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Meet Blake Applegate, guest conductor of “Ave Maria”
Blake Applegate is one of Cappella Romana’s original singers, having taken part in the ensemble’s first concert in 1991. He is Director of Cantores in Ecclesia, assuming leadership of the organization upon the retirement of his father, Dean Applegate, in the spring of 2010. Prior to his appointment as Director, Blake served as Assistant Director,
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The SunBreak Reviews “They Are At Rest”
Portland’s Cappella Romana stepped away from its usual programming of Orthodox chant Friday night to sing a concert of music remembering the Armistice of 1918 and what it meant to the survivors. This was not by any means a rejoicing for the Armistice, but nor was it one of sorrow and anguish for the dead and wounded…Rather it was
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The Oregonian Features “They Are At Rest”
The Oregonian interviews Cappella Romana executive director Mark Powell for a feature on our They Are At Rest series: Cappella Romana appears to be the only professional artistic organization in Portland giving a performance commemorating the 100th anniversary of World War I’s end. “This is the right thing for us to do,” Mark Powell, Cappella
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The SunBreak Reviews “Venice in the East”
Seattle’s The SunBreak reviews Cappella Romana’s April 27, 2018 Venice in the East performance: “Hearing Cappella Romana singing in St. James Cathedral is to hear a slice of heaven. … As always, the presentation was scholarly, as accurate a portrayal of the music as it would have been performed as can be ascertained through diligent
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Venice in the East
Venice In The East: April 27-29, 2018 Program Notes by Alexander Lingas From its emergence as a significant political entity in the sixth century under the rule of the Eastern Roman (“Byzantine”) Empire to the dissolution of the Republic by Napoleon in 1797, the city of Venice remained closely tied to the Greek East. Following
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The Akáthistos Hymn Recording Available Now
The Akáthistos Hymn to the Virgin Mary, set by Ivan Moody. This lyrical masterpiece in 24 stanzas has been treasured for nearly 1,500 years by Eastern Christians. Father Moody’s 1998 setting, composed specially for the ensemble, weaves beloved Greek melodies into Russian choral textures as it progresses from reverent contemplation to ecstatic transcendence. This second
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Seattle Machaut Review
“The most visceral part of the recital was simply the experience of hearing this music in a close approximation to its original acoustical and architectural context. What’s more, partaking in Machaut’s Messe reinforces why Medieval music is so fascinating to contemporary composers. Listening to it is rather like listening to a 20th century landmark composition
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Northwest Focus features Machaut: Messe de Nostre Dame
In the lead-up to our Machaut: Messe de Nostre Dame series, Seattle’s KING FM will be previewing the performance with Cappella Romana recordings on the Northwest Focus program! See the schedule: Date Time Music Mon, Jan 29 9:00pm Byzas: Sticheron Apostichon Idiomelon for St. Basil Tues, Jan 30 9:21pm Dufay: Lamentatio Sanctae Matris Ecclesiae Constantinpolitanae
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Marcel Pérès Returns for Machaut: Messe de Nostre Dame
Following his Cappella Romana début in 2012 leading powerful chants from Santiago de Compostela, international early music star Marcel Pérès from Paris directs the earliest known Mass setting by a single composer, Guillaume de Machaut (1300-1377), with chants for Candlemas. Widely considered an iconoclast in the early music movement, Medieval Latin chant specialist Marcel Pérès
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Meet Benedict Sheehan
Guest Director October 20-22 Benedict Sheehan is a composer, conductor, arranger, writer about, and teacher of, music. He is Director of Music at St. Tikhon’s Orthodox Theological Seminary and Monastery; and, since founding the group in 2015, he has served as Artistic Director of the Chamber Choir of St. Tikhon’s Monastery, a professional vocal ensemble.
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American Record Guide Review for Cyprus
Buy Now “Alexander Lingas is one of today’s leading experts on Byzantine music, but he has also developed a vocal group, the Cappella Romana, that has been building an impressive catalog of recordings ranging through the span of Greek Orthodox music, including contemporaneous practice both abroad and in the USA. The present program is an
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Spyridon Antonopoulos on Medieval Church Acoustics
The Red Bull Music Academy features an interview with Cappella Romana’s own Dr. Spyridon Antonopoulos and Emma Warren for an exploration of the transcendent impact and contemporary relevance of medieval acoustics: “‘Kalophonic music was more embellished and abstract,’ explains Antonopoulos. ‘There are entire compositions of just syllables. It’s an evolution where music seems to usurp
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