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New Arctic Light Track on SoundCloud — Paschal Exaposteilarion No. 2
Have a listen to a new track from our Arctic Light recording and Pre-Order before the release on Tuesday! Pre-Order on Amazon!
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Behind the Arvo Pärt Festival Logo
The logo for Cappella Romana’s Arvo Pärt Festival, which begins on Sunday, has some hidden meanings we’d like you to notice. First, the P in Pärt and the T in Festival are aligned in order to form a Staurogram, a ligature in ancient Christian manuscripts for the noun “cross” or its verb form “crucify.” The
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New CD release from the Royal Academy in London
Our Third CD release since July, a “Greatest Hits” compilation Byzantium: 330-1453Cappella Romana announces the release of its 11th recording, the official companion CD commissioned for the exhibition, BYZANTIUM: 330-1453, at London’s Royal Academy of Arts (25 October ’08 to 22 March ’08. www.royalacademy.org.uk). Order the disc here. Receive this disc as a free gift
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Receive “Byzantium 300-1453” FREE when you buy 2 or more CDs
Your FREE gift with 2 or more With your order of 2 or more CDs, we will send you a FREE GIFT: a copy of our latest title, “Byzantium: 330-1453,” a compilation of Cappella’s “Greatest Hits” of Byzantine music. CDs by Cappella Romana make great gifts. Choose from among our growing discography, from our latest
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A Time for Life — An Introduction
One of the most urgent issues facing the world today is the ecological crisis caused by humanity’s inability to live in harmony with the natural world. My collaboration with Cappella Romana grew out of our mutual concern about this potentially catastrophic situation. After many discussions, I decided to create an environmental oratorio in order to
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Machaut: Messe de Nostre Dame
Guillaume de Machaut (1300-1377) Guillaume de Machaut’s Messe de Nostre Dame (c. 1360-65) began to attract great interest during the 20th century. It is the first mass composed for four voices with a known composer, and as such, it is widely considered to mark the beginning of a new musical era. In addition, Machaut himself
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Byzantine Christmas: Sun of Justice – Taking the Journey
The ecclesiastical feast day celebrating the Nativity of Jesus Christ – which came to be called simply “Christ’s Mass,” or “Christmas” in English – was added to the calendar in the Eastern Church somewhat later than other major feasts. Originally, Christ’s Nativity and Baptism were celebrated on the same day: Epiphany (January 6). Much has
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Sun of Justice: A Two-Fold Offering – Part Two
With this two-fold offering of traditional Byzantine Music, we seek to give the listener two distinct yet complementary experiences: first, that of being in a traditional Orthodox church somewhere in the Middle East, wherein one choir sings in Greek and the other in Arabic; and second: that of being in a traditional Orthodox church in
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Arctic Light II: Northern Exposure – Program Notes
The genesis of this concert program occurred last season in January 2017 after renowned Finnish choral conductor Timo Nuoranne was slated to appear with Cappella Romana to direct Einojuhani Rautavaara’s Vigilia (All-Night Vigil). Timo Nuoranne has championed that work in particular throughout his career, having performed it with both Finnish and non-Finnish choirs, and made
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Cappella Romana seeks an Operations Manager
Job Title: Operations Manager Reports to: Executive Director Status: Full-time, exempt Compensation: Salary commensurate with experience Cappella Romana seeks bright, dynamic, and creative candidates from diverse backgrounds for the position of Operations Manager. The Operations Manager (OM) serves as a creative lead for managing the day-to-day operations of Cappella Romana, including an array of activities
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Hagia Sophia: A Space In Between Heaven and Earth
Professor Bissera Pentcheva presents Hagia Sophia: A Space In Between Heaven and Earth at Reed College Tuesday, November 15, 2016 – 4:45pm Eliot Hall 314 Free and open to the public More Information ** This event follows Cappella Romana’s residency with Dr. Pentcheva at Stanford, where the ensemble performed medieval Byzantine chant from Hagia Sophia
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Cyprus — The Ars nova and its Byzantine Counterpart
Latin and Greek sacred music of the Middle Ages shared both roots in the Christian psalmody of Roman Late Antiquity and a common inheritance of Ancient Greek musical theory. Despite centuries of troubled relations between Byzantine Christianity and the Church of Rome that went from bad to worse with the Crusader sack and occupation of
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