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Oregon Days of Culture feature Cappella Romana Hagia Sophia Performance
Oregon Days of Culture and the Portland Tribune & Community Newspapers have a wonderful feature on the upcoming Stanford Residency concerts and the “Icons of Sound” project highlighting “The Sounds of Hagia Sophia.” Heavenly Experience: Vocal chamber ensemble Cappella Romana performs from Portland to Stanford to Greece “It is said that when the Slavic people
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Coming Soon – Santiago De Compostela
We’re only a month away from the start of the 2012-2013 Season as Marcel Pérès makes his Northwest and Cappella Romana debut directing an all-male chant ensemble in a program of medieval latin hymnody for St. James, sung directly from facsimilies of the Codex Calixtinus. This is the medieval manuscript that was only recently recovered
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Oregon Arts Watch Reviews Choral Glory
Photo courtesy of Oregon ArtsWatch Oregon ArtsWatch with a review of our recent collaboration with the Portland Baroque Orchestra — Choral Glory! “It didn’t take long for this new Oregon classical music season to produce the first truly great performance I’ve heard this fall. Friday night’s concert featuring the superb Portland choir Cappella Romana and
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About Ensemble Organum
We are very excited about our upcoming concert featuring Marcel Pérès, so we wanted to share a little about his own ensemble — Ensemble Organum! The Organum Ensemble was founded in 1982 by Marcel Pérès at Sénanque Abbay (France) and has been supported since 1984 by the Fondation Royaumont. The Ensemble develops programmes which combine
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More on Ensemble Organum and Marcel Peres
About Ensemble Organum’s last record: Requiem of Divitis (16th century) For thirty years now, the vocal ensemble Organum has slowly but surely, far from the eye of the public at large, pieced together a veritable history of the singing of sacred music. With this new disc, Organum adds yet another layer to the knowledge of
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A little about the Codex Calixtinus
A little about the Codex Calixtinus: The Codex Calixtinus is an illuminated manuscript compiled by French scholar Aymeric Picaud between 1135 and 1139. The Codex has been held in the archives of the Cathedral of Santiago de Compostela since 1150, and was intended as an anthology for pilgrims following the “Way of St. James” to
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Cappella Romana Welcomes Marcel Pérès of Ensemble Organum
Mark Powell picking up Marcel Pérèsat the airport Cappella Romana opens its 21st Annual Season with MARCEL PÉRÈS–of France’s world-renowned ENSEMBLE ORGANUM–leading the Byzantine chant ensemble of Cappella Romana in a program drawn from the Codex Calixtinus, the priceless 12th-century manuscript recently stolen and recovered from the Cathedral of St. James in Compostela, Spain. In
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Cyber Monday on CappellaRomana.Org
Capella Romana launches Cyber Monday Sale – for the entire week! Order Two or More CDs and get 50% Off your Entire Order on CappellaRomana.org! Add your items to the cart and use promo code “2for1“ Offer ends Friday, November 30th at Midnight This includes our two recent releases Mt. Sinai: Frontier of Byzantium and
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Looking Ahead…
The next Cappella Romana performance features Rachmaninoff’s 1910 a cappella work Divine Liturgy – The Liturgy of St. John Chrysostom. “Not for a long time…have I written anything with such pleasure.” —Sergei Rachmaninoff, 1910 Come and hear Rachmaninoff’s setting as it might have been sung in an actual service! Purchase Tickets Today Portland8pm, Fri., Jan. 11,
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Cyber Week Sale Ends Tonight!
Our Cyber Monday, week-long Sale ends TONIGHT at Midnight! Get in on the savings while you still can! Purchase two or more CDs and get 50% off your entire order with promo code “2for1”! You can get a head start to your Christmas music listening by purchasing one of our Christmas CDs like Kontakion on
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Looking Back to January
As we get closer to our 2013 Rachmaninoff Liturgy of St. John Chrysostom concerts, we wanted to take a look back at our Rachmaninoff All Night Vigil performances from this January! Here’s a feature of our dress rehearsal on OPB: “With 26 voices including an augmented bass section to anchor Rachmaninoff’s dark, almost subterranean sound,
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