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From Constantinople to Canada! Cappella Romana at Chorus America
At the invitation of Chorus America, three award-winning choirs join together to present Constantinople to Canada at Chorus America in Seattle CAPPELLA ROMANA (Portland, OR/Seattle, WA)ELEKTRA WOMEN’S CHOIR (Vancouver, BC)COASTAL SOUND YOUTH CHOIR (Vancouver, BC) One performance only starting at 2:00pm on Saturday, June 15th, 2013. (Note student rush $10 is at the door only).
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Heaven and Earth: Art of Byzantium from Greek Collections
The Byzantine Inheritance performances are a part of the National Gallery of Art’s celebrations around the new “Heaven and Earth: Art of Byzantium from Greek Collections” exhibition. From the National Gallery of Art Website: In the first-ever exhibition of Byzantine art at the Gallery, some 170 works of art, many never before lent to the
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Support Cappella Romana by December 31
“Kassianí’s time-defying flow of melodies imparts serene glimpses into eternity.” —Gramophone Magazine “The most beautiful concert experience in recent memory.” —Cappella Romana Patron Dear friend, I believe you’ve felt it: That moment when the music washes over you and an amazing calmness takes over. Your heartbeat slows. Your breathing gets deeper. You connect with something
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Fanfare Interviews Robert Kyr
Fanfare Magazine has a grand interview with composer Robert Kyr about his new Cappella Romana CD, A Time For Life. Read an excerpt from the interview, “The Joy of Creation” below and visit the Fanfare Archives for the full piece: Fanfare: A Time for Life is one of a number of your pieces inspired by
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Cappella Romana returns to the recording studio this month!
Heaven and Earth, with John Tavener’s Ikon of Light. Guest post by Richard Barrett, Artistic Director of The Saint John of Damascus Society In July 2012, nine years ago this month, my friend Dr. Harold Sabbagh and I had initial conversations about a spark of an idea. He was infectiously enthusiastic about CERN’s then-recent confirmation
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Fanfare Magazine Reviews Benedict Sheehan’s Liturgy of Saint John Chrysostom
Alongside a must-read interview with Benedict Sheehan, Fanfare Magazine’s March/April 2021 Issue features THREE reviews of his Divine Liturgy of Saint John Chrysostom recording with the St. Tikhon Choir on Cappella Records: James A. Altena: “I own a goodly number of settings of the Liturgy by various composers—Chesnokov, Grechaninov, Ippolitov-Ivanov, Kastalsky, Rachmaninoff, Shvedov, Stoyanov, and
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Lost Voices of Hagia Sophia is a Recommended Recording on MusicWeb International
MusicWeb International critic John Quinn has made Lost Voices of Hagia Sophia one of his Recommended Recordings! “The music itself is astonishing. … I was struck at once by the wonderful overlapping sonorities of the choir. There’s a real depth and richness to the choral sound and here, as elsewhere, the fabulously deep and resonant
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Christmas in Ukraine is “a breath of life”
Oregon ArtsWatch‘s Friderike Heuer reviewed the Portland performance of Christmas in Ukraine. “The superb vocal ensemble’s ‘Christmas in Ukraine’ was ancient and modern and a breath of life… Cappella Romana opened its 2018/19 season announcement with the words, “Prepare to be engaged, moved, and inspired.” Consider it done. You could add “an occasional “made breathless” by the sheer beauty of the
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On #GivingTuesday, your gift will be doubled!
It’s #GivingTuesday, and we know all will be receiving many appeals to support the great work non-profits do in our communities. NEWS FLASH: Today we received word that the Maybelle Clark Macdonald Fund will match your gift made before Dec. 31. Your gift will be doubled! At Cappella Romana, giving is a year-round activity, and
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Help Us Reach Our Goal!
Cappella Romana changes lives through music. I really believe that, especially in our world today where beauty, truth, and goodness seem to be in short supply. You’ve experienced the music of Cappella Romana. And you know its capacity to reach deep into your soul. That’s why I’m writing to ask you to make a special
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Oregon ArtsWatch on The Tudor Choir
“The Tudor Choir re-opened for business this month. On hiatus since 2015, the ensemble presented one concert in their hometown of Seattle and two more in the Portland Metro area, at St. Mary’s Cathedral and in Hillsboro’s St. Matthew’s Church. The latter is a wonderfully accessible venue with a reverberant acoustic, challenging but with potential


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