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LIVE IN GREECE: From Constantinople to California – Part Three
As we approach the release of LIVE IN GREECE: From Constantinople to California, we’ll be sharing some excerpts from the liner notes to give you a bit of background into the programming of this recording. Part One Part Two II – Modern Choral Settings of Byzantine Chant Under Venetian and later British rule the Ionian
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LIVE IN GREECE: From Constantinople to California – Part Four
As we approach the release of LIVE IN GREECE: From Constantinople to California, we’ll be sharing some excerpts from the liner notes to give you a bit of background into the programming of this recording. Part One Part Two Part Three III – Liturgical Choral Music in the Greek Orthodox Churches of the western United
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LIVE IN GREECE: From Constantinople to California – Part Five
As we approach the release of LIVE IN GREECE: From Constantinople to California, we’ll be sharing some excerpts from the liner notes to give you a bit of background into the programming of this recording. Part One Part Two Part Three Part Four Younger Byzantine Contemporaries Two younger contemporaries of Frank Desby who were strongly
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Release Day!!! Cappella Romana LIVE IN GREECE: From Constantinople to California available in stores now!
Cappella Romana LIVE IN GREECE: From Constantinople to California Recorded live on Paros, GreeceCR409 Alexander Lingas, Director Ancient Byzantine chants begin this 1,000-year journey from Constantinople to California, followed by musical encounters with Crusaders and Venetians, including Greek and Latin polyphony from Renaissance Crete. East meets West again at St. Sophia Cathedral in Los Angeles,
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Looking back at Cappella Romana in Greece
Now that LIVE IN GREECE is officially released, we’re taking the rest of the time this week to look back at our time on the tour when we made the recording. Cappella Romana on National Greek Television: Tour Video: Cappella Romana LIVE IN GREECE: From Constantinople to California Ancient Byzantine chants begin this 1,000-year journey
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Quick LIVE IN GREECE Review from Eugene Weekly
LIVE IN GREECE gets a quick feature/review on EugeneWeekly.com: “One splendid new disc arrived just too late to make my last column of CD reviews of new releases by Oregon musicians. The Portland-based choir Cappella Romana is not only one of the finest vocal ensembles in the West, it’s also renowned for being the world’s
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Cappella Romana Remembers September 11 – Lament for the Fall of Constantinople
Cappella Romana remembers September 11th From the Seattle Post-Intelligncer in January 2002: Alexander Lingas, founder and music director of Cappella Romana, has a keen ear for music and its historical and cultural context. Over the past decade, that kind of approach has taken the small vocal ensemble, and its growing audience, over many centuries and
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Gapplegate Classical-Modern Reviews LIVE IN GREECE
Grego Applegate Edwards Classical-Modern Music Review Blog features new Cappella Romana release LIVE IN GREECE, and ends with quite the statement: “This is music of endless fascination, performed with impeccable attention to detail. Cappella Romana live up to their reputation as the foremost representatives of the Byzantine choral tradition.” Read the full review on classicalmodernmusic.blogspot.ca
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Ivan Moody on the Rachmaninoff Divine Liturgy of St. John Chrysostom
Following three sold-out performances last season of Rachmaninoff’s All-Night Vigil (“Vespers”), this year Cappella Romana presents Rachmaninoff’s earlier sacred masterpiece, the Divine Liturgy of St. John Chrysostom (1910). Composer (and friend of Cappella Romana) Fr. Ivan Moody, published some wonderful program notes for the Corydon Singers recording of this work, and we’ll quote some of
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Get your CappellaCare Today!
All of us at Cappella Romana are looking forward to our concert at the National Gallery of Art on October 27th, in honor of the exhibition: “Heaven and Earth: Art of Byzantium from Greek Collections.” However, due to the current standoff in Congress and the government shutdown, this concert may not take place! But don’t
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Sheehan’s Vespers is “Stunning”
Music critic Steven A. Kennedy reviews Benedict Sheehan and The Saint Tikhon Choir’s recording of Benedict Sheehan’s Vespers on his Cinemusical blog: “Over the last couple of years, Capella Records has released some quite stunning recordings of choral music. They most recently received a Grammy nomination for their recording of the Liturgy of Saint John Chrysostom. …
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A Time For Life — Structure
The composite text for A Time for Life was adapted from a wide range of sources that explore the relationship of humanity to nature. The work is structured in three large-scale parts, as follows: Part I: Creation In the first part, the nature of creation is celebrated through praise for the Creator and through rejoicing
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