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The October 2021 issue of Choir & Organ magazine features a five-star review of Cappella Romana’s Hymns of Kassianí recording: “There’s surely no group more qualified to release the music of the earliest known female composer – a ninth-century Byzantine religious phenomenon. … Her work, now risinga bove earlier censorship and misogynist misattribution, is here […]
The March/April 2021 issue of Choir and Organ Magazine has a review for our Lost Voices of Hagia Sophia recording: “Lost Voices of Hagia Sophia from Cappella Romana, directed by Alexander Lingas, is an extraordinary feat – the first vocal album ever to be recorded in live virtual acoustics. … Stunningly convincing sounds emerge as […]
Choir & Organ Magazine has a wonderful feature on the recent publication of Ivor Gurney’s Since I Believe in God the Father Almighty Motet. Cappella Romana is excited to be giving the North American premiere performance on our They Are At Rest series November 9 and 11, 2018: “Composed in June 1925, the motet for […]