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For Holy Friday: Today he who hung the earth upon the waters is hung upon a Tree
Today, for Holy Friday, sung in the original medieval melody Antiphon 15. Tone 6 Today he who hung the earth upon the waters is hung upon a Tree, (x3) He who is King of the Angels is arrayed in a crown of thorns. He who wraps the heaven in clouds is wrapped in mocking purple.
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Why Is There Water Dripping down My Face? A Night at Pop-Up Magazine.
“my whole body shivered and the tears started up.” Review from the Stranger, Seattle: Still, it wasn’t just the sad stories that triggered crying. Sam Harnett brought along the Cappella Romana choir, a vocal ensemble based in Portland that sings ancient religious chants. The singers were brilliant on their own, but then Harnett told us
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Cappella Romana presents: The Arvo Pärt Festival
The first-ever festival in North America dedicated to the music of Estonian Orthodox composer Arvo Pärt will take place February 5 – 12, 2017 in Portland, Oregon, presented by the Northwest’s leading professional chamber choir, Cappella Romana. Arvo Pärt is the most performed living composer in the world. Full information. The Arvo Pärt Festival features
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Win the Trip of a lifetime at A Night on the Aegean
Join us for A Night on the Aegean Cappella Romana’s 25th Anniversary Gala! Seattle: Friday, September 23rd at St. James Cathedral following the Cappella Romana performance Portland: Saturday, September 24th at Trinity Episcopal Cathedral following the Cappella Romana performance The Honorable Charles & Nancy Hales, Chairs Remarks by The Honorable Charles & Nancy Hales (in
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Health Information
Our commitment to you, our audiences Our top priority is the safety of the Cappella Romana audiences, singers, staff, and volunteers. Cappella Romana follows CDC and local health regulations. \ At present masks are not required, but may be worn if you prefer. Thank you for doing your part to keep everyone safe as possible.
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Women in Sacred Chant: Past and Present
In tandem with the album launch for “Hymns of Kassianí,” this panel highlighted two dimensions of women’s contributions to Christian sacred music: as composers and as performers (singers). This history has been often marginalized or even disregarded in general histories of Christianity, yet it has been – and continues to be– important to the continuing
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Language in American Orthodox Music: Liturgical and Pastoral Perspectives
Please join us for a webinar on “Language in American Orthodox Music: Liturgical and Pastoral Perspectives” hosted by Fordham University’s Orthodox Christian Studies Center in a co-presentation with Cappella Romana. It has often been asserted that it is the tradition of the Orthodox Church to worship in the local language. Yet the historical reality has been
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Arctic Light on Performance Today
Before we send out our next e-newsletter (about our next live concerts of music from Cyprus), I wanted to let you know that part of our recent program Arctic Light (January 2008) will be broadcast this Friday on the nationally syndicated radio program Performance Today, in honor of Orthodox Holy Week (Orthodox Pascha, or Easter,
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Oregon Days of Culture feature Cappella Romana Hagia Sophia Performance
Oregon Days of Culture and the Portland Tribune & Community Newspapers have a wonderful feature on the upcoming Stanford Residency concerts and the “Icons of Sound” project highlighting “The Sounds of Hagia Sophia.” Heavenly Experience: Vocal chamber ensemble Cappella Romana performs from Portland to Stanford to Greece “It is said that when the Slavic people
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Celebrate Pascha! Also In Mulieribus this Sunday!
Happy Pascha: May 5 Cappella Romana sings the opening of Semeron krematai in the medieval melody from Jerusalem, during recording sessions at Stanford University in February, 2013. Σήμερον κρεμᾶται ἐπὶ ξύλου, ὁ ἐν ὕδασι τὴν γῆν κρεμάσας. Today he who hung the earth upon the waters is hung upon a TreeHe who is King of
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Lost Treasures of Armenia
The Holy Armenian Apostolic Orthodox Church continues to embody a living tradition of primarily monodic vocal music of exceptional richness and beauty. Though its hymnography is traditionally believed to have commenced with the invention of the Armenian alphabet in the fifth century, and the Hymnal as a canonical collection was definitively closed in the fourteenth
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Christmas in Ukraine
Khrïstos razhdayetsia! Slavite yeho! Christ is born! Glorify Him! When Cappella Romana invited me to prepare this concert “Christmas in Ukraine,” a wealth of musical memories came into my imagination. Since I am of Ukrainian descent, I felt instant inspiration and also a sense of responsibility. How can I represent the many centuries of Ukraine’s sacred

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