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LIVE IN GREECE: From Constantinople to California – Part Four
As we approach the release of LIVE IN GREECE: From Constantinople to California, we’ll be sharing some excerpts from the liner notes to give you a bit of background into the programming of this recording. Part One Part Two Part Three III – Liturgical Choral Music in the Greek Orthodox Churches of the western United
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Sacred Songs of Serbia Program
Rejoice, all ye western lands, Stichera, Tone I, from the Service in Honour of the Holy King Stefan of Dečani (+ 1331), melody from monastery Hilandar manuscript /3,08’ The Magi, kings of Persia, Stichera, Tone V, from the Christmas Vespers, Traditional Serbian Chant / 3, 20’ Holy, holy, holy, great, from the Liturgy
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Fanfare Magazine Reviews Benedict Sheehan’s Liturgy of Saint John Chrysostom
Alongside a must-read interview with Benedict Sheehan, Fanfare Magazine’s March/April 2021 Issue features THREE reviews of his Divine Liturgy of Saint John Chrysostom recording with the St. Tikhon Choir on Cappella Records: James A. Altena: “I own a goodly number of settings of the Liturgy by various composers—Chesnokov, Grechaninov, Ippolitov-Ivanov, Kastalsky, Rachmaninoff, Shvedov, Stoyanov, and
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St. Tikhon Choir Gives a “Stunning Debut”
Cinemusical gives stars across the board to the Saint Tikhon Choir’s recording of Benedict Sheehan’s Liturgy of St. John Chrysostom on Cappella Records: “The work is a blend of liturgical components (litanies, various antiphons and hymns, an “Our Father”, communion, blessing) and psalm settings (Sheehan adapted Psalms 145 and 148). There are references to ancient
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Psaltikon: The Day of Resurrection
The Historical Development of Easter The celebration of Easter (i.e., Pascha) for Orthodox Christians commences on Saturday morning with a Vesperal Liturgy that comprises psalms, hymns, and Old Testament readings, followed by the Divine Liturgy of St. John Chrysostom. Pascha is formally inaugurated several hours later, at midnight, in a rush of blazing candles, exuberant
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Notes on Heaven and Earth: A Song of Creation
Heaven and Earth: A Song of Creation Dedicated to Richard Toensing (+2014) and Archimandrite Ephrem Lash (+2016) of blessed memory Program Notes by Richard Barrett, Artistic Director, The Saint John of Damascus Society HEAVEN AND EARTH TICKETS 10/12 SEATTLE TICKETS 10/13 PORTLAND TICKETS 10/14 PORTLAND TICKETS The Saint John of Damascus Society is a sacred arts
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The Psalm 103 Project
Heaven and Earth: A Song of Creation 12-14 Oct, 2018 TICKETS & INFO Cappella Romana’s Heaven and Earth: A Song of Creation Series (October 12-14, 2018) is a collaboration with the Saint John of Damascus Society. A musical meditation on Psalm 103 (“Bless the Lord, O my soul”), the Orthodox Vesperal Psalm, the program premieres
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Venice in the East
Venice In The East: April 27-29, 2018 Program Notes by Alexander Lingas From its emergence as a significant political entity in the sixth century under the rule of the Eastern Roman (“Byzantine”) Empire to the dissolution of the Republic by Napoleon in 1797, the city of Venice remained closely tied to the Greek East. Following
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Machaut: Messe de Nostre Dame
Guillaume de Machaut (1300-1377) Guillaume de Machaut’s Messe de Nostre Dame (c. 1360-65) began to attract great interest during the 20th century. It is the first mass composed for four voices with a known composer, and as such, it is widely considered to mark the beginning of a new musical era. In addition, Machaut himself
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Venice in the North
Following the Ottoman conquest of Constantinople in 1453, the peoples of Russia and Ukraine began to look to the West not only for trading partners, but also for political, intellectual and artistic models. The Westernization of northern Slavic societies rooted in Byzantine traditions of governance and religion accelerated during the tumultuous seventeenth century, which saw
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Maximilian Steinberg, “Passion Week”, Op. 13 — Notes
Historians of Orthodox Christianity have charted the emergence of a ‘Russian Religious Renaissance’ out of the so-called ‘Silver Age’ of Russia, the culturally fruitful but politically turbulent decades immediately prior to the Bolshevik takeover in 1917. This movement encompassed a broad range of efforts aimed at various forms of spiritual, ecclesial, cultural, and national renewal
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