Tag: Program Notes

  • Keeping Up with the Venetians — Part Two

    Keeping Up with the Venetians — Part Two

    Keeping Up With The Venetians Continued from Part One Program Notes for Venetian Baroque: Galuppi + Vivaldi + Bortniansky Galuppi further exceeded his contractual duties by teaching composition to some of the Cappella singers. One such singer was the Ukrainian Dmitro (or more commonly Dmitry) Bortniansky. When Galuppi left St. Petersburg in 1769, he took…

  • Keeping Up with the Venetians — Part One

    Keeping Up with the Venetians — Part One

    Keeping Up with the Venetians Program Notes for Venetian Baroque: Galuppi + Vivaldi + Bortniansky The islands in the Venetian lagoon, which by the 8th century had banded together to ally themselves with the Empire of the Romans governed from Constantinople (Byzantium), quickly became one of the inhabited world’s great centers of power and wealth.…

  • Arctic Light: Orthodox Choral Music from Finland — Program Notes

    Arctic Light Orthodox Choral Music from Finland The history of Orthodox Christianity in Finland goes back to the 12th century when trade was initiated between Carelia and traders from Novgorod. The early establishment of monasteries in Karelia, especially Valamo (Valaam) and Konevitsa on the islands of Lake Ladoga, and later, at Petsamo (Pechenga, on the…

  • A Patriarch’s Chant: Athanasios V

    A Patriarch’s Chant: Athanasios V

    The following is taken from guest-artist Achilleas Chaldaiakis’ fantastic program notes available for this weekend’s performances. A Patriarch’s Chant: Athanasios V The Patriarch of Constantinople Athanasios V is an exceptionally important Church figure, widely renowned in the relevant historical research. He was a Cretan; through historians he is described as “a wise man, whose outstanding prosperity…

  • Tage Alter Musik Festival Program

    Tage Alter Musik Festival Program

    Here’s a look at the Cappella Romana Section of the Tage alter Musik Festival Program (in German): Click for larger images

  • Cappella Romana Renaissance Easter in Spain and Portugal Program Notes

    Cappella Romana Renaissance Easter in Spain and Portugal Program Notes

    Renaissance Easter in Spain and Portugal Our programme presents music appropriate to Easter by some of the foremost composers of the Iberian ‘golden age’, during the later sixteenth and early seventeenth centuries. Francisco Guerrero spent almost his entire career in the service of Seville Cathedral, as a singer, assistant chapelmaster, and then chapelmaster. Seville Cathedral…

  • Cappella Romana Holy Week in Jerusalem Program

    Cappella Romana Holy Week in Jerusalem Program

    Saturday, February 2nd, the day after our (already sold-out) Bing Concert Hall debut, Cappella Romana will perform music composed for 8th and 9th-century celebrations of Holy Week in Jerusalem’s Church of the Holy Sepulcher amid the natural acoustics of the Stanford University Memorial Church. Take a look at what Cappella Romana will be performing: The…

  • Cappella Romana Holy Week in Jerusalem Program Notes – Part Two

    Cappella Romana Holy Week in Jerusalem Program Notes – Part Two

    Saturday, February 2nd, the day after our (already sold-out) Bing Concert Hall debut, Cappella Romana will perform music composed for 8th and 9th-century celebrations of Holy Week in Jerusalem’s Church of the Holy Sepulcher amid the natural acoustics of the Stanford University Memorial Church. Great and Holy Friday in Jerusalem (Part Two) Stanford Memorial Church…

  • Cappella Romana Holy Week in Jerusalem Program Notes – Part One

    Cappella Romana Holy Week in Jerusalem Program Notes – Part One

    Saturday, February 2nd, after their sold-out Bing Concert Hall debut, amid the natural acoustics of Memorial Church, Cappella Romana will perform music composed for 8th and 9th-century celebrations of Holy Week in Jerusalem’s Church of the Holy Sepulcher. Great and Holy Friday in Jerusalem (Part One) In the year 637 A.D. the orthodox Christian Patriarch…

  • Rachmaninoff: The Divine Liturgy of St. John Chrysostom

    Rachmaninoff: The Divine Liturgy of St. John Chrysostom

    NEW: previews of this weekend’s concerts:Crosscut by Thomas May“the group’s brand of meditative sacred music from the Orthodox tradition is just what the doctor ordered.” The Sun Break by Michael van Baker “their performances of last season’s Vespers (also by Rachmaninoff) sold out, so you may want tickets in advance.” Before the Rachmaninoff Divine Liturgy concerts this…

  • Marcel Pérès offers program notes for Codex Calixtinus Concert

    Marcel Pérès offers program notes for Codex Calixtinus Concert

    Ibi barbare gentesomnium mundi climatumcatervatim occurrunt,munera laudis Domino deferentes, Alleluia Foreign nations hasten therefrom all over the world,bringing with them gifts of praiseto the Lord. Alleluia!(First antiphon, Vespers of St James) Since the ninth century the apostle St James has been the object of great faith and fervour in the Western Christian world. Even today…

  • A Look at Choral Glory From the Notes

    Next Friday will feature Cappella Romana with the Portland Baroque Orchestra in “Choral Glory.” Take a look through Terry Ross’ concert notes as a preview of what’s coming in this concert! This concert features the three Baroque composers most popular with audiences today — Bach, Handel, and Vivaldi — and further offers choral works by…