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Artslandia Sings Praises for The Messiah Performances with Portland Baroque Orchestra
Artslandia has a new review from last weekend’s Messiah concerts with Portland Baroque Orchestra: “PBOs partnership with Cappella Romana is now in its seventh year and the professional chorus of 24 singers makes all the difference. The familiar choruses were accurate and compelling, bringing out the brightness and optimism of the Old Testament prophecies and
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Leitourgeia ka Qurbana reviews The Divine Liturgy
Richard Barrett’s Leitourgeia kai Qurbana: Contra den Zeitgeist blog has a thorough review of our new Tikey Zes: The Divine Liturgy of St. John Chrysostom recording: “Zes’ score is a remarkable piece of sacred choral composition on its own terms, and Cappella Romana is up to its usual high standards in terms of presentation of
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Arctic Light — This Weekend
Portland 8pm, Fri., Jan. 17, St. Mary’s Cathedral Seattle 8pm, Sat., Jan. 18, St. Joseph’s Parish Arctic Light Back by popular demand, this sumptuous program of choral works from the Orthodox Church of Finland was first performed in 2008. The music marries a shining Northern clarity of sound with the sonic richness of the
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Thank You City of Portland and RACC!
Thanks to a new level of public support for arts and arts education in Portland, Cappella Romana is one of the 44 arts organizations to receive an additional grant towards its arts and education programming. Thank you City of Portland and RACC! “The Regional Arts & Culture Council (RACC) today announced it has awarded 44
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Choir and Organ Five Star Review for Hymns of Kassianí
The October 2021 issue of Choir & Organ magazine features a five-star review of Cappella Romana’s Hymns of Kassianí recording: “There’s surely no group more qualified to release the music of the earliest known female composer – a ninth-century Byzantine religious phenomenon. … Her work, now risinga bove earlier censorship and misogynist misattribution, is here
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Fanfare Interviews Tikey Zes about his new Divine Liturgy Recording
New interview with Divine Liturgy composer, Tikey Zes by Ronald Grames of Fanfare Magazine: “If one composer stands at the forefront of Greek Orthodox music in America, it would likely be Dr. Tikey Zes…” … RG: So, what is it about music for the Greek Orthodox church that especially appeals to you? TZ: It is
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Fanfare Magazine reviews Mt. Sinai: Frontier of Byzantium and Live in Greece!
A double-feature Fanfare review by J.F. Weber features our LIVE IN GREECE and Mt. Sinai: Frontier of Byzantium recordings. Mt. Sinai: Frontier of Byzantium “The chants for these two services come from a variety of sources in or close to the 14th century, including works by such well-known composers as John Koukouzeles and Manuel Chrysaphes.
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Audiophile Audition calls Tikey Zes: Divine Liturgy a “Recording of the Highest Quality”
In a four-star review, Audiophile Audition calls new release, The Divine Liturgy, “An important … recording of the highest quality.” “Cappella Romana is the foremost ensemble in the United States promoting the heritage of Byzantine chant, and one of the finest in the world as well. … It’s not Super Audio format but it is
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Fanfare Magazine Reviews Arctic Light
New “Feature Review” in Fanfare Magazine for our latest release, Arctic Light: Finnish Orthodox Music: “The music on this release—all of it a cappella and all polyphonic—includes what is, to these rather novice ears, some of the most adventurous music built on the Orthodox traditions. … One has only to hear the decidedly lush, late-Romantic
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Fanfare Reviews “A Time for Life”
Fanfare Magazine has a new review for our Robert Kyr: A Time for Life release: “This is my first exposure to the music of Robert Kyr (born 1952). I hope it not to be my last. The idea of a pan-religious frame of reference to address man’s ecological concerns is an attractive one, and it
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Hymns of Kassianí in Gramophone!
The August 2021 Issue of Gramophone Magazine features a wonderful new review for Cappella Romana’s Hymns of Kassianí recording! “The booklet includes Lingas’s excellent, lengthy background essay on Kassianí, her reception and the historical context of medieval Byzantine chant, along with the original Greek texts and translations. Recognised among the pre-eminent interpreters of Eastern Orthodox
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