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Cappella Romana Remembers September 11 – Lament for the Fall of Constantinople
Cappella Romana remembers September 11th From the Seattle Post-Intelligncer in January 2002: Alexander Lingas, founder and music director of Cappella Romana, has a keen ear for music and its historical and cultural context. Over the past decade, that kind of approach has taken the small vocal ensemble, and its growing audience, over many centuries and
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Gapplegate Classical-Modern Reviews LIVE IN GREECE
Grego Applegate Edwards Classical-Modern Music Review Blog features new Cappella Romana release LIVE IN GREECE, and ends with quite the statement: “This is music of endless fascination, performed with impeccable attention to detail. Cappella Romana live up to their reputation as the foremost representatives of the Byzantine choral tradition.” Read the full review on classicalmodernmusic.blogspot.ca
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Oregon Days of Culture feature Cappella Romana Hagia Sophia Performance
Oregon Days of Culture and the Portland Tribune & Community Newspapers have a wonderful feature on the upcoming Stanford Residency concerts and the “Icons of Sound” project highlighting “The Sounds of Hagia Sophia.” Heavenly Experience: Vocal chamber ensemble Cappella Romana performs from Portland to Stanford to Greece “It is said that when the Slavic people
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Ivan Moody on the Rachmaninoff Divine Liturgy of St. John Chrysostom
Following three sold-out performances last season of Rachmaninoff’s All-Night Vigil (“Vespers”), this year Cappella Romana presents Rachmaninoff’s earlier sacred masterpiece, the Divine Liturgy of St. John Chrysostom (1910). Composer (and friend of Cappella Romana) Fr. Ivan Moody, published some wonderful program notes for the Corydon Singers recording of this work, and we’ll quote some of
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Tomas Luis de Victoria – Renaissance Easter in Spain and Portugal
Cappella Romana performs the polyphonic motets of Tomás Luis de Victoria in the April concert series Renaissance Easter in Spain and Portugal. Read a little background on this influential Spanish Renaissance composer: Owen Rees – guest conductor & author “Victoria was the greatest Spanish composer of the Renaissance, and also one of the finest European
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Cappella Romana Renaissance Easter in Spain and Portugal Program Notes
Renaissance Easter in Spain and Portugal Our programme presents music appropriate to Easter by some of the foremost composers of the Iberian ‘golden age’, during the later sixteenth and early seventeenth centuries. Francisco Guerrero spent almost his entire career in the service of Seville Cathedral, as a singer, assistant chapelmaster, and then chapelmaster. Seville Cathedral
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Get your CappellaCare Today!
All of us at Cappella Romana are looking forward to our concert at the National Gallery of Art on October 27th, in honor of the exhibition: “Heaven and Earth: Art of Byzantium from Greek Collections.” However, due to the current standoff in Congress and the government shutdown, this concert may not take place! But don’t
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Sheehan’s Vespers is “Stunning”
Music critic Steven A. Kennedy reviews Benedict Sheehan and The Saint Tikhon Choir’s recording of Benedict Sheehan’s Vespers on his Cinemusical blog: “Over the last couple of years, Capella Records has released some quite stunning recordings of choral music. They most recently received a Grammy nomination for their recording of the Liturgy of Saint John Chrysostom. …
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A Time For Life — Structure
The composite text for A Time for Life was adapted from a wide range of sources that explore the relationship of humanity to nature. The work is structured in three large-scale parts, as follows: Part I: Creation In the first part, the nature of creation is celebrated through praise for the Creator and through rejoicing
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A Time For Life — Conclusion
The final phase of the journey (Part III: Remembering) moves towards a hopeful future in which humanity serves as a responsible steward of the earth and thus realigns itself with the creative forces of existence. This journey is a spiritual one in which we remember our true responsibility of stewardship for the earth, and through
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Timo Nuoranne to Direct Arctic Light in January
Timo Nuoranne from Helsinki Directs Cappella Romana in “Arctic Light: Finnish Orthodox Music” in January 2014 Back by popular demand, this program of sumptuous choral works from the Orthodox Church of Finland was first performed to sold-out audiences in 2008. Timo Nuoranne, a faculty member at the Sibelius Academy of Music in Helsinki and one
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