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Heaven and Earth: Art of Byzantium from Greek Collections
The Byzantine Inheritance performances are a part of the National Gallery of Art’s celebrations around the new “Heaven and Earth: Art of Byzantium from Greek Collections” exhibition. From the National Gallery of Art Website: In the first-ever exhibition of Byzantine art at the Gallery, some 170 works of art, many never before lent to the…
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“The Green Patriarch,” Cappella Romana, And a Time For life
Before climate change became a pressing item on the global agenda, signs of human abuse of the natural environment had prompted efforts in religious communities throughout the world to recover spiritually grounded notions of human stewardship within creation. For Orthodox Christianity, this process began in earnest during the second half of the tenure of His…
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The Divine Liturgy Of St. John Chrysostom — Liner Notes Part Two
John Sakellarides and Greek American Choral Music for the Divine Liturgy The first notated examples of polyphonic music for the Byzantine rite—that is, music employing more than one vocal part intended for worship by Eastern Orthodox and Greek Catholic Christians—appeared shortly before 1453 among the works of singers who served at the courts of the…
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Keeping Up with the Venetians — Part Two
Keeping Up With The Venetians Continued from Part One Program Notes for Venetian Baroque: Galuppi + Vivaldi + Bortniansky Galuppi further exceeded his contractual duties by teaching composition to some of the Cappella singers. One such singer was the Ukrainian Dmitro (or more commonly Dmitry) Bortniansky. When Galuppi left St. Petersburg in 1769, he took…
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Letter from Mark Powell, Executive Director
Introduction to Cappella Romana’s 30th Anniversary Season Dear Friends and Supporters, In late winter we usually are ready to share our next season with you, but given how this year has proceeded, we decided to wait until now to make any announcement. Over the last year, we have not lain dormant. Cappella Romana’s recording label…
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St. Tikhon Choir Gives a “Stunning Debut”
Cinemusical gives stars across the board to the Saint Tikhon Choir’s recording of Benedict Sheehan’s Liturgy of St. John Chrysostom on Cappella Records: “The work is a blend of liturgical components (litanies, various antiphons and hymns, an “Our Father”, communion, blessing) and psalm settings (Sheehan adapted Psalms 145 and 148). There are references to ancient…
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More Praise for Lost Voices of Hagia Sophia in MusicWeb International
Mark Sealey adds his voice to the growing list of reviews of Lost Voices of Hagia Sophia on MusicWeb International: “From the first note, we hear dedication, focus, energy, a balanced and measured concentration on – as far as is possible in our noisy world – how the monks and lay staff of the Hagia…
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In Le Monde: Hagia Sophia: The Great Amplifier
Ece Temelkuran, Journaliste et essayiste: « Avec la transformation de la basilique Sainte-Sophie, Erdogan achève de créer une Turquie à sa main » La basilique « a toujours été la diversion politique favorite » du président turc, relève, dans une tribune au « Monde », la journaliste exilée. Il détourne ainsi l’attention des problèmes majeurs…
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Alexander Lingas’s Cappella Romana Playlist: Holy Week 1
Welcome to the second episode in this new series of playlists from the archives of Cappella Romana. During this week and the next in 2020, Western and Eastern Christians are journeying through Holy Week – the devotionally intense period from Palm Sunday through Good Friday to Easter Sunday. This year instead of attending or, more…
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Seattle Concert of Tchaikovsky’s Divine Liturgy is cancelled.
Due to the unusual circumstances surrounding the coronavirus, and in light of the new recommendations by the King County Health Department, Cappella Romana’s performance of Tchaikovsky’s Divine Liturgy at St. Mark’s Cathedral in Seattle, on Sunday, March 15 has been cancelled. After careful deliberation, we have decided not to take the 100 young singers of…
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