and executing strategies designed to enhance patron experience, retention, and revenue. With a key focus on subscription and single
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Meet Benedict Sheehan
Guest Director October 20-22 Benedict Sheehan is a composer, conductor, arranger, writer about, and teacher of, music. He is Director of Music at St. Tikhon’s Orthodox Theological Seminary and Monastery; and, since founding the group in 2015, he has served as Artistic Director of the Chamber Choir of St. Tikhon’s Monastery, a professional vocal ensemble.
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Spyridon Antonopoulos on Medieval Church Acoustics
The Red Bull Music Academy features an interview with Cappella Romana’s own Dr. Spyridon Antonopoulos and Emma Warren for an exploration of the transcendent impact and contemporary relevance of medieval acoustics: “‘Kalophonic music was more embellished and abstract,’ explains Antonopoulos. ‘There are entire compositions of just syllables. It’s an evolution where music seems to usurp
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Fanfare Magazine Review for Cyprus: Between Greek East and Latin West
New Fanfare Magazine review for our Cyprus: Between Greek East and Latin West recording! “Musicologist Alexander Lingas continues his mesmerizing exploration of the music of both traditions with a release that offers, as he states in his extensive notes, ‘a sampling of the Byzantine and Latin sacred music that someone could have encountered during the
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Venice in the North
Following the Ottoman conquest of Constantinople in 1453, the peoples of Russia and Ukraine began to look to the West not only for trading partners, but also for political, intellectual and artistic models. The Westernization of northern Slavic societies rooted in Byzantine traditions of governance and religion accelerated during the tumultuous seventeenth century, which saw
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Seattle Times Reviews Northwest Boychoir Stabat Mater
Ahead of their March 18th Portland performance, the Northwest Boychoir performed Pergolesi’s Stabat Mater with an ensemble of Seattle Symphony musicians under the direction of King’s College Choir director Stephen Cleobury: “The Boychoir, directed for the past 30 years by Joseph Crnko, has become a beloved Northwest fixture…with singing of exceptional clarity and balance, imposing


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