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Cappella Romana seeks a Director of Marketing and Communications
Job Title: Director of Marketing and Communications Reports to: Executive Director Status: Full-time, exempt Compensation: Salary commensurate with experience Description: The Director of Marketing and Communications (DMC) builds and engages audience for Cappella Romana by creating and executing strategies designed to enhance patron experience, retention, and revenue. With a key focus on subscription and single
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Gramophone Review of The Akáthistos Hymn
Looking forward to our upcoming performances of Ivan Moody’s Akáthistos Hymn in Seattle and Portland, as well as the re-release of our original recording, we’re looking back at Gramophone Magazine’s 2003 review of our recording of the work: “The Byzantine Akáthistos Hymn probably dates from the early 6th century and comprises 24 stanzas, one for
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Cappella Romana at the Portland Middle East Festival
Sunday, August 27th, Cappella Romana will present selections of Orthodox Music from the upcoming season at 2 and 4pm during the 40th Annual Middle East Festival at the St. George Antiochian Orthodox Church in Portland! See Event Details on Facebook
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Make a Gift Today to Cappella Romana’s Annual Fund
Dear friend, Your very own Cappella Romana has had a very good 25th Anniversary year: three European tours (including visits to the UK, Belgium, the Netherlands, and Germany), a week-long residency at Stanford University in the Bay Area with recording sessions of medieval chant from Hagia Sophia, the Arvo Pärt Festival, and the group’s most
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Fanfare Magazine Review for Cyprus: Between Greek East and Latin West
New Fanfare Magazine review for our Cyprus: Between Greek East and Latin West recording! “Musicologist Alexander Lingas continues his mesmerizing exploration of the music of both traditions with a release that offers, as he states in his extensive notes, ‘a sampling of the Byzantine and Latin sacred music that someone could have encountered during the
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Help Support a New Arvo Pärt Recording
After multiple performances, and rave reviews of Arvo Pärt’s Odes of Repentance, Cappella is preparing to make a recording of this work — but in order to make it a reality, we’ll need your support! Give Today
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The Tallis Scholars: Metamorphosis
METAMORPHOSIS H. Praetorius: Magnificat IV Gibbons: Magnificat (‘Short’) Pärt: Magnificat Sheppard: Our father Tavener: Our father (1999 version) Stravinsky: Otche nash Palestrina: Pater noster (a5) Gallus: Pater noster (a8) Interval Chant: Ave Maria Mouton: Ave Maria – virgo serena Stravinsky: Bogoroditse devo Pärt: Bogoroditse devo Gibbons: Nunc dimittis (‘Short’) Eccard: Maria wallt zum Heiligtum Pärt:
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Arvo Pärt Festival Program Book
Get ready for the first festival in North America celebrating the music of Arvo Pärt Browse the complete Festival Program Book here For more info and tickets, go to apfest.org or call 503-236-8202
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Early Music America: Reveling in Byzantine Chant
Philippa Kiraly has published a wonderful feature including reviews and interviews with Mark Powell and Alexander Lingas in honor of our 25th Season, as well as a preview of our upcoming Hagia Sophia “Icons of Sound” recording: “Cappella Romana opened its 25th season in October in Seattle and Portland with “Icons of Sound: Byzantine Chant
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Hagia Sophia: A Space In Between Heaven and Earth
Professor Bissera Pentcheva presents Hagia Sophia: A Space In Between Heaven and Earth at Reed College Tuesday, November 15, 2016 – 4:45pm Eliot Hall 314 Free and open to the public More Information ** This event follows Cappella Romana’s residency with Dr. Pentcheva at Stanford, where the ensemble performed medieval Byzantine chant from Hagia Sophia
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Liège Performance On Demand!
Cappella Romana’s 3 September concert in Liège of cultural encounters between Venice and its Greek colonies is now available courtesy of Belgian Radio’s on-demand Musiq3 Service: Listen
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Il Giornale Della Musica Reviews Utrecht Early Music Festival
An Utrecht Early Music Festival mention for Cappella Romana in the Italian outlet Il Giornale Della Musica: “The connection of the Republic of Venice with the Adriatic, and more generally, Mediterranean, world was well represented by an interesting concert of the ensemble Cappella Romana, directed by Alexander Lingas, centered on the presence of the liturgical
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