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Keeping Up with the Venetians — Part One
Keeping Up with the Venetians Program Notes for Venetian Baroque: Galuppi + Vivaldi + Bortniansky The islands in the Venetian lagoon, which by the 8th century had banded together to ally themselves with the Empire of the Romans governed from Constantinople (Byzantium), quickly became one of the inhabited world’s great centers of power and wealth.
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Keeping Up with the Venetians — Part Two
Keeping Up With The Venetians Continued from Part One Program Notes for Venetian Baroque: Galuppi + Vivaldi + Bortniansky Galuppi further exceeded his contractual duties by teaching composition to some of the Cappella singers. One such singer was the Ukrainian Dmitro (or more commonly Dmitry) Bortniansky. When Galuppi left St. Petersburg in 1769, he took
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Cappella Romana returns to the recording studio this month!
Heaven and Earth, with John Tavener’s Ikon of Light. Guest post by Richard Barrett, Artistic Director of The Saint John of Damascus Society In July 2012, nine years ago this month, my friend Dr. Harold Sabbagh and I had initial conversations about a spark of an idea. He was infectiously enthusiastic about CERN’s then-recent confirmation
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First Reviews for Hymns of Kassianí!
Cappella Romana’s new recording, Hymns of Kassianí comes out the 16th April, and reviewers are already excited: “Cappella Romana are specialists in Byzantine chant, and this album is a stunner. The release is an SACD hybrid multichannel recording. If possible, opt for the physical disc rather than the digital download for this one. The release
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Fanfare Magazine Reviews Benedict Sheehan’s Liturgy of Saint John Chrysostom
Alongside a must-read interview with Benedict Sheehan, Fanfare Magazine’s March/April 2021 Issue features THREE reviews of his Divine Liturgy of Saint John Chrysostom recording with the St. Tikhon Choir on Cappella Records: James A. Altena: “I own a goodly number of settings of the Liturgy by various composers—Chesnokov, Grechaninov, Ippolitov-Ivanov, Kastalsky, Rachmaninoff, Shvedov, Stoyanov, and
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St. Tikhon Choir Gives a “Stunning Debut”
Cinemusical gives stars across the board to the Saint Tikhon Choir’s recording of Benedict Sheehan’s Liturgy of St. John Chrysostom on Cappella Records: “The work is a blend of liturgical components (litanies, various antiphons and hymns, an “Our Father”, communion, blessing) and psalm settings (Sheehan adapted Psalms 145 and 148). There are references to ancient
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Theater Byte Gives Lost Voices of Hagia Sophia its Highest Recommendation
“Applying Professor Abel’s sound technology to the fifteen voices of Capella Romana creates an audio experience that few if any listeners will have ever heard. These disembodied voices, evoking the holy spirit of God, seem to come from everywhere and totally envelop the audience. … Put this Blu-ray Disc in your player, and push the
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More Praise for Lost Voices of Hagia Sophia in MusicWeb International
Mark Sealey adds his voice to the growing list of reviews of Lost Voices of Hagia Sophia on MusicWeb International: “From the first note, we hear dedication, focus, energy, a balanced and measured concentration on – as far as is possible in our noisy world – how the monks and lay staff of the Hagia
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HR Audio Gives Lost Voices of Hagia Five Stars
HRAudio.net‘s Adrian Quanjer gives our Lost Voices of Hagia Sophia recording a ⭐️⭐️⭐️⭐️⭐️ rating! “It’s Art, it’s history, it’s technical advance, it’s Magic! … It is self-evident that for such an experiment a choir of exceptional professional quality is a ‘sine qua non’. Cappella Romana, under its experienced and highly qualified Music Director, Alexander Lingas,
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Tchaikovsky’s Divine Liturgy: UPDATES (Safety and Live-Streaming)
UPDATE: The Saturday night performance of Tchaikovsky’s Divine Liturgy will take place as planned at 7:30 p.m., as a live-streamed performance without an in-person audience. To ensure that you don’t miss this experience, the concert will be streamed on Facebook Live for you to enjoy—safely—at home. We will also make available a PDF of the
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