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Living Memories
Introduction: Modern Greek Poetry and Memory Living Memories SEATTLE Fri 14 Nov 2O25, 7:3O PMSt. James CathedralFirst Hill, Seattle PORTLAND Sat 15 Nov 2O25, 2:OO PMHoly Trinity Greek Orthodox ChurchLaurelhurst, Portland “Eternal memory” is the final chant of funeral and memorial services in the Byzantine rite of Christian liturgy. Ancient in origin, this simple exclamation
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Dr. Tikey Zes
October 10, 1927 – May 7, 2025 All of us at Cappella Romana mourn the recent passing of Tikey Zes, the most prolific composer of Greek Orthodox choral music in America. Tikey’s connection to Cappella Romana reaches back even before our founding. He was an early mentor to our founder and music director, Alexander Lingas,
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Somewhere In Between: Ivan Moody’s Greek Liturgy
For someone familiar with Greek Orthodox liturgy, today’s performance will echo the experience of actual services, with abbreviations appropriate to a concert. At the same time, those new to the form may experience the performance as though it were liturgically complete even with the adjustments made for a concert context. Cappella Romana presents here the
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Refund and Returns Policy
This is a sample page. Overview Our refund and returns policy lasts 30 days. If 30 days have passed since your purchase, we can’t offer you a full refund or exchange. To be eligible for a return, your item must be unused and in the same condition that you received it. It must also be
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Health Information
Our commitment to you, our audiences Our top priority is the safety of the Cappella Romana audiences, singers, staff, and volunteers. Cappella Romana follows CDC and local health regulations. \ At present masks are not required, but may be worn if you prefer. Thank you for doing your part to keep everyone safe as possible.
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Contact Us
Have questions or need to get in touch? Contact Cappella Romana! By Phone: (503) 236-8202 By Mail (Portland): 1201 SW 12th Ave Ste 415, Portland, OR 97205 By Mail (Seattle): 2100 Boyer Ave E, Seattle, WA 98112 Email Us Using the Form Below
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Echoes of the Renaissance — Program Notes
In his magisterial The Rise of European Music, 1380–1500, Reinhard Strohm traces the development and dissemination of complex styles of music written with multiple voice parts using measured (‘mensural’) notation that enabled precise rhythmic coordination of the voices. By the middle of the fifteenth century the most notable centers for the production of this polyphonic
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Ave Maria: Program Notes
Josquin des Prez and Heinrich Isaac were two Renaissance composers with two quite different characters, in music and in life. We know what Isaac’s signature looked like because he dutifully signed the account books as a musical servant of the Emperor Maximilian. We know what Josquin’s signature looked like because he carved it (not at
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Lost Treasures of Armenia
The Holy Armenian Apostolic Orthodox Church continues to embody a living tradition of primarily monodic vocal music of exceptional richness and beauty. Though its hymnography is traditionally believed to have commenced with the invention of the Armenian alphabet in the fifth century, and the Hymnal as a canonical collection was definitively closed in the fourteenth
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The Psalm 103 Project
Heaven and Earth: A Song of Creation 12-14 Oct, 2018 TICKETS & INFO Cappella Romana’s Heaven and Earth: A Song of Creation Series (October 12-14, 2018) is a collaboration with the Saint John of Damascus Society. A musical meditation on Psalm 103 (“Bless the Lord, O my soul”), the Orthodox Vesperal Psalm, the program premieres
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Byrd Ensemble – Spanish Music for the House of Habsburg
SPANISH MUSIC FOR THE HOUSE OF HABSBURG A musical exploration of the Habsburg dynasty, featuring Spanish music written for monarchs Charles V and Philip II PROGRAM Tomás Luis de VICTORIA – Requiem Mass Introitus: Requiem aeternam Kyrie Gradual Offertory Sanctus & Benedictus Agnus Dei I, II & III Communion: Lux aeterna Versa est in luctum
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Hagia Sophia: A Space In Between Heaven and Earth
Professor Bissera Pentcheva presents Hagia Sophia: A Space In Between Heaven and Earth at Reed College Tuesday, November 15, 2016 – 4:45pm Eliot Hall 314 Free and open to the public More Information ** This event follows Cappella Romana’s residency with Dr. Pentcheva at Stanford, where the ensemble performed medieval Byzantine chant from Hagia Sophia
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