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Cappella Romana Awarded New Grant from the National Endowment for the Arts
National Endowment for the Arts Chairman Jane Chu has approved more than $80 million in grants as part of the NEA’s second major funding announcement for fiscal year 2018. Included in this announcement is an ArtWorks grant of $10,000 to Cappella Romana to launch a new three-concert series in San Francisco. The ArtWorks category is the
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The SunBreak Reviews “Venice in the East”
Seattle’s The SunBreak reviews Cappella Romana’s April 27, 2018 Venice in the East performance: “Hearing Cappella Romana singing in St. James Cathedral is to hear a slice of heaven. … As always, the presentation was scholarly, as accurate a portrayal of the music as it would have been performed as can be ascertained through diligent
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The Akáthistos Hymn Recording Available Now
The Akáthistos Hymn to the Virgin Mary, set by Ivan Moody. This lyrical masterpiece in 24 stanzas has been treasured for nearly 1,500 years by Eastern Christians. Father Moody’s 1998 setting, composed specially for the ensemble, weaves beloved Greek melodies into Russian choral textures as it progresses from reverent contemplation to ecstatic transcendence. This second
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Seattle Machaut Review
“The most visceral part of the recital was simply the experience of hearing this music in a close approximation to its original acoustical and architectural context. What’s more, partaking in Machaut’s Messe reinforces why Medieval music is so fascinating to contemporary composers. Listening to it is rather like listening to a 20th century landmark composition
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Alexander Lingas and Arvo Pärt!
Many, many thanks to the gracious staff of the Arvo Pärt Centre for making a hastily arranged research trip turn out to be a visit full of human warmth, productive study, and spiritual reflection. Special thanks to Arvo and Nora Pärt, who gave selflessly of their time to enrich my understanding and experience. I leave
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Sun of Justice: A Two-Fold Offering – Part One
With this two-fold offering of traditional Byzantine Music, we seek to give the listener two distinct yet complementary experiences: first, that of being in a traditional Orthodox church somewhere in the Middle East, wherein one choir sings in Greek and the other in Arabic; and second: that of being in a traditional Orthodox church in
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Meet Benedict Sheehan
Guest Director October 20-22 Benedict Sheehan is a composer, conductor, arranger, writer about, and teacher of, music. He is Director of Music at St. Tikhon’s Orthodox Theological Seminary and Monastery; and, since founding the group in 2015, he has served as Artistic Director of the Chamber Choir of St. Tikhon’s Monastery, a professional vocal ensemble.
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Spyridon Antonopoulos on Medieval Church Acoustics
The Red Bull Music Academy features an interview with Cappella Romana’s own Dr. Spyridon Antonopoulos and Emma Warren for an exploration of the transcendent impact and contemporary relevance of medieval acoustics: “‘Kalophonic music was more embellished and abstract,’ explains Antonopoulos. ‘There are entire compositions of just syllables. It’s an evolution where music seems to usurp
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Venice in the North
Following the Ottoman conquest of Constantinople in 1453, the peoples of Russia and Ukraine began to look to the West not only for trading partners, but also for political, intellectual and artistic models. The Westernization of northern Slavic societies rooted in Byzantine traditions of governance and religion accelerated during the tumultuous seventeenth century, which saw
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Beauty, Knowledge, Transcendence.
With Your Support, Cappella Romana Brings These Things To The World As we mark our 25th Anniversary this year, Cappella Romana is taking bold steps to bring you more of the unusual and beautiful music you love from the sacred traditions of New and Old Rome. And now, we need your help. Would you make
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Seattle Times Reviews Northwest Boychoir Stabat Mater
Ahead of their March 18th Portland performance, the Northwest Boychoir performed Pergolesi’s Stabat Mater with an ensemble of Seattle Symphony musicians under the direction of King’s College Choir director Stephen Cleobury: “The Boychoir, directed for the past 30 years by Joseph Crnko, has become a beloved Northwest fixture…with singing of exceptional clarity and balance, imposing


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