-
Eight Reasons to Subscribe!
Ever wondered why a subscription series to the Cappella Romana season would be beneficial? Here are EIGHT reasons to subscribe to the 24th Annual Northwest Series: Up to 25% off single ticket prices First choice of the best seats—available now, before tickets go on sale to the public 20% off ALL Cappella Romana CDs Bring
-
Ivan Moody: From Darkness to Light
The From Darkness to Light programme is a journey in more than one sense. Firstly, it takes us from spiritual darkness (the condition which is cured, according to Orthodox Christian tradition, by metanoia, a change of heart) to light, the radiance of the Resurrection of Christ, by which mankind is made new. Secondly, it takes
-
AllMusic Features Steinberg: Passion Week
AllMusic critic James Manheim has a new review for our Maximilian Steinberg: Passion Week recording: “The whole story is told in the excellent notes here, but the music itself is the main attraction. The nearest comparison would be Rachmaninov’s All-Night Vigil, but it is far from a knock-off. Steinberg makes less use of the characteristic
-
MusicWeb International Reviews Good Friday In Jerusalem
MusicWeb International critic Garry Higginson recalls his own Holy Week in Jerusalem experience while listening to Cappella Romana’s new Good Friday in Jerusalem recording: “Jerusalem was filled with people of all nations, as befits a city of pilgrimage. Droves of superior-looking tourists who had come to gaze curiously on the rites of the Eastern Church
-
ClassicalNet: Passion Week is An Ethereal Experience
ClassicalNet‘s Brian Wigman says Maximilian Steinberg: Passion Week is an example of why he’s “been a fan of Cappella Romana for a few years now”: “I’ve been a fan of Cappella Romana for a few years now, and they have thoroughly enriched our understanding of Orthodox choral music from all over the world. Director Alexander
-
Passion Week a MusicWeb Recording of the Month
MusicWeb International critic John Quinn names our Maximilian Steinberg: Passion Week a RECORDING OF THE MONTH! “Passion Week is one of the finest and most moving Orthodox settings that I’ve encountered and I’ve been excited by getting to know it. It’s particularly pleasing that this music should receive its first recording from such a fine
-
St. Louis Post-Dispatch Passion Week Review
Sarah Bryan Miller says Passion Week helps to “fill the gap” in music for Holy Week in the St. Louis Post-Dispatch: “In ‘Passion Week,’ which receives its world premiere recording here, that style is lushly traditional in the Russian Orthodox style. It’s paired with Rimsky-Korsakov’s ‘Chants for Holy Week.’ It’s all beautifully sung by Cappella
-
AllMusic Reviews Good Friday In Jerusalem
AllMusic.com’s James Manheim has a new review for our Good Friday In Jerusalem release! “It takes a good deal of scholarly effort to reconstruct a program like this from manuscripts in various places (some are Armenian) and at various levels of notational detail. The result, though, is spectacular. The chants were sung (if this reconstruction
-
Steinberg Passion Week a “Landmark Recording”
The Orthodox Arts Journal‘s Benedict Sheehan gives Cappella Romana’s upcoming Maximilian Steinberg Passion Week an absolute rave: “Every so often a record comes along that changes the landscape of choral music.…The work itself is the sort of thing musicologists dream about: a treasure of inestimable musical value, hidden away in some attic or dusty library
-
Good Friday In Jerusalem: Musical Time Travel
Oregon Artswatch breaks down our Good Friday In Jerusalem Concert saying, “Vocal ensemble’s Passion performance transports listeners to millennium-old sacred service”: “On a strictly sonic level, the concert at Portland’s Trinity Episcopal Cathedral was magnificent … As with last year’s concerts of Finnish Orthodox music, it was especially satisfying to hear the singers perform music
-
Good Friday in Jerusalem a “Home Run”
The “Almost Rational” blogger, Steven Bilow, calls Good Friday In Jerusalem a “Home Run” in his review: “Cappella Romana’s Good Friday in Jerusalem is a superb example of just how lovely this music can be. It was recorded in a Church at Stanford and engineered by some clearly acoustically savvy members of Stanford’s Center for
-
Good Friday In Jerusalem in The Oregonian!
The Oregonian‘s David Stabler features our Amazon chart-topping Good Friday In Jerusalem release: “Alexander Lingas leads Cappella’s all-male version in stirring performances, anchored by bass drones underneath meditative melody. The feeling is profound, devotional and powerful in its simplicity, reflecting the pathos of Good Friday, the day Christ died. … Holding drone pitches and singing
You must be logged in to post a comment.