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Memory Eternal: Father Ivan Moody
Cappella Romana’s March 8-10 Concert Series, In You, O Woman Full of Grace, is performed in memory of our dear friend, Archpriest Ivan Moody (11 June 1964–18 January 2024). The performance will also feature the premiere of Robert Kyr’s “Memory eternal, in remembrance of Fr. Ivan Moody”. May his memory be eternal. With faith in
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Cappella Romana in the Chicago Tribune
The Chicago Tribune has a great feature on the Heaven and Earth: Art of Byzantium From Greek Collections exhibit at the Art Institute of Chicago where Cappella Romana will perform on November 16th, and says the music of Cappella Romana is already bringing the exhibit to life: “Evidence of Byzantine spiritual life dominates ‘Heaven and
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Review from the Utrecht Early Music Festival
A wonderful new review of our concert at the Utrecht Early Music Festival by Marianne Driessen has been translated into English by our friend Maria Armstrong. “When I first started this blog, I really had made the resolution to not write about music. I do not know much about it, and my ear is not very
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Explore Cappella Romana’s 2023-24 Flex-Passes
Cappella Romana is pleased to announce all-new Flex-Passes for its 32nd Annual Season in Portland and Seattle. The 2023-24 Season offers concert experiences unlike any other, and now we are making attending as easy as possible. Flex-Passes allow you to choose any concerts you like–even repeat concerts if you prefer—and receive the same benefits as
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Announcing Cappella Romana’s 2023-24 Season
Cappella Romana is pleased to announce its 32nd Annual Season in Portland and Seattle. The 2023-24 Season offers concert experiences unlike any others. Under the leadership of Music Director and Founder Alexander Lingas, this season will span from traditional to experimental, from transcendent majesty to profound intimacy and tenderness. This is music that can change
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The Fall of Constantinople — Program Notes
Greeks and Latins had lived uneasily together in the Eastern Mediterranean ever since the sack and occupation of Constantinople (1204–61) by crusader knights. During the 14th and 15th centuries, however, the shrunken Byzantine Empire and the remaining Western colonies were often forced to cooperate in desperate attempts to defend themselves against the Ottoman Turks. This
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A Note from the Executive Director
Dear friends, Cappella Romana just successfully completed one of its largest seasons ever. Last month the ensemble recorded Steinberg’s Passion Week, the remarkable work performed complete for the first time in April, with Grammy-award winning producer Steve Barnett. This coming season is the ensemble’s most ambitious, with 13 performances in the Pacific Northwest series: 5
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Single Tickets Now Available — Celebrate With A Sale!
Single Tickets for 2014-2015 Season Concerts Are Now Available! Celebrate with a Sale on “The Fall of Constantinople” Concert Tickets! Get 35% Off Section A Tickets THIS WEEK ONLY with coupon code KICKOFF! Join Cappella Romana on Labor Day weekend (August 29-30) just before its European tour as it explores the musical legacy of the
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Cappella Romana at the Maliotis Cultural Center in Boston
Cappella Romana and the Maliotis Cultural Center are collaborating to launch Byzantine Chant: The Received Tradition , A Lesson Book, the long-awaited, comprehensive manual on the psaltic art by John Michael Boyer, Protopsaltis of the Metropolis of San Francisco and our Associate Music Director. The Maliotis Cultural Center is hosting the event in the auditorium
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Memory Eternal: Lycourgos Angelopoulos
A great friend of Cappella Romana, the Byzantine cantor and teacher Lycourgos Angelopoulos died on Sunday. Memory Eternal. Mr. Angelopoulos was the teacher of Dr. Alexander Lingas, and in many respects was the inspiration for the founding of Cappella Romana. John Michael Boyer was also his student. Both Dr. Lingas and Mr. Boyer will attend
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Oregon Arts Watch Reviews A Time for Life
Oregon Arts Watch with a review from our A Time For Life concert in Portland: “… Kyr’s work really shines in the atmosphere it creates. The very beginning is understated, with strings alone. But as the voices come in, starting with the low tenor, the string harmony starts to take flight. A haunting spirituality arises,


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