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Looking Back at A Time For Life
As we look forward to our May 2014 performance of Robert Kyr’s A Time For Life with the Third Angle New Music Ensemble, have a look back at an Oregonian review of our world premiere concert: “During an hour of music, the eight excellent voices of Cappella Romana (sopranos DenBeste and Stephanie Kramer, altos Jo
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Free Season Preview!
Free Season Preview Concerts This Sunday, September 8! Season Previews at at Middle Eastern Festival, St. George Orthodox Church This Sunday, 8 September at 2:00pm and 4:30pm Selections from and related to Cappella Romana’s 2013-14 Season: Byzantine Chant Music of Orthodox Finland Russian Orthodox choral works Music for the Environment Also includes selections from the
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New Release — The Divine Liturgy of St. John Chrysostom
Now Available! The Divine Liturgy of St. John Chrysostom Cappella Romana Tikey Zes Dr. Tikey Zes (b. 1927) is the most prolific composer of Greek Orthodox liturgical music in America. This highly original Liturgy, which Zes dedicated to Cappella Romana, bears the marks of a composer long engaged with the traditions of Orthodox worship. Cumulatively
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The Divine Liturgy of St. John Chrysostom
The Divine Liturgy bearing the name of St. John Chrysostom (d. 407) is the form of the Eucharist celebrated most frequently in the modern Byzantine rite. Like the communion services of most other Christian traditions, it features two large sections: a service of the Word that climaxes with readings from the New Testament and concludes
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A Time For Life — Conclusion
The final phase of the journey (Part III: Remembering) moves towards a hopeful future in which humanity serves as a responsible steward of the earth and thus realigns itself with the creative forces of existence. This journey is a spiritual one in which we remember our true responsibility of stewardship for the earth, and through
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The Divine Liturgy Of St. John Chrysostom — Liner Notes Part Two
John Sakellarides and Greek American Choral Music for the Divine Liturgy The first notated examples of polyphonic music for the Byzantine rite—that is, music employing more than one vocal part intended for worship by Eastern Orthodox and Greek Catholic Christians—appeared shortly before 1453 among the works of singers who served at the courts of the
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The Divine Liturgy Of St. John Chrysostom — Liner Notes Part Three
A Second Generation of Greek American Church Musicians After the Second World War a second generation of Greek American church musicians emerged, some of whom had received training in Western art music at American universities. The composers among them soon began to recast the legacy of Sakellarides by rescoring his harmonized works idiomatically for mixed
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The Divine Liturgy of St. John Chrysostom by Tikey Zes
Dr. Zes first published in 1991 The Divine Liturgy of St. John Chrysostom recorded on this disc. In 1996 he reissued it in an expanded edition that he dedicated to Cappella Romana, which had presented the concert premiere of the work in 1992. It is a collection of choral settings intended for Orthodox liturgical use
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Cappella Romana Rehearses Arctic Light — Video
ARCTIC LIGHT: Finnish Orthodox Choral Music Beautiful Finnish choral music of the Orthodox tradition, conducted by Timo Nuoranne from Helsinki, who is making his US debut with Cappella Romana. Cappella Romana will pre-release its 20th recording, also called “Arctic Light,” at these performances. Listen here to a sample of the music, as performed to sold-out
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Cappella Romana returns to the recording studio this month!
Heaven and Earth, with John Tavener’s Ikon of Light. Guest post by Richard Barrett, Artistic Director of The Saint John of Damascus Society In July 2012, nine years ago this month, my friend Dr. Harold Sabbagh and I had initial conversations about a spark of an idea. He was infectiously enthusiastic about CERN’s then-recent confirmation
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Audiophile Audition Gives Five Stars to Hymns of Kassianí
Audiophile Audition gives a five-star review to Cappella Romana’s Hymns of Kassianí recording: “Kassia is especially known for one particular piece, the Hymn of Kassiani, so-called because of its placement in the orthros (matins) service of Holy Wednesday. It is a masterly composition of great pathos, commemorating the harlot who anointed the feet of Jesus and


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