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Fanfare Magazine Interviews Benedict Sheehan
Fanfare Magazine’s James A. Altena has a new must-read interview with Benedict Sheehan after the release of his Divine Liturgy of Saint John Chrysostom recording with the St. Tikhon Choir on Cappella Records: Benedict Sheehan is the artistic director of the Saint Tikhon Choir, at St. Tikhon’s Orthodox Monastery in South Canaan, PA (in the…
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Kastalsky Requiem: Program Notes
Vasily Polikarpovich Titov (c.1650–c.1715) – Cherubic Hymn; Megalynarion Vasily Titov was one of two leading composers of Russian Baroque music, the other being Nikolai Diletsky (c. 1630–80). Titov’s life and work mark the mid-point of the process of Russia’s musical Westernization, which gained new momentum during the reign of Tsar Peter the Great (1689 –1725).…
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Requiem for the Forgotten, Cantus Missae (Program Notes by Mark Powell and Frank La Rocca)
Requiem for the Forgotten, Cantus Missae Program Notes by Mark Powell and Frank La Rocca Josef Rheinberger: Cantus Missae in E-flat major, Op. 109 SEATTLE Friday, March 28 @ 7:30pmSt. James Cathedral PORTLAND Saturday, March 29 @ 2:00pmSt. Mary’s Cathedral LAKE OSWEGO Sunday, March 30 @ 3pmOur Lady of the Lake Parish Josef Gabriel Rheinberger…
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Annunciation Program
Annunciation Portland Friday 17 March 2023, 7:30 P.M.The Madeleine Parish Seattle Sunday 19 March 2023, 4:00 P.M.St. Demetrios Greek Orthodox Church Chamber Music Based on Byzantine Chant Cappella Romana’s Annunciation program is a natural outcome of Cappella Romana’s first collaboration with virtuoso pianist and Byzantine cantor Paul Barnes. For the world premiere of the piano…
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Cappella Romana Brings Byzantine Chant to the Great Hall at the Hellenic Centre
Cappella Romana Brings Medieval Byzantine Chant to London Byzantine Chant Mini-Symposium & Recital at the Hellenic Centre The Hellenic Centre Cappella Romana, in collaboration with the School of Byzantine Music and the Archdiocese of Thyateira, presents a mini-symposium and recital of Byzantine chant. Leading liturgical scholars and musicologists from the UK and US discuss ‘The…
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Steinberg Passion Week a “Landmark Recording”
The Orthodox Arts Journal‘s Benedict Sheehan gives Cappella Romana’s upcoming Maximilian Steinberg Passion Week an absolute rave: “Every so often a record comes along that changes the landscape of choral music.…The work itself is the sort of thing musicologists dream about: a treasure of inestimable musical value, hidden away in some attic or dusty library…
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Sheehan’s Vespers is “Stunning”
Music critic Steven A. Kennedy reviews Benedict Sheehan and The Saint Tikhon Choir’s recording of Benedict Sheehan’s Vespers on his Cinemusical blog: “Over the last couple of years, Capella Records has released some quite stunning recordings of choral music. They most recently received a Grammy nomination for their recording of the Liturgy of Saint John Chrysostom. ……
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A Time For Life — Structure
The composite text for A Time for Life was adapted from a wide range of sources that explore the relationship of humanity to nature. The work is structured in three large-scale parts, as follows: Part I: Creation In the first part, the nature of creation is celebrated through praise for the Creator and through rejoicing…
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ArtsWatch Reviews Venice In The East
Bruce Browne reviewed Cappella Romana’s Saturday, April 28, 2018 performance of Venice in the East for Oregon ArtsWatch: Present were exquisite moments of choral artistry, impeccable tuning, bravura singing by all and thoughtful phrasing, especially by John Michael Boyer and Mark Powell, who together stood at the pinnacle of the solo work, especially many of…



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