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Singer Spotlight: David Krueger
This Season, we are launching a new series spotlighting the voices of Cappella Romana to help you get to know the people behind the music. The series will allow our singers to share their history and stories of working with our ensemble as well as what they are working on outside of Cappella Romana. Our
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The Fall of Constantinople — Program Notes
Greeks and Latins had lived uneasily together in the Eastern Mediterranean ever since the sack and occupation of Constantinople (1204–61) by crusader knights. During the 14th and 15th centuries, however, the shrunken Byzantine Empire and the remaining Western colonies were often forced to cooperate in desperate attempts to defend themselves against the Ottoman Turks. This
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Maximilian Steinberg, “Passion Week”, Op. 13 — Notes
Historians of Orthodox Christianity have charted the emergence of a ‘Russian Religious Renaissance’ out of the so-called ‘Silver Age’ of Russia, the culturally fruitful but politically turbulent decades immediately prior to the Bolshevik takeover in 1917. This movement encompassed a broad range of efforts aimed at various forms of spiritual, ecclesial, cultural, and national renewal
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Review of A TIME FOR LIFE
Today’s Oregonian posted an excellent review of Cappella Romana’s program, A Time for Life. A PDF of that review can be viewed here: Review of A Time for Life, The Oregonian, November 5, 2007 Full text also here: ‘Time’ cries out for planet’s salvation Monday, November 05, 2007 DAVID STABLER The Oregonian Staff A tenor
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Cappella Romana in the New York Review of Books
Cappella Romana and its founder and artistic director Alexander Lingas were lauded in the New York Review of Books this week. Read the full review [subscription]. Or buy it on the newsstands.The New York Review of Books, Volume 55, Number 14 · September 25, 2008 Brilliant, Beautiful & ByzantineBy G.W. Bowersock Byzantium: The Surprising Life
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From Constantinople to California – Program Notes Part Two
The Eastern Roman Empire—commonly called “Byzantium” after the ancient name of its capital Constantinople — not only survived the downfall of Rome by a millennium, but also created a musical tradition that remains both alive and influential today. In From Constantinople to California Cappella Romana will follow this tradition from its medieval origins to contemporary Los
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LIVE IN GREECE: From Constantinople to California – Part One
As we approach the release of LIVE IN GREECE: From Constantinople to California, we’ll be sharing some excerpts from the liner notes to give you a bit of background into the programming of this recording. From Constantinople to California: Cappella Romana was founded on the Pacific Coast of the USA in 1991 to explore, through
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Quick LIVE IN GREECE Review from Eugene Weekly
LIVE IN GREECE gets a quick feature/review on EugeneWeekly.com: “One splendid new disc arrived just too late to make my last column of CD reviews of new releases by Oregon musicians. The Portland-based choir Cappella Romana is not only one of the finest vocal ensembles in the West, it’s also renowned for being the world’s
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Ivan Moody on the Rachmaninoff Divine Liturgy of St. John Chrysostom
Following three sold-out performances last season of Rachmaninoff’s All-Night Vigil (“Vespers”), this year Cappella Romana presents Rachmaninoff’s earlier sacred masterpiece, the Divine Liturgy of St. John Chrysostom (1910). Composer (and friend of Cappella Romana) Fr. Ivan Moody, published some wonderful program notes for the Corydon Singers recording of this work, and we’ll quote some of
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Rachmaninoff: The Divine Liturgy of St. John Chrysostom
NEW: previews of this weekend’s concerts:Crosscut by Thomas May“the group’s brand of meditative sacred music from the Orthodox tradition is just what the doctor ordered.” The Sun Break by Michael van Baker “their performances of last season’s Vespers (also by Rachmaninoff) sold out, so you may want tickets in advance.” Before the Rachmaninoff Divine Liturgy concerts this
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Cappella Romana Holy Week in Jerusalem Program Notes – Part One
Saturday, February 2nd, after their sold-out Bing Concert Hall debut, amid the natural acoustics of Memorial Church, Cappella Romana will perform music composed for 8th and 9th-century celebrations of Holy Week in Jerusalem’s Church of the Holy Sepulcher. Great and Holy Friday in Jerusalem (Part One) In the year 637 A.D. the orthodox Christian Patriarch
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