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A Time For Life — Structure
The composite text for A Time for Life was adapted from a wide range of sources that explore the relationship of humanity to nature. The work is structured in three large-scale parts, as follows: Part I: Creation In the first part, the nature of creation is celebrated through praise for the Creator and through rejoicing
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The Oregonian Explores Cappella Romana’s History
Brett Campbell explores Cappella Romana’s history in The Oregonian before this weekend’s 25th Anniversary Celebrations: “When Alexander Lingas moved to San Francisco in 1990, the Greek Orthodox cathedral where he’d just been appointed associate cantor lay in ruins, devastated by the 1989 Loma Prieta earthquake. Lingas wanted to help the church rebuild – and the
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Latin Music in Cyprus
Literary witnesses to the cultivation of music by the French kings of Cyprus are found in a variety of sources, but nearly all of the surviving music associated with the Lusignan court is contained in a single manuscript: Torino Biblioteca Nazionale Universitaria J.II.9. This remarkable document was, according to Karl Kügle (2012), evidently copied between
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Echoes of the Renaissance — Program Notes
In his magisterial The Rise of European Music, 1380–1500, Reinhard Strohm traces the development and dissemination of complex styles of music written with multiple voice parts using measured (‘mensural’) notation that enabled precise rhythmic coordination of the voices. By the middle of the fifteenth century the most notable centers for the production of this polyphonic
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Somewhere In Between: Ivan Moody’s Greek Liturgy
For someone familiar with Greek Orthodox liturgy, today’s performance will echo the experience of actual services, with abbreviations appropriate to a concert. At the same time, those new to the form may experience the performance as though it were liturgically complete even with the adjustments made for a concert context. Cappella Romana presents here the
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Annunciation Program
Annunciation Portland Friday 17 March 2023, 7:30 P.M.The Madeleine Parish Seattle Sunday 19 March 2023, 4:00 P.M.St. Demetrios Greek Orthodox Church Chamber Music Based on Byzantine Chant Cappella Romana’s Annunciation program is a natural outcome of Cappella Romana’s first collaboration with virtuoso pianist and Byzantine cantor Paul Barnes. For the world premiere of the piano
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Great and Holy Friday in Jerusalem Program Notes
The J. Paul Getty Villa 17 & 18 May 2014 Cappella Romana Performs Medieval Byzantine Chant Program Great and Holy Friday in Jerusalem In the year 637 AD the orthodox Christian Patriarch Sophronios (d. 638) surrendered Byzantine Jerusalem to the Arab Caliph Umar, inaugurating a period of Muslim rule in the Holy City that would
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Fanfare Magazine Reviews Benedict Sheehan’s Liturgy of Saint John Chrysostom
Alongside a must-read interview with Benedict Sheehan, Fanfare Magazine’s March/April 2021 Issue features THREE reviews of his Divine Liturgy of Saint John Chrysostom recording with the St. Tikhon Choir on Cappella Records: James A. Altena: “I own a goodly number of settings of the Liturgy by various composers—Chesnokov, Grechaninov, Ippolitov-Ivanov, Kastalsky, Rachmaninoff, Shvedov, Stoyanov, and
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Win the Trip of a lifetime at A Night on the Aegean
Join us for A Night on the Aegean Cappella Romana’s 25th Anniversary Gala! Seattle: Friday, September 23rd at St. James Cathedral following the Cappella Romana performance Portland: Saturday, September 24th at Trinity Episcopal Cathedral following the Cappella Romana performance The Honorable Charles & Nancy Hales, Chairs Remarks by The Honorable Charles & Nancy Hales (in
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Ivan Moody Talks Akáthistos Hymn With iClassics
“The harmonies are lush and dark in Russian style, though periodically the shadows disperse as in a cloud-break and the sound brightens. The effect over the whole hymn is of a slow revelation of light and warmth over an ancient musical ground.” (Willamette Week) “Something new, substantial, and profound” (Sunday Oregonian) Standing Room Only — Ivan
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National Endowment for the Arts Awards Major Grant to Cappella Romana for Black Voices in Orthodox Music
Cappella Romana is thrilled to announce a $35,000 grant from the National Endowment for the Arts for its Black Voices in Orthodox Music series, which in 2025 will feature the Canon for Racial Reconciliation by Nicholas Reeves and Isaac Cates. This grant is under the NEA’s Grants for Arts Projects, tied with My Voice Music
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Cappella Romana to sing Divine Liturgy in San Jose
Saint Nicholas Greek Orthodox Church, San Jose, CA Sunday, September 28, 10:00am The Divine Liturgy, with music composed by Dr. Tikey Zes (as recorded by Cappella Romana) Under the direction of the composer, Dr. Tikey Zes Following the fundraising event for the PAOI in San Francisco on Saturday night, Cappella Romana will sing the Divine
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