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The Oregonian Features “They Are At Rest”
The Oregonian interviews Cappella Romana executive director Mark Powell for a feature on our They Are At Rest series: Cappella Romana appears to be the only professional artistic organization in Portland giving a performance commemorating the 100th anniversary of World War I’s end. “This is the right thing for us to do,” Mark Powell, Cappella…
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The SunBreak Reviews “Venice in the East”
Seattle’s The SunBreak reviews Cappella Romana’s April 27, 2018 Venice in the East performance: “Hearing Cappella Romana singing in St. James Cathedral is to hear a slice of heaven. … As always, the presentation was scholarly, as accurate a portrayal of the music as it would have been performed as can be ascertained through diligent…
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Seattle Machaut Review
“The most visceral part of the recital was simply the experience of hearing this music in a close approximation to its original acoustical and architectural context. What’s more, partaking in Machaut’s Messe reinforces why Medieval music is so fascinating to contemporary composers. Listening to it is rather like listening to a 20th century landmark composition…
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Northwest Focus features Machaut: Messe de Nostre Dame
In the lead-up to our Machaut: Messe de Nostre Dame series, Seattle’s KING FM will be previewing the performance with Cappella Romana recordings on the Northwest Focus program! See the schedule: Date Time Music Mon, Jan 29 9:00pm Byzas: Sticheron Apostichon Idiomelon for St. Basil Tues, Jan 30 9:21pm Dufay: Lamentatio Sanctae Matris Ecclesiae Constantinpolitanae…
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Marcel Pérès Returns for Machaut: Messe de Nostre Dame
Following his Cappella Romana début in 2012 leading powerful chants from Santiago de Compostela, international early music star Marcel Pérès from Paris directs the earliest known Mass setting by a single composer, Guillaume de Machaut (1300-1377), with chants for Candlemas. Widely considered an iconoclast in the early music movement, Medieval Latin chant specialist Marcel Pérès…
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Cappella Romana seeks an Operations Manager
Job Title: Operations Manager Reports to: Executive Director Status: Full-time, exempt Compensation: Salary commensurate with experience Cappella Romana seeks bright, dynamic, and creative candidates from diverse backgrounds for the position of Operations Manager. The Operations Manager (OM) serves as a creative lead for managing the day-to-day operations of Cappella Romana, including an array of activities…
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Cappella Romana seeks a Director of Marketing and Communications
Job Title: Director of Marketing and Communications Reports to: Executive Director Status: Full-time, exempt Compensation: Salary commensurate with experience Description: The Director of Marketing and Communications (DMC) builds and engages audience for Cappella Romana by creating and executing strategies designed to enhance patron experience, retention, and revenue. With a key focus on subscription and single…
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Meet Benedict Sheehan
Guest Director October 20-22 Benedict Sheehan is a composer, conductor, arranger, writer about, and teacher of, music. He is Director of Music at St. Tikhon’s Orthodox Theological Seminary and Monastery; and, since founding the group in 2015, he has served as Artistic Director of the Chamber Choir of St. Tikhon’s Monastery, a professional vocal ensemble.…
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Gramophone Review of The Akáthistos Hymn
Looking forward to our upcoming performances of Ivan Moody’s Akáthistos Hymn in Seattle and Portland, as well as the re-release of our original recording, we’re looking back at Gramophone Magazine’s 2003 review of our recording of the work: “The Byzantine Akáthistos Hymn probably dates from the early 6th century and comprises 24 stanzas, one for…
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Spyridon Antonopoulos on Medieval Church Acoustics
The Red Bull Music Academy features an interview with Cappella Romana’s own Dr. Spyridon Antonopoulos and Emma Warren for an exploration of the transcendent impact and contemporary relevance of medieval acoustics: “‘Kalophonic music was more embellished and abstract,’ explains Antonopoulos. ‘There are entire compositions of just syllables. It’s an evolution where music seems to usurp…
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Venice in the North
Following the Ottoman conquest of Constantinople in 1453, the peoples of Russia and Ukraine began to look to the West not only for trading partners, but also for political, intellectual and artistic models. The Westernization of northern Slavic societies rooted in Byzantine traditions of governance and religion accelerated during the tumultuous seventeenth century, which saw…
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Utrecht Early Music Festival Review
“For centuries Venice was politically and economically one of the most important centers of Europe, which led to a multitude of relations, for instance to the East and its dominant Byzantine culture. Due to political developments residents of eastern areas also settled in Venice, including Greeks who took their own version of the Christian faith…
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