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Marcel Pérès offers program notes for Codex Calixtinus Concert
Ibi barbare gentesomnium mundi climatumcatervatim occurrunt,munera laudis Domino deferentes, Alleluia Foreign nations hasten therefrom all over the world,bringing with them gifts of praiseto the Lord. Alleluia!(First antiphon, Vespers of St James) Since the ninth century the apostle St James has been the object of great faith and fervour in the Western Christian world. Even today
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Kontakion on the Nativity reviewed by a POP MUSIC CRITIC!
Check this out: http://localcut.wweek.com/2009/01/13/furniture-music-2-cappella-romana/ Furniture Music #2: Cappella Romana January 13th, 2009 [6:11PM] Posted by: Robert Ham A cappella music is probably as safe a place as any for me to start my year of classical immersion. We’ve all heard music like this—a precise, polyharmonic choir singing songs of devotion to God—in some form before.
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Arctic Light II: Northern Exposure – Program Notes
The genesis of this concert program occurred last season in January 2017 after renowned Finnish choral conductor Timo Nuoranne was slated to appear with Cappella Romana to direct Einojuhani Rautavaara’s Vigilia (All-Night Vigil). Timo Nuoranne has championed that work in particular throughout his career, having performed it with both Finnish and non-Finnish choirs, and made
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Handel’s Messiah — Notes by John Butt
Messiah The libretto that the irascible Charles Jennens sent to Handel at some point in the summer of 1741 was not in itself an extraordinary document within the Christian tradition. After all, the Gospels and Epistles already made ample reference to the way in which the New Testament was foretold in the Old, and this tradition
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Cappella Romana Celebrates Early Music Month!
Cappella Romana joins Early Music America and many other ensembles and organizations across the country in celebrating March as #EarlyMusicMonth2016! Sponsored by Early Music America, this national, grassroots campaign is designed to raise awareness of early music throughout the larger North American music community. Early Music Month seeks to connect enthusiasts, performers, presenters, scholars, builders,
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The Divine Liturgy Of St. John Chrysostom — Liner Notes Part Two
John Sakellarides and Greek American Choral Music for the Divine Liturgy The first notated examples of polyphonic music for the Byzantine rite—that is, music employing more than one vocal part intended for worship by Eastern Orthodox and Greek Catholic Christians—appeared shortly before 1453 among the works of singers who served at the courts of the
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Cappella Romana on Tour in Romania at the Iași Byzantine Music Festival
The Iași Byzantine Music Festival in Romania will present Cappella Romana, the world’s leading proponent of scholarship and performance of Medieval Byzantine Chant, in a concert on September 28, 2017, at 7:00 p.m., in the “Vasile Alecsandri” National Theatre. More information . Music director Dr. Alexander Lingas will lead a mixed ensemble of men and
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Lost Treasures of Armenia
The Holy Armenian Apostolic Orthodox Church continues to embody a living tradition of primarily monodic vocal music of exceptional richness and beauty. Though its hymnography is traditionally believed to have commenced with the invention of the Armenian alphabet in the fifth century, and the Hymnal as a canonical collection was definitively closed in the fourteenth
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Sacro Monteverdi: Vox Luminis
Special Guest Concert Sacro Monteverdi Vox Luminis Belgium Lionel MeunierFounder & Director The world-renowned ensemble Vox Luminis from Belgium makes its Pacific Northwest début! Their singers and period instrument ensemble perform rapturous sacred works by Claudio Monteverdi. Monteverdi’s collection Selva morale e spirituale (The Virtuous and Spiritual Forest) forms the trunk of this program. Cappella Romana’s own Mark Powell
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Fanfare Interviews Robert Kyr
Fanfare Magazine has a grand interview with composer Robert Kyr about his new Cappella Romana CD, A Time For Life. Read an excerpt from the interview, “The Joy of Creation” below and visit the Fanfare Archives for the full piece: Fanfare: A Time for Life is one of a number of your pieces inspired by
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Singer Spotlight: Catherine van der Salm
Our Singer Spotlight series continues with soprano Catherine van der Salm! What was your first performance with Cappella Romana? I sang my first concerts with Cappella Romana in November 2006, gorgeous Russian music under the direction of Mark Bailey. What Non-Cappella Romana Projects are you excited to share? I love to sing chamber music and new music!
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Ave Maria: Program Notes
Josquin des Prez and Heinrich Isaac were two Renaissance composers with two quite different characters, in music and in life. We know what Isaac’s signature looked like because he dutifully signed the account books as a musical servant of the Emperor Maximilian. We know what Josquin’s signature looked like because he carved it (not at
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