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The Divine Liturgy Of St. John Chrysostom — Liner Notes Part Three
A Second Generation of Greek American Church Musicians After the Second World War a second generation of Greek American church musicians emerged, some of whom had received training in Western art music at American universities. The composers among them soon began to recast the legacy of Sakellarides by rescoring his harmonized works idiomatically for mixed…
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Timo Nuoranne to Direct Arctic Light in January
Timo Nuoranne from Helsinki Directs Cappella Romana in “Arctic Light: Finnish Orthodox Music” in January 2014 Back by popular demand, this program of sumptuous choral works from the Orthodox Church of Finland was first performed to sold-out audiences in 2008. Timo Nuoranne, a faculty member at the Sibelius Academy of Music in Helsinki and one…
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Fanfare Interviews Tikey Zes about his new Divine Liturgy Recording
New interview with Divine Liturgy composer, Tikey Zes by Ronald Grames of Fanfare Magazine: “If one composer stands at the forefront of Greek Orthodox music in America, it would likely be Dr. Tikey Zes…” … RG: So, what is it about music for the Greek Orthodox church that especially appeals to you? TZ: It is…
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Fanfare Interviews Robert Kyr
Fanfare Magazine has a grand interview with composer Robert Kyr about his new Cappella Romana CD, A Time For Life. Read an excerpt from the interview, “The Joy of Creation” below and visit the Fanfare Archives for the full piece: Fanfare: A Time for Life is one of a number of your pieces inspired by…
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Cappella Romana Returns to Europe
Cappella Romana returns to Ireland and the Netherlands this month, first to make two recordings in Ireland and then to give the festival finale concert at The Utrecht Early Music Festival, Netherlands. The ensemble will first gather under the auspices of the Limerick Early Music Festival to film a concert for showing at the Iași…
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Keeping Up with the Venetians — Part One
Keeping Up with the Venetians Program Notes for Venetian Baroque: Galuppi + Vivaldi + Bortniansky The islands in the Venetian lagoon, which by the 8th century had banded together to ally themselves with the Empire of the Romans governed from Constantinople (Byzantium), quickly became one of the inhabited world’s great centers of power and wealth.…
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American Record Guide Reviews Hymns of Kassianí
The July/August 2021 issue of American Record Guide features a review of Cappella Romana’s new Hymns of Kassianí recording: “This is a recording I have long awaited. While the name of the Orthodox nun Kassia (or Kassiani, c.810-c.895) has slowly entered scholarly studies of music in the Middle Ages, her reputation has suffered from the…
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Letter from Mark Powell, Executive Director
Introduction to Cappella Romana’s 30th Anniversary Season Dear Friends and Supporters, In late winter we usually are ready to share our next season with you, but given how this year has proceeded, we decided to wait until now to make any announcement. Over the last year, we have not lain dormant. Cappella Romana’s recording label…
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Fanfare Magazine Reviews Benedict Sheehan’s Liturgy of Saint John Chrysostom
Alongside a must-read interview with Benedict Sheehan, Fanfare Magazine’s March/April 2021 Issue features THREE reviews of his Divine Liturgy of Saint John Chrysostom recording with the St. Tikhon Choir on Cappella Records: James A. Altena: “I own a goodly number of settings of the Liturgy by various composers—Chesnokov, Grechaninov, Ippolitov-Ivanov, Kastalsky, Rachmaninoff, Shvedov, Stoyanov, and…
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Alexander Lingas’s Cappella Romana Playlist: Holy Week 1
Welcome to the second episode in this new series of playlists from the archives of Cappella Romana. During this week and the next in 2020, Western and Eastern Christians are journeying through Holy Week – the devotionally intense period from Palm Sunday through Good Friday to Easter Sunday. This year instead of attending or, more…
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Tchaikovsky’s Divine Liturgy: Program Notes
Russian choral artistry, and especially its sacred choral singing, has long enjoyed the admiration of the Western musical world. After hearing the Choir of the Imperial Chapel of St. Petersburg in 1844, Robert Schumann wrote in his diary that “the Chapel is the most wonderful choir we have ever had the occasion of hearing.” Tchaikovsky…
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