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Choir and Organ Five Star Review for Hymns of Kassianí
The October 2021 issue of Choir & Organ magazine features a five-star review of Cappella Romana’s Hymns of Kassianí recording: “There’s surely no group more qualified to release the music of the earliest known female composer – a ninth-century Byzantine religious phenomenon. … Her work, now risinga bove earlier censorship and misogynist misattribution, is here
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Fanfare Interviews Tikey Zes about his new Divine Liturgy Recording
New interview with Divine Liturgy composer, Tikey Zes by Ronald Grames of Fanfare Magazine: “If one composer stands at the forefront of Greek Orthodox music in America, it would likely be Dr. Tikey Zes…” … RG: So, what is it about music for the Greek Orthodox church that especially appeals to you? TZ: It is
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Fanfare Magazine reviews Mt. Sinai: Frontier of Byzantium and Live in Greece!
A double-feature Fanfare review by J.F. Weber features our LIVE IN GREECE and Mt. Sinai: Frontier of Byzantium recordings. Mt. Sinai: Frontier of Byzantium “The chants for these two services come from a variety of sources in or close to the 14th century, including works by such well-known composers as John Koukouzeles and Manuel Chrysaphes.
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Audiophile Audition calls Tikey Zes: Divine Liturgy a “Recording of the Highest Quality”
In a four-star review, Audiophile Audition calls new release, The Divine Liturgy, “An important … recording of the highest quality.” “Cappella Romana is the foremost ensemble in the United States promoting the heritage of Byzantine chant, and one of the finest in the world as well. … It’s not Super Audio format but it is
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Fanfare Magazine Reviews Arctic Light
New “Feature Review” in Fanfare Magazine for our latest release, Arctic Light: Finnish Orthodox Music: “The music on this release—all of it a cappella and all polyphonic—includes what is, to these rather novice ears, some of the most adventurous music built on the Orthodox traditions. … One has only to hear the decidedly lush, late-Romantic
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Fanfare Reviews “A Time for Life”
Fanfare Magazine has a new review for our Robert Kyr: A Time for Life release: “This is my first exposure to the music of Robert Kyr (born 1952). I hope it not to be my last. The idea of a pan-religious frame of reference to address man’s ecological concerns is an attractive one, and it
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Hymns of Kassianí in Gramophone!
The August 2021 Issue of Gramophone Magazine features a wonderful new review for Cappella Romana’s Hymns of Kassianí recording! “The booklet includes Lingas’s excellent, lengthy background essay on Kassianí, her reception and the historical context of medieval Byzantine chant, along with the original Greek texts and translations. Recognised among the pre-eminent interpreters of Eastern Orthodox
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American Record Guide Reviews Hymns of Kassianí
The July/August 2021 issue of American Record Guide features a review of Cappella Romana’s new Hymns of Kassianí recording: “This is a recording I have long awaited. While the name of the Orthodox nun Kassia (or Kassiani, c.810-c.895) has slowly entered scholarly studies of music in the Middle Ages, her reputation has suffered from the
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MusicWeb International Reviews Hymns of Kassianí
Dominy Clements reviews Hymns of Kassianí for MusicWeb International: “much to appreciate in this substantial recording of Kassianí’s music… Cappella Romana is a leading vocal ensemble that is best known for its performances of Byzantine chant, and you have the feeling that you are in safe hands in the way they bring Kassianí’s ancient manuscripts
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InfoDad review for Hymns of Kassianí
Family-focused review site, InfoDad, reviews our Hymns of Kassianí as a “revelatory” release: “The excellent and expressive voices of Cappella Romana are ideally suited to introduce the music of Kassianí to a wider audience, which is just what they do in a new recording on the ensemble’s own label. Under the sensitive and knowing direction
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TheaterByte Gives Hymns of Kassianí Five Stars
TheaterByte’s Lawrence Devoe gives our new Hymns of Kassianí a Five-Star review! “Having had the otherworldly experience when I reviewed Cappella Romana’s breakthrough recording of The Lost Voices of Hagia Sophia last year, I looked forward to their next installment in the Byzantine chant discography. This now arrives in the new release Hymns of Kassiani and represents one of


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