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A Time For Life — Structure
The composite text for A Time for Life was adapted from a wide range of sources that explore the relationship of humanity to nature. The work is structured in three large-scale parts, as follows: Part I: Creation In the first part, the nature of creation is celebrated through praise for the Creator and through rejoicing
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Fanfare Magazine Reviews Arctic Light
New “Feature Review” in Fanfare Magazine for our latest release, Arctic Light: Finnish Orthodox Music: “The music on this release—all of it a cappella and all polyphonic—includes what is, to these rather novice ears, some of the most adventurous music built on the Orthodox traditions. … One has only to hear the decidedly lush, late-Romantic
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Fanfare Interviews Robert Kyr
Fanfare Magazine has a grand interview with composer Robert Kyr about his new Cappella Romana CD, A Time For Life. Read an excerpt from the interview, “The Joy of Creation” below and visit the Fanfare Archives for the full piece: Fanfare: A Time for Life is one of a number of your pieces inspired by
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Audiophile Audition Gives Five Stars to Hymns of Kassianí
Audiophile Audition gives a five-star review to Cappella Romana’s Hymns of Kassianí recording: “Kassia is especially known for one particular piece, the Hymn of Kassiani, so-called because of its placement in the orthros (matins) service of Holy Wednesday. It is a masterly composition of great pathos, commemorating the harlot who anointed the feet of Jesus and
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Classical-Modern Music Review For Hymns of Kassianí
Grego-Applegate Edwards has a grand new review and recommendation for our Hymns of Kassianí recording: “It is rather exciting to me that the Early Music Cappella Romana has released an entire album of the Hymns of Kassiani (Capella Records CR422 SACD). … This is meant to be a first volume in a series that will record all
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Hymns of Kassianí Gets Highest Rating from ConcertoNet
Critic Linda Holt gives ConcertoNet‘s highest rating (4 Stars) to our new Hymns of Kassianí recording! “Cappella Romana… is transforming the dry, brittle pages of ancient Byzantine scores into living musical lyricism with a broad international appeal. … Their latest album provides a stunning entrée to the work of Kassianí, an Orthodox woman, monastic and
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First Reviews for Hymns of Kassianí!
Cappella Romana’s new recording, Hymns of Kassianí comes out the 16th April, and reviewers are already excited: “Cappella Romana are specialists in Byzantine chant, and this album is a stunner. The release is an SACD hybrid multichannel recording. If possible, opt for the physical disc rather than the digital download for this one. The release
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MusicWeb International Recommends Sheehan’s Liturgy of Saint John Chrysostom
MusicWeb International critic John Quinn gives the Recommended distinction to St. Tikhon Choir’s recording of Benedict Sheehan: Liturgy of Saint John Chrysostom: “Sheehan’s music is very beautiful and inventive. … Sheehan’s Liturgy of Saint John Chrysostom is best heard as an uninterrupted sequence; such listening does full justice to his conception. However, if I were asked to
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In Le Monde: Hagia Sophia: The Great Amplifier
Ece Temelkuran, Journaliste et essayiste: « Avec la transformation de la basilique Sainte-Sophie, Erdogan achève de créer une Turquie à sa main » La basilique « a toujours été la diversion politique favorite » du président turc, relève, dans une tribune au « Monde », la journaliste exilée. Il détourne ainsi l’attention des problèmes majeurs
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With profound thanks to all
by Mark Powell, Executive Director Dear friends of Cappella Romana, I am humbled to report that our livestream concert has now, at last count, reached nearly 80,000 people worldwide. As a result, we have decided to keep the livestream link up at least for a few more days. You can still view it here, with
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Tchaikovsky’s Divine Liturgy: Program Notes
Russian choral artistry, and especially its sacred choral singing, has long enjoyed the admiration of the Western musical world. After hearing the Choir of the Imperial Chapel of St. Petersburg in 1844, Robert Schumann wrote in his diary that “the Chapel is the most wonderful choir we have ever had the occasion of hearing.” Tchaikovsky
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