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Maximilian Steinberg, “Passion Week”, Op. 13 — Notes
Historians of Orthodox Christianity have charted the emergence of a ‘Russian Religious Renaissance’ out of the so-called ‘Silver Age’ of Russia, the culturally fruitful but politically turbulent decades immediately prior to the Bolshevik takeover in 1917. This movement encompassed a broad range of efforts aimed at various forms of spiritual, ecclesial, cultural, and national renewal
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Music from Mt. Sinai: Recorded!
Cappella Romana’s program “Mt. Sinai: Frontier of Byzantium” was recorded last week, from August 20 through August 25, in the extraordinary acoustics of Holy Rosary Church in West Seattle. Alexander Lingas (center) led a nine-member ensemble in chants from the monastery of St. Catherine at Mt. Sinai in Egypt, featuring music for St. Catherine followed
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Meet Richard Toensing
May 18-20 during the Be Radiant, O Peoples! tour, Cappella Romana will premiere a new work by composer Richard Toensing. Richard Toensing is not a new composer to Cappella Romana fans, however, as we released the recording Kontakion On The Nativity & Carols By Richard Toensing in 2008. Kontakion On The Nativity & Carols By
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LIVE IN GREECE: From Constantinople to California – Part Three
As we approach the release of LIVE IN GREECE: From Constantinople to California, we’ll be sharing some excerpts from the liner notes to give you a bit of background into the programming of this recording. Part One Part Two II – Modern Choral Settings of Byzantine Chant Under Venetian and later British rule the Ionian
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Cappella Romana Holy Week in Jerusalem Program Notes – Part One
Saturday, February 2nd, after their sold-out Bing Concert Hall debut, amid the natural acoustics of Memorial Church, Cappella Romana will perform music composed for 8th and 9th-century celebrations of Holy Week in Jerusalem’s Church of the Holy Sepulcher. Great and Holy Friday in Jerusalem (Part One) In the year 637 A.D. the orthodox Christian Patriarch
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Cappella Romana Holy Week in Jerusalem Program Notes – Part Two
Saturday, February 2nd, the day after our (already sold-out) Bing Concert Hall debut, Cappella Romana will perform music composed for 8th and 9th-century celebrations of Holy Week in Jerusalem’s Church of the Holy Sepulcher amid the natural acoustics of the Stanford University Memorial Church. Great and Holy Friday in Jerusalem (Part Two) Stanford Memorial Church
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Celebrate Pascha! Also In Mulieribus this Sunday!
Happy Pascha: May 5 Cappella Romana sings the opening of Semeron krematai in the medieval melody from Jerusalem, during recording sessions at Stanford University in February, 2013. Σήμερον κρεμᾶται ἐπὶ ξύλου, ὁ ἐν ὕδασι τὴν γῆν κρεμάσας. Today he who hung the earth upon the waters is hung upon a TreeHe who is King of
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A Time For Life — Structure
The composite text for A Time for Life was adapted from a wide range of sources that explore the relationship of humanity to nature. The work is structured in three large-scale parts, as follows: Part I: Creation In the first part, the nature of creation is celebrated through praise for the Creator and through rejoicing
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Leitourgeia ka Qurbana reviews The Divine Liturgy
Richard Barrett’s Leitourgeia kai Qurbana: Contra den Zeitgeist blog has a thorough review of our new Tikey Zes: The Divine Liturgy of St. John Chrysostom recording: “Zes’ score is a remarkable piece of sacred choral composition on its own terms, and Cappella Romana is up to its usual high standards in terms of presentation of
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Fanfare Interviews Tikey Zes about his new Divine Liturgy Recording
New interview with Divine Liturgy composer, Tikey Zes by Ronald Grames of Fanfare Magazine: “If one composer stands at the forefront of Greek Orthodox music in America, it would likely be Dr. Tikey Zes…” … RG: So, what is it about music for the Greek Orthodox church that especially appeals to you? TZ: It is
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Keeping Up with the Venetians — Part One
Keeping Up with the Venetians Program Notes for Venetian Baroque: Galuppi + Vivaldi + Bortniansky The islands in the Venetian lagoon, which by the 8th century had banded together to ally themselves with the Empire of the Romans governed from Constantinople (Byzantium), quickly became one of the inhabited world’s great centers of power and wealth.
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Keeping Up with the Venetians — Part Two
Keeping Up With The Venetians Continued from Part One Program Notes for Venetian Baroque: Galuppi + Vivaldi + Bortniansky Galuppi further exceeded his contractual duties by teaching composition to some of the Cappella singers. One such singer was the Ukrainian Dmitro (or more commonly Dmitry) Bortniansky. When Galuppi left St. Petersburg in 1769, he took
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