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Kastalsky Requiem: Program Notes
Vasily Polikarpovich Titov (c.1650–c.1715) – Cherubic Hymn; Megalynarion Vasily Titov was one of two leading composers of Russian Baroque music, the other being Nikolai Diletsky (c. 1630–80). Titov’s life and work mark the mid-point of the process of Russia’s musical Westernization, which gained new momentum during the reign of Tsar Peter the Great (1689 –1725).
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Lost Treasures of Armenia
The Holy Armenian Apostolic Orthodox Church continues to embody a living tradition of primarily monodic vocal music of exceptional richness and beauty. Though its hymnography is traditionally believed to have commenced with the invention of the Armenian alphabet in the fifth century, and the Hymnal as a canonical collection was definitively closed in the fourteenth
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Machaut: Messe de Nostre Dame
Guillaume de Machaut (1300-1377) Guillaume de Machaut’s Messe de Nostre Dame (c. 1360-65) began to attract great interest during the 20th century. It is the first mass composed for four voices with a known composer, and as such, it is widely considered to mark the beginning of a new musical era. In addition, Machaut himself
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Sun of Justice: A Two-Fold Offering – Part Two
With this two-fold offering of traditional Byzantine Music, we seek to give the listener two distinct yet complementary experiences: first, that of being in a traditional Orthodox church somewhere in the Middle East, wherein one choir sings in Greek and the other in Arabic; and second: that of being in a traditional Orthodox church in
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Sun of Justice: A Two-Fold Offering – Part One
With this two-fold offering of traditional Byzantine Music, we seek to give the listener two distinct yet complementary experiences: first, that of being in a traditional Orthodox church somewhere in the Middle East, wherein one choir sings in Greek and the other in Arabic; and second: that of being in a traditional Orthodox church in
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Arctic Light II: Northern Exposure – Program Notes
The genesis of this concert program occurred last season in January 2017 after renowned Finnish choral conductor Timo Nuoranne was slated to appear with Cappella Romana to direct Einojuhani Rautavaara’s Vigilia (All-Night Vigil). Timo Nuoranne has championed that work in particular throughout his career, having performed it with both Finnish and non-Finnish choirs, and made
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Cappella Romana on Tour in Romania at the Iași Byzantine Music Festival
The Iași Byzantine Music Festival in Romania will present Cappella Romana, the world’s leading proponent of scholarship and performance of Medieval Byzantine Chant, in a concert on September 28, 2017, at 7:00 p.m., in the “Vasile Alecsandri” National Theatre. More information . Music director Dr. Alexander Lingas will lead a mixed ensemble of men and
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Ivan Moody: From Darkness to Light
The From Darkness to Light programme is a journey in more than one sense. Firstly, it takes us from spiritual darkness (the condition which is cured, according to Orthodox Christian tradition, by metanoia, a change of heart) to light, the radiance of the Resurrection of Christ, by which mankind is made new. Secondly, it takes
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Somewhere In Between: Ivan Moody’s Greek Liturgy
For someone familiar with Greek Orthodox liturgy, today’s performance will echo the experience of actual services, with abbreviations appropriate to a concert. At the same time, those new to the form may experience the performance as though it were liturgically complete even with the adjustments made for a concert context. Cappella Romana presents here the
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Singing Divine Liturgy at St. George’s Antiochian Orthodox Church, Portland (A report)
Cappella Romana members John S. Boyer, David Krueger, Les Green, Mark Powell, John Michael Boyer, LeaAnne DenBeste, Catherine van der Salm, Christina Abdul-Karim, and Jo Routh sang the service of the Divine Liturgy at St. George’s Antiochian Orthodox Church, Portland, Oregon, on October 5, 2008. Byzantine chant in English formed the basis for the service
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Meet Robert Kyr
Photo taken from “Peace Work” (Portland Monthly)Photo by Stuart Mullenberg Tomorrow (Friday, May 18th), Cappella Romana will kick off the weekend’s Be Radiant, O Peoples! series, and will be premiering works based around the Easter Canon of St. John of Damascus from contemporary composers. One of these works is by the prolific composer Robert Kyr,
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Excitement Building for Hagia Sophia Virtual Performance
The excitement is building for our Hagia Sophia recreation concert at Stanford this season. So much so, that just this week, two different publications have featured it. Stanford Magazine goes into detail of how the concert came to be and how it works: “The first step to recreating the auditory experience of Hagia Sophia was
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