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Preview Arctic Light and Timo Nuoranne
Leading our Arctic Light performances will be director, Timo Nuoranne, a faculty member at the Sibelius Academy of Music in Helsinki and one of the world’s leading experts in the Finnish choral repertoire. The program will include 20th-century works from the Finnish Orthodox Church, including selections of the (in)famous Vigilia by Einojuhani Rautavaara, of which
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Kastalsky Requiem: Program Notes
Vasily Polikarpovich Titov (c.1650–c.1715) – Cherubic Hymn; Megalynarion Vasily Titov was one of two leading composers of Russian Baroque music, the other being Nikolai Diletsky (c. 1630–80). Titov’s life and work mark the mid-point of the process of Russia’s musical Westernization, which gained new momentum during the reign of Tsar Peter the Great (1689 –1725).
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Director Update – Associate Music Director John Michael Boyer to conduct Rautavaara All-Night Vigil in Portland and Seattle
John Michael Boyer will conduct Cappella Romana in this week’s performances of the All-Night Vigil by Einojuhani Rautavaara, replacing Timo Nuoranne. Nuoranne’s visa has been held up at the US Consulate in Frankfurt, Germany, in part due to a State Department delay in the days leading to the inauguration. Film: John Michael Boyer in rehearsal
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Cappella Romana To Perform at International Music Symposium
Cappella Romana presents a special concert of Orthodox liturgical hymns under the direction of Fr. Ivan Moody during the 2016 Pan-Orthodox Music Symposium The International Society for Orthodox Church Music is pleased to announce that the vocal ensemble Cappella Romana will present a special concert of Orthodox liturgical hymns in Minneapolis as part of the
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Cappella Romana returns to Boston with The Byzantine Choral Inheritance
Cappella Romana Returns to Boston WithThe byzantine Choral Inheritance Boston Thursday 16 February 2023, 7:30 P.M.First church, Cambridge Greek Orthodox Music from the old and new worlds From Constantinople to California to Cambridge! Renowned vocal ensemble Cappella Romana will perform The Byzantine Choral Inheritance at First Church in Cambridge, February 16, 7:30pm. Tickets start at
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Make a gift by June 24 and it will be matched!
Just Two Days Left! Make A Gift Now! Midnight, June 30, marks the end of our fiscal year: and what a year it was! We are less than $9,000 away from our goal in our annual fund. With your help, we are going to make our goal. For today and tomorrow, new gifts will be
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Looking back at Cappella Romana in Greece
Now that LIVE IN GREECE is officially released, we’re taking the rest of the time this week to look back at our time on the tour when we made the recording. Cappella Romana on National Greek Television: Tour Video: Cappella Romana LIVE IN GREECE: From Constantinople to California Ancient Byzantine chants begin this 1,000-year journey
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Audiophile Audition Gives Five Stars to Hymns of Kassianí
Audiophile Audition gives a five-star review to Cappella Romana’s Hymns of Kassianí recording: “Kassia is especially known for one particular piece, the Hymn of Kassiani, so-called because of its placement in the orthros (matins) service of Holy Wednesday. It is a masterly composition of great pathos, commemorating the harlot who anointed the feet of Jesus and
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Classical-Modern Music Review For Hymns of Kassianí
Grego-Applegate Edwards has a grand new review and recommendation for our Hymns of Kassianí recording: “It is rather exciting to me that the Early Music Cappella Romana has released an entire album of the Hymns of Kassiani (Capella Records CR422 SACD). … This is meant to be a first volume in a series that will record all
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Ave Maria: Program Notes
Josquin des Prez and Heinrich Isaac were two Renaissance composers with two quite different characters, in music and in life. We know what Isaac’s signature looked like because he dutifully signed the account books as a musical servant of the Emperor Maximilian. We know what Josquin’s signature looked like because he carved it (not at
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Ivor Gurney: “Since I Believe”
Choir & Organ Magazine has a wonderful feature on the recent publication of Ivor Gurney’s Since I Believe in God the Father Almighty Motet. Cappella Romana is excited to be giving the North American premiere performance on our They Are At Rest series November 9 and 11, 2018: “Composed in June 1925, the motet for
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The Russian Chant Revival
Major traditions of complex sacred music throughout Europe were shaped during the so-called “long nineteenth century” (the period of relative peace which lasted from the battle of Waterloo to the outbreak of World War I) by movements to recover elements of early traditions for modern use. These efforts, like contemporary “back-to-roots” endeavors in non-musical arts
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