-
Oregon Days of Culture feature Cappella Romana Hagia Sophia Performance
Oregon Days of Culture and the Portland Tribune & Community Newspapers have a wonderful feature on the upcoming Stanford Residency concerts and the “Icons of Sound” project highlighting “The Sounds of Hagia Sophia.” Heavenly Experience: Vocal chamber ensemble Cappella Romana performs from Portland to Stanford to Greece “It is said that when the Slavic people
-
Ivan Moody on the Rachmaninoff Divine Liturgy of St. John Chrysostom
Following three sold-out performances last season of Rachmaninoff’s All-Night Vigil (“Vespers”), this year Cappella Romana presents Rachmaninoff’s earlier sacred masterpiece, the Divine Liturgy of St. John Chrysostom (1910). Composer (and friend of Cappella Romana) Fr. Ivan Moody, published some wonderful program notes for the Corydon Singers recording of this work, and we’ll quote some of
-
Get your CappellaCare Today!
All of us at Cappella Romana are looking forward to our concert at the National Gallery of Art on October 27th, in honor of the exhibition: “Heaven and Earth: Art of Byzantium from Greek Collections.” However, due to the current standoff in Congress and the government shutdown, this concert may not take place! But don’t
-
Sheehan’s Vespers is “Stunning”
Music critic Steven A. Kennedy reviews Benedict Sheehan and The Saint Tikhon Choir’s recording of Benedict Sheehan’s Vespers on his Cinemusical blog: “Over the last couple of years, Capella Records has released some quite stunning recordings of choral music. They most recently received a Grammy nomination for their recording of the Liturgy of Saint John Chrysostom. …
-
A Time For Life — Structure
The composite text for A Time for Life was adapted from a wide range of sources that explore the relationship of humanity to nature. The work is structured in three large-scale parts, as follows: Part I: Creation In the first part, the nature of creation is celebrated through praise for the Creator and through rejoicing
-
A Time For Life — Conclusion
The final phase of the journey (Part III: Remembering) moves towards a hopeful future in which humanity serves as a responsible steward of the earth and thus realigns itself with the creative forces of existence. This journey is a spiritual one in which we remember our true responsibility of stewardship for the earth, and through
-
Timo Nuoranne to Direct Arctic Light in January
Timo Nuoranne from Helsinki Directs Cappella Romana in “Arctic Light: Finnish Orthodox Music” in January 2014 Back by popular demand, this program of sumptuous choral works from the Orthodox Church of Finland was first performed to sold-out audiences in 2008. Timo Nuoranne, a faculty member at the Sibelius Academy of Music in Helsinki and one
-
Arctic Light: Orthodox Choral Music from Finland — Program Notes
Arctic Light Orthodox Choral Music from Finland The history of Orthodox Christianity in Finland goes back to the 12th century when trade was initiated between Carelia and traders from Novgorod. The early establishment of monasteries in Karelia, especially Valamo (Valaam) and Konevitsa on the islands of Lake Ladoga, and later, at Petsamo (Pechenga, on the
-
Ivan Moody Talks Arctic Light with Fanfare
Ivan Moody talks about Cappella Romana’s latest release, Arctic Light with Fanfare Magazine‘s James Altena. Read a couple of the questions below and find the full interview on the Fanfare website Fanfare: How did your particular association with the Cappella Romana come about, and what led to the recording of your Arctic Light CD with
-
Keeping Up with the Venetians — Part One
Keeping Up with the Venetians Program Notes for Venetian Baroque: Galuppi + Vivaldi + Bortniansky The islands in the Venetian lagoon, which by the 8th century had banded together to ally themselves with the Empire of the Romans governed from Constantinople (Byzantium), quickly became one of the inhabited world’s great centers of power and wealth.
-
Keeping Up with the Venetians — Part Two
Keeping Up With The Venetians Continued from Part One Program Notes for Venetian Baroque: Galuppi + Vivaldi + Bortniansky Galuppi further exceeded his contractual duties by teaching composition to some of the Cappella singers. One such singer was the Ukrainian Dmitro (or more commonly Dmitry) Bortniansky. When Galuppi left St. Petersburg in 1769, he took
-
Cappella Romana returns to the recording studio this month!
Heaven and Earth, with John Tavener’s Ikon of Light. Guest post by Richard Barrett, Artistic Director of The Saint John of Damascus Society In July 2012, nine years ago this month, my friend Dr. Harold Sabbagh and I had initial conversations about a spark of an idea. He was infectiously enthusiastic about CERN’s then-recent confirmation
You must be logged in to post a comment.