St. Louis Post-Dispatch Passion Week Review
Sarah Bryan Miller says Passion Week helps to “fill the gap” in music for Holy Week in the St. Louis Post-Dispatch: “In ‘Passion Week,’ which receives its world premiere recording here, that style is lushly traditional in the Russian Orthodox style. It’s paired with Rimsky-Korsakov’s ‘Chants for Holy Week.’ It’s all beautifully sung by Cappella…
Audiophile Audition Gives Passion Week Five Stars
Audiophile Audition gives Maximilian Steinberg: Passion Week a Five-Star review! “[Maximilian Steinberg’s] music is pretty much sunk in obscurity…Until now, that is. … His Op. 13 Passion Week is his seminal work in the genre, actually more a collection of pieces selected from various Holy Week services that could be used outside of the opus…
AllMusic Reviews Good Friday In Jerusalem
AllMusic.com’s James Manheim has a new review for our Good Friday In Jerusalem release! “It takes a good deal of scholarly effort to reconstruct a program like this from manuscripts in various places (some are Armenian) and at various levels of notational detail. The result, though, is spectacular. The chants were sung (if this reconstruction…
Steinberg Passion Week a “Landmark Recording”
The Orthodox Arts Journal‘s Benedict Sheehan gives Cappella Romana’s upcoming Maximilian Steinberg Passion Week an absolute rave: “Every so often a record comes along that changes the landscape of choral music.…The work itself is the sort of thing musicologists dream about: a treasure of inestimable musical value, hidden away in some attic or dusty library…
Good Friday In Jerusalem in The Oregonian!
The Oregonian‘s David Stabler features our Amazon chart-topping Good Friday In Jerusalem release: “Alexander Lingas leads Cappella’s all-male version in stirring performances, anchored by bass drones underneath meditative melody. The feeling is profound, devotional and powerful in its simplicity, reflecting the pathos of Good Friday, the day Christ died. … Holding drone pitches and singing…
Orthodox Arts Journal Review for Good Friday
The Orthodox Arts Journal asks “How can music be alive?” in On History and Tradition: A Review of Cappella Romana’s “Good Friday in Jerusalem”. “Good Friday in Jerusalem is no exception to the level of quality that audiences have come to expect from Cappella Romana’s recordings; the singing on the disc is at once rich,…
Audiophile Audition Five Star Review for Good Friday In Jerusalem!
Audiophile Audition‘s Steven Ritter gives five star to the new Cappella Romana Good Friday In Jerusalem release! “This is the all-male version of Cappella Romana, and Alexander Lingas has his Portland-based ensemble going from strength to strength, perfectly judged balances among the melodists and those singing the ison, or lower drone notes, and executing these…
Review from the Utrecht Early Music Festival
A wonderful new review of our concert at the Utrecht Early Music Festival by Marianne Driessen has been translated into English by our friend Maria Armstrong. “When I first started this blog, I really had made the resolution to not write about music. I do not know much about it, and my ear is not very…
MusicWeb International Reviews A Time For Life
Brian Reinhart of MusicWeb International reviews the new Cappella Romana release, A Time For Life: “There can be no questioning Kyr’s skill as a composer. Just listen to the first five minutes, as singers enter one-by-one — there are only eight — to the accompaniment of a single solitary cello. Many writers would need half…
CityArts Reviews Seattle Fall of Constantinople
CityArts Magazine reviews Cappella Romana’s Seattle performance of The Fall of Constantinople: “In Cappella Romana’s latest program Friday night at St. Joseph Parish, “The Fall of Constantinople,” we heard some thoughts of the defenders in music of the era—from the Byzantine side in Greek, and the Catholic side in Latin. … the sound is hypnotic,…
ArtsWatch Reviews Fall of Constantinople
Oregon ArtsWatch reviews the Portland performance of The Fall of Constantinople, saying “Portland vocal ensemble excels in hometown performance before major European festival appearance”: “Just past what the Greeks called ‘dog days of summer,’ Cappella Romana shone like Sirius in our Portland sky. Saturday night the premier choral ensemble presented a thoughtful, dramatic performance of…
#ThrowbackThursday — Fall of Constantinople Gramophone Review
Before this weekend’s presentations of The Fall of Constantinople, here’s a look back at Gramophone Magazine’s review of our recording of this repertoire: “English-speaking audiences commonly associate Greek Orthodox plainchant with the music of John Tavener, whose work draws substantially from its ethos. This recording confronts plainchant with the compositions of another Western composer, albeit…
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