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The Tallis Scholars: Metamorphosis
METAMORPHOSIS H. Praetorius: Magnificat IV Gibbons: Magnificat (‘Short’) Pärt: Magnificat Sheppard: Our father Tavener: Our father (1999 version) Stravinsky: Otche nash Palestrina: Pater noster (a5) Gallus: Pater noster (a8) Interval Chant: Ave Maria Mouton: Ave Maria – virgo serena Stravinsky: Bogoroditse devo Pärt: Bogoroditse devo Gibbons: Nunc dimittis (‘Short’) Eccard: Maria wallt zum Heiligtum Pärt:…
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Rehearsing James MacMillan’s “Videns Dominus”
New Mystics From East & West Our season closes with a program of music by two important modern voices: the Greek Orthodox composer Michael Adamis and Scottish Catholic James MacMillan. The choral works of both composers share a deeply personal quality and a rare devotion to ancient chant: Byzantine for Adamis and Gregorian for MacMillan.…
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Seattle Times Reviews Northwest Boychoir Stabat Mater
Ahead of their March 18th Portland performance, the Northwest Boychoir performed Pergolesi’s Stabat Mater with an ensemble of Seattle Symphony musicians under the direction of King’s College Choir director Stephen Cleobury: “The Boychoir, directed for the past 30 years by Joseph Crnko, has become a beloved Northwest fixture…with singing of exceptional clarity and balance, imposing…
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Cappella Romana To Perform at International Music Symposium
Cappella Romana presents a special concert of Orthodox liturgical hymns under the direction of Fr. Ivan Moody during the 2016 Pan-Orthodox Music Symposium The International Society for Orthodox Church Music is pleased to announce that the vocal ensemble Cappella Romana will present a special concert of Orthodox liturgical hymns in Minneapolis as part of the…
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Steinberg: Passion Week a Recording of the Year!
MusicWeb International has released their 2015 Recordings of the Year, and we’re happy to report that our Maximilian Steinberg: Passion Week recording has been named a Recording of the Year by two MusicWeb critics! “One of the big choral rediscoveries of recent years combined with a stunning performance and recording, Steinberg’s sublime and eloquently moving…
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Expedition Audio Reviews Steinberg: Passion Week!
Paul Ballyk of Expedition Audio has a rave review for our Maximilian Steinberg: Passion Week recording! “Passion Week is a profoundly moving composition. From the opening, monophonic tones, it is clear that ancient chant is central to the work’s structure – in fact, all but one of the eleven sections is based directly on a…
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Early Music America Reviews Good Friday in Jerusalem
Donald Rosenberg reviews our Good Friday In Jerusalem recording in Early Music America Magazine: “Here Cappella Romana travels back to the roots of Byzanitne chant to recreate a Good Friday service through the music of the 8th and 9th centuries. The recording shot to the top of Amazon and Billboard charts when released, and it…
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Patrick Comerford Previews Cappella Romana’s All-Night Vigil Centennial Performance And More
After attending Dr. Alexander Lingas’ Kilkenny Arts Festival lecture “The Lost Music of Byzantium” last Saturday, blogger Patrick Comerford previews Cappella Romana’s upcoming Rachmaninoff All-Night Vigil concert series: “This year marks the centenary of the All-Night Vigil, the a cappella choral composition by Sergei Rachmaninoff, his Op. 37. … To mark this centenary, Cappella Romana…
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Planet Hugill Reviews Maximilian Steinberg: Passion Week
Robert Hugill has a new review for our “Remarkable re-discovery” of Maximilian Steinberg’s Passion Week: “Musically it is very much in the same genre as Rachmaninov’s All Night Vigil (Vespers), the chant in Steinberg’s work has similar recognisable outlines. Steinberg’s harmony is more classical…and the chants stand out more in Steinberg. …Quite romantic in texture,…
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Good Friday In Jerusalem in Early Music Review
“Alexander Lingas, in collaboration with Ioannis Arvanitis, is fortunate in being able to reify his archival researches into Medieval Byzantine chant by means of Cappella Romana’s fine musical skills and their recording team. … we can rejoice that these rites are preserved from a Holy Land now surrounded by architectural, human and cultural destruction.” —Diana…
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Oregon ArtsWatch Reviews From Darkness to Light
Oregon ArtsWatch critic Jeff Winslow weighed in on Cappella Romana’s recent performance of Schnittke’s Verses of Repentance during our From Darkness to Light concert: “Only a tin-eared deity could fail to be moved by such offerings. … In the final movement, over a constant drone from the low basses, the other voices, singing wordlessly with…
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Maximilian Steinberg: Passion Week in The New York Times
New York Times critic James R. Oestreich shared that he’d been listening to our Maximilian Steinberg: Passion Week recording in the ArtsBeat “Classical Playlist”: “‘Passion Week’…is on a scale with the great sacred works of Tchaikovsky and Rachmaninoff, though in a slightly more advanced idiom, and is quite simply beautiful.” —James R. Oestreich, The New…
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