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Review of Toensing Kontakion in the Seattle PI
‘Kontakion’ reflects the old, new Full text of the article … The first half of the program was devoted to carols and hymns of all sizes and attitudes. Most were written in the past century, with texts in English and Greek. Although they may be familiar in Orthodox circles, they are not so known outside
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Events at City University London
FOR IMMEDIATE RELEASEContact: Louise Gordon, Concerts Manager, +44 (0) 20 7040 8271, louise.gordon.1@city.ac.uk City University Brings ‘Voices of Byzantium’ to London ‘robust and intriguing music’—The Washington Post, 2 DEC. 06‘sung with such strength and commitment’ —Los Angeles Times, 12 DEC. 06 London. [12 February 2009] — In March 2009, the Department of Music at City
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Meet Robert Kyr
Photo taken from “Peace Work” (Portland Monthly)Photo by Stuart Mullenberg Tomorrow (Friday, May 18th), Cappella Romana will kick off the weekend’s Be Radiant, O Peoples! series, and will be premiering works based around the Easter Canon of St. John of Damascus from contemporary composers. One of these works is by the prolific composer Robert Kyr,
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From Constantinople to California – Program Notes Part Two
The Eastern Roman Empire—commonly called “Byzantium” after the ancient name of its capital Constantinople — not only survived the downfall of Rome by a millennium, but also created a musical tradition that remains both alive and influential today. In From Constantinople to California Cappella Romana will follow this tradition from its medieval origins to contemporary Los
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LIVE IN GREECE: From Constantinople to California – Part Two
As we approach the release of LIVE IN GREECE: From Constantinople to California, we’ll be sharing some excerpts from the liner notes to give you a bit of background into the programming of this recording. I – Greeks and Latins in the Eastern Mediterranean The Crusades transformed the Eastern Mediterranean politically into a patchwork of
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Cappella Romana Remembers September 11 – Lament for the Fall of Constantinople
Cappella Romana remembers September 11th From the Seattle Post-Intelligncer in January 2002: Alexander Lingas, founder and music director of Cappella Romana, has a keen ear for music and its historical and cultural context. Over the past decade, that kind of approach has taken the small vocal ensemble, and its growing audience, over many centuries and
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Ivan Moody on the Rachmaninoff Divine Liturgy of St. John Chrysostom
Following three sold-out performances last season of Rachmaninoff’s All-Night Vigil (“Vespers”), this year Cappella Romana presents Rachmaninoff’s earlier sacred masterpiece, the Divine Liturgy of St. John Chrysostom (1910). Composer (and friend of Cappella Romana) Fr. Ivan Moody, published some wonderful program notes for the Corydon Singers recording of this work, and we’ll quote some of
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Looking Ahead to the New Year!
The New Year is upon us, and it’s set to be an exciting one for Cappella Romana! Take a look at some upcoming highlights: Rachmaninoff Liturgy Cappella Romana presents Rachmaninoff’s first major a cappella work, his 1910 Divine Liturgy. Read Fr. Ivan Moody’s notes on this wonderful work! Purchase Tickets Today Portland8pm, Fri., Jan. 11,
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Rachmaninoff: Divine Liturgy Reviews Are In!
Thanks to all who made it out to the concerts this weekend! The reviews are in: From The Oregonian: “Friday night’s performance of the Divine Liturgy at St. Mary’s Cathedral was indeed drenched in sumptuous sonic pleasure. “It was a marathon for the singers, a vast text amounting to nearly 18 program pages of Old
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Cappella Romana Holy Week in Jerusalem Program Notes – Part One
Saturday, February 2nd, after their sold-out Bing Concert Hall debut, amid the natural acoustics of Memorial Church, Cappella Romana will perform music composed for 8th and 9th-century celebrations of Holy Week in Jerusalem’s Church of the Holy Sepulcher. Great and Holy Friday in Jerusalem (Part One) In the year 637 A.D. the orthodox Christian Patriarch
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Cappella Romana at the Priory Church of St. Bartholomew-the-Great
Cappella Romana Brings Medieval Byzantine Chant to London Cappella Romana, the world’s leading early music vocal ensemble for the broad exploration of music of the Eastern Orthodox traditions, returns to London for the first time since 2009 when it was engaged by the Royal Academy of Arts for its mega-exhibition ‘Byzantium: 323-1453’. Its founder and
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A Time for Life — An Introduction
One of the most urgent issues facing the world today is the ecological crisis caused by humanity’s inability to live in harmony with the natural world. My collaboration with Cappella Romana grew out of our mutual concern about this potentially catastrophic situation. After many discussions, I decided to create an environmental oratorio in order to
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