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Classical Net Raves about A Time For Life
Classical Net‘s Brian Wigman has a wonderful new review for our A Time For Life recording: “I am contending that great religious music, really great religious music, touches us all through beauty, musical thought, and sincerity of purpose. Therefore, this project is not only a major statement of ecumenical ideals, but also a major musical
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Great and Holy Friday in Jerusalem Program Notes
The J. Paul Getty Villa 17 & 18 May 2014 Cappella Romana Performs Medieval Byzantine Chant Program Great and Holy Friday in Jerusalem In the year 637 AD the orthodox Christian Patriarch Sophronios (d. 638) surrendered Byzantine Jerusalem to the Arab Caliph Umar, inaugurating a period of Muslim rule in the Holy City that would
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Catholic Insight Reviews Mt. Sinai: Frontier of Byzantium
On their new CD, Cappella Romana performs Byzantine musical treasures from the cathedrals and monasteries of the Eastern Roman Empire which were preserved from destruction in the Egyptian desert at the Greek Orthodox Monastery of St. Catherine at Mt. Sinai.… This music speaks to a higher self: its target is the divine and focuses the
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The Oregonian Names “A Time For Life” A Portland Best
The Oregonian‘s David Stabler released a list of top spring arts events for Portland, and next weekend’s performance of Robert Kyr’s A Time For Life is a “second season” best! “Kyr’s environmental oratorio weeps for the earth. In our vast and seemingly hopeless effort to save the planet, ‘A Time for Life’ is a note
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Classical Voice North America Reviews Passion Week Premiere
Seattle critic, Philippa Kiraly, has a fantastic feature and review of our recent World Premiere performance of Maximilian Steinberg’s Passion Week in Classical Voice North America: “Sometimes it sounded stern or foreboding, sober or somber, at other times brighter and joyful, or hypnotic, peaceful, and uplifting, or solemn and reverential, even exalted in Great Saturday’s
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Excerpt of Maximilian Steinberg’s Passion Week
—UPDATE—- Buy The CD & The VINYL Today! Read the review: The first review for the world premiere performance of Maximilian Steinberg’s Passion Week comes from The Wall Street Journal: “At St. Mary’s, the opening verses of the alleluia of ‘Passion Week,’ intoned in Church Slavonic by one of Cappella’s stentorian bass voices, seemed to
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The Wall Street Journal Reviews Passion Week!
The first review for the world premiere performance of Maximilian Steinberg’s Passion Week comes from The Wall Street Journal: “At St. Mary’s, the opening verses of the alleluia of ‘Passion Week,’ intoned in Church Slavonic by one of Cappella’s stentorian bass voices, seemed to portend another dose of the ensemble’s usual hieratic Byzantine and Russian
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Meet Vladimir Morosan
Meet our Passion Week, pre-concert lecturer, Vladimir Morosan courtesy of the Orthodox Arts Journal: Dr. Vladimir Morosan, Founder and President of Musica Russica, is one of the leading experts outside Russia in the fields of Russian choral music and Orthodox liturgical music. After completing his undergraduate degree in music at Occidental College, in Los Angeles,
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Meet Glenn Miller
Glenn Miller is well known for his unique basso profundo voice. His singing career includes numerous performances and recordings as a member of Conspirare, Robert Shaw Festival Singers, St. Thomas Church Fifth Avenue, Choir of Men and Boys, Choir of St. Paul’s Cathedral London, New York Choral Artists, and Vox Early Music Ensemble in Ann
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Christmas in the Summer: Preparing for Toensing’s Kontakion
In 2006 Cappella Romana was approached by the composer Richard Toensing to record a set of his Christmas carols and a new major work for double choir and soloists, The Kontakion of the Nativity of Christ, with a translation based on the English text by Fr. Ephrem Lash. Last night (24 July 2007) was the
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Cappella Romana presents a free open rehearsal for donors and subscribers, completes recording of Music for Christmas by Richard Toensing
For this remarkable project, Richard Toensing composed an ambitious new a cappella work for Cappella Romana, requiring two choirs (24 singers), three male soloists (the Magi), treble and baritone duet (Christ), and soprano soloist (the Mother of God). Entitled “The Kontakion of the Nativity of Christ,” Toensing set an English translation of the majority of
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Sneak preview of “A TIME FOR LIFE”
Here are some of the texts from Robert Kyr’s A TIME FOR LIFE: I. “O Creator:Look at our brokenness. In all creation,Only the human familyHas strayed from the Sacred Way. O Creator:Teach us love, compassion, and honor,So we may heal the earth.So we may heal each other.” –Ojibway Prayer, adapted by Robert Kyr II. “O
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