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Ivan Moody on the Rachmaninoff Divine Liturgy of St. John Chrysostom
Following three sold-out performances last season of Rachmaninoff’s All-Night Vigil (“Vespers”), this year Cappella Romana presents Rachmaninoff’s earlier sacred masterpiece, the Divine Liturgy of St. John Chrysostom (1910). Composer (and friend of Cappella Romana) Fr. Ivan Moody, published some wonderful program notes for the Corydon Singers recording of this work, and we’ll quote some of
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Cappella Romana and CCRMA Time Travel to Hagia Sophia
Stanford Live Magazine has a fantastic article chronicling the process of re-creating the Hagia Sophia in our upcoming “From Constantinople to California” performance. Read the introduction by author Jason Victor Serinus here, and then find the full article at www.livelyarts.stanford.edu! Total Sacred Immersion: Cappella Romana and CCRMA Time Travel to Hagia Sophia The universe may
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A Time For Life — Structure
The composite text for A Time for Life was adapted from a wide range of sources that explore the relationship of humanity to nature. The work is structured in three large-scale parts, as follows: Part I: Creation In the first part, the nature of creation is celebrated through praise for the Creator and through rejoicing
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Oregon ArtsWatch Reviews Arctic Light Concert
Oregon ArtsWatch was tempted to “proclaim Cappella Romana as the best choral group in Portland” after our Arctic Light concert! Read a few quotes below and then check out the full review at orartswatch.org. If you weren’t able to attend, don’t forget you can pre-order the CD the recording today! “The blockbuster of the evening
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Fanfare Interviews Robert Kyr
Fanfare Magazine has a grand interview with composer Robert Kyr about his new Cappella Romana CD, A Time For Life. Read an excerpt from the interview, “The Joy of Creation” below and visit the Fanfare Archives for the full piece: Fanfare: A Time for Life is one of a number of your pieces inspired by
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Fanfare Magazine Reviews Benedict Sheehan’s Liturgy of Saint John Chrysostom
Alongside a must-read interview with Benedict Sheehan, Fanfare Magazine’s March/April 2021 Issue features THREE reviews of his Divine Liturgy of Saint John Chrysostom recording with the St. Tikhon Choir on Cappella Records: James A. Altena: “I own a goodly number of settings of the Liturgy by various composers—Chesnokov, Grechaninov, Ippolitov-Ivanov, Kastalsky, Rachmaninoff, Shvedov, Stoyanov, and
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Bissera Pentcheva Interview on Hagia Sophia in Kathimerini
Greek news outlet Kathimerini has published a new interview with Stanford University’s Bissera Pencheva who has worked with Cappella Romana as part of our Hagia Sophia project and recording. Read the interview in the original Greek at Kathimerini.gr and see the translation below: What distinguishes Hagia Sofia from other churches and monuments of the Christian
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Early Music America Reviews Lost Voices of Hagia Sophia
Karen Cook reviews our Lost Voices of Hagia Sophia recording for Early Music America: “Thanks to the wonders of modern technology and painstaking work of two college professors, however, it is possible to imagine what a medieval Byzantine service might have sounded like. … The prolonged phrases flow over each other in layers and waves,
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Lost Voices of Hagia Sophia at Bing Hall – Livestream
Now by livestream — Icons of Sound: Hagia Sophia Reimagined! Cappella Romana livestreams Part 1 of the triumphant November 2016 performance at Stanford University’s Bing Hall. This was the first time in the world that a full concert had been produced with the digital auralization of the acoustics of Hagia Sophia. For this concert, consider
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With profound thanks to all
by Mark Powell, Executive Director Dear friends of Cappella Romana, I am humbled to report that our livestream concert has now, at last count, reached nearly 80,000 people worldwide. As a result, we have decided to keep the livestream link up at least for a few more days. You can still view it here, with
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Tchaikovsky’s Divine Liturgy: UPDATES (Safety and Live-Streaming)
UPDATE: The Saturday night performance of Tchaikovsky’s Divine Liturgy will take place as planned at 7:30 p.m., as a live-streamed performance without an in-person audience. To ensure that you don’t miss this experience, the concert will be streamed on Facebook Live for you to enjoy—safely—at home. We will also make available a PDF of the
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Tchaikovsky’s Divine Liturgy: Program Notes
Russian choral artistry, and especially its sacred choral singing, has long enjoyed the admiration of the Western musical world. After hearing the Choir of the Imperial Chapel of St. Petersburg in 1844, Robert Schumann wrote in his diary that “the Chapel is the most wonderful choir we have ever had the occasion of hearing.” Tchaikovsky
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