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Richard Barrett joins Cappella Romana in new senior-level role
I am so happy to announce our newest addition to the Cappella Romana team, Richard Barrett. Richard joins us in a newly created senior position of Director of Publications, Grants, and Operations. FULL PRESS RELEASE BELOW You may already know him as a part of Cappella Romana’s community, as he has collaborated with us on
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Fanfare Interviews Robert Kyr
Fanfare Magazine has a grand interview with composer Robert Kyr about his new Cappella Romana CD, A Time For Life. Read an excerpt from the interview, “The Joy of Creation” below and visit the Fanfare Archives for the full piece: Fanfare: A Time for Life is one of a number of your pieces inspired by
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Ivan Moody Talks Arctic Light with Fanfare
Ivan Moody talks about Cappella Romana’s latest release, Arctic Light with Fanfare Magazine‘s James Altena. Read a couple of the questions below and find the full interview on the Fanfare website Fanfare: How did your particular association with the Cappella Romana come about, and what led to the recording of your Arctic Light CD with
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Lost Voices of Hagia Sophia at Bing Hall – Livestream
Now by livestream — Icons of Sound: Hagia Sophia Reimagined! Cappella Romana livestreams Part 1 of the triumphant November 2016 performance at Stanford University’s Bing Hall. This was the first time in the world that a full concert had been produced with the digital auralization of the acoustics of Hagia Sophia. For this concert, consider
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5-Star Blu-Ray Review for Lost Voices of Hagia Sophia
Blu-Ray.com gives our Lost Voices of Hagia Sophia Blu-Ray/CD a Five-Star Rating in a review by Jeffrey Kauffman: I’m fortunate to live in Portland, Oregon, where Cappella Romana is based, and I can tell you from personal experience their live concerts are often amazing, even if they’re not, as in this instance, absolutely drenched in
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Lost Treasures of Armenia
The Holy Armenian Apostolic Orthodox Church continues to embody a living tradition of primarily monodic vocal music of exceptional richness and beauty. Though its hymnography is traditionally believed to have commenced with the invention of the Armenian alphabet in the fifth century, and the Hymnal as a canonical collection was definitively closed in the fourteenth
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The SunBreak Reviews “They Are At Rest”
Portland’s Cappella Romana stepped away from its usual programming of Orthodox chant Friday night to sing a concert of music remembering the Armistice of 1918 and what it meant to the survivors. This was not by any means a rejoicing for the Armistice, but nor was it one of sorrow and anguish for the dead and wounded…Rather it was
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Oregon Arts Watch Review for “A Song of Creation”
Cappella Romana’s performance…was an electrifying, bristlingly intense superabundance of laser-beam monody and…florid counterpoint in the Eastern Orthodox style. … Here, the modern music was a vivid variety of sacred choral music by contemporary composers Matthew Arndt, John Michael Boyer, Alexander Khalil, Kurt Sander, Richard Toensing, and Tikey Zes. The six composers, according to the program,
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Ivor Gurney: “Since I Believe”
Choir & Organ Magazine has a wonderful feature on the recent publication of Ivor Gurney’s Since I Believe in God the Father Almighty Motet. Cappella Romana is excited to be giving the North American premiere performance on our They Are At Rest series November 9 and 11, 2018: “Composed in June 1925, the motet for
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Oregon ArtsWatch Review for The Vigil
Oregon ArtsWatch contributor Friderike Heuer shares a review from our Sunday performance of The Vigil at Trinity Episcopal Cathedral in Portland: “I cannot even remember the last time I had goosebumps like this while listening to live music.…I sat on a Sunday afternoon in a church attempting to hold back tears and racking my
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Venice in the East Recording Sessions Video
Watch Cappella Romana performing the Christos anesti from the Faenza Codex during the Venice in the East recording sessions: April 27-29, 2018, Italy meets Greece in Venice in the East, a sonic exploration of the Greek Islands when they were ruled by the Venetian empire. Cappella Romana is reviving Renaissance music from Crete, celebrating the
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The Akáthistos Hymn Recording Available Now
The Akáthistos Hymn to the Virgin Mary, set by Ivan Moody. This lyrical masterpiece in 24 stanzas has been treasured for nearly 1,500 years by Eastern Christians. Father Moody’s 1998 setting, composed specially for the ensemble, weaves beloved Greek melodies into Russian choral textures as it progresses from reverent contemplation to ecstatic transcendence. This second
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